ACE CAFE RADIO

    samedi 3 août 2013

    ‘Bonneville’ - Vintage Addiction Crew


    It's been quite a while between moped posts for us. As a matter of fact, we haven't posted a single one since last year. So we've been keeping our eyes peeled for something to redress the imbalance, and when we laid them on this little Catalonian gem from a shop that goes by the name of Vintage Addiction Crew, we couldn't pass up the opportunity. It's a rather amazing mash-up of a Derby, a KTM, and a Beta Trueba (a rather natty-looking Moto that we'd never heard of before) mixed with a touch of salt flat racing. And I don't think it would be an overstatement to say that it's our favourite 'ped of 2013 so far.
    “My name is Carlos (A.K.A. Xarly). I'm a guy from Barcelona, ​​Catalunya. I work fulltime in a garage as a mechanic, which leaves me nothing more than the nights and weekends to build bikes. I am passionate about engines and everything old; Volkswagen aircooleds, Porches, Vespas and Lambrettas! I'm also a big fan of kustom rods.”
    “Recently, I decided to do something a little different, so I started the Vintage Addiction Crew. It's all about restoring vintage transport and putting your whole heart and soul into each build. I hope to one day make a living doing this.”
    “This is the second bike check by Vintage Addiction and it was made specifically for a moped build-off called the ‘Massive Metamorphosis Mopeds’ contest. It's a friendly event for like-minded builders who enjoy modifying scooters. It was a great experience and I met many cool people from the scene.”
    “It would not have been possible without the help of my friends, who donated their bikes for this project. I was lucky enough to get my hands on one Derby 49 cc variant, one Beta Trueba, and one KTM 80cc with the main parts being from the Derby.”
    “It's a bike inspired by Bonneville speed machines. The front wheel is from the Beta Trueba. The forks are from a KTM 80 and the 'bars are from a Yamaha TZR. The headlight is a cast after market item with a custom support. It's also got a handmade one litre tank, as you can probably see. The chassis and seat are also heavily customised. The rear wheel is from a Rieju Supermotard. The silencer and expansion chamber are based on a Derby and Tavi units.”
    “For such a small bike to have so many build hours, especially in the installation of new forks and the central seat mod might seem a bit crazy, but the end result pleases me so much. I am very happy, which is the main thing. I enjoyed every minute of it. I hope you like it.”

    PREDICTABILITY IS DEAD: THE TURBO MERCEDES 190


    Energy. That’s what I feel when I talk to the owner of this Mercedes-Benz 190E. Although he’s just 22, Alexander Lindquist has managed to piece together an incredibly cool machine that’s nothing short of rowdy with an amazing sense of vigor. Cars for me should be an extension of someone’s personality and this Benz is exactly that. It would be easy to take a quick look at this car and not give it full respect for what it actually is. And you know what? I kind of like that. From some angles the car looks like just another stance-pleasing creation. But that’s not the case. I promise it’s not.
    For me personally, the recent car features on Speedhunters have been some of the most interesting ever shown on the site. Not just because of the the extreme nature of the builds, but also down to the discussion which some of these machines have provoked. I always think that there’s one thing – and one thing only – that matters about all of this car building malarky and this is fun.
    I don’t know about you, but my passion for cars goes in waves – sometimes I can think about nothing else at all and my mind builds multiple cars on a daily basis. Then every now and then, usually when things aren’t going quite to plan with a project, I question why I am in this game at all. If you’re ever having a slump then you only need to hit up a quality event to get inspired again. It’s things like this DTM-style exhaust that make my mind go mental. Immediately I want to buy a car from the 1990s and incorporate a pair of upswept exhaust tips into the build.
    When it came to the promotion of creativity, Gatebil was a very positive experience. Alex kindly brought his car along to the event where it sat on the Speedhunters stand for a weekend that was full of awesome. As you can see Paddy couldn’t wait to shoot this car and pulled it away from the stand, into the crowd slightly, and made up his own personal feature car location right in everyone’s way – you gotta love the Irish!
    What anyone at all thinks of your car should not be important. As long as you are enjoying the build and the resulting driving experiences which come as part and parcel of creating these automotive dreams, then surely that is all that matters?
    It seems to me that the Scandinavians are far too busy building, driving and having fun with their cars to give a single care about anything else at all. And it’s this attitude that makes every moment that you’re submersed in car culture over in Scandinavia an awesome one. I’ve just finished up reading Larry and Brad’s epic ‘Attack Mode Enabled’ story on MI Performance’s BMW 5 Series E34, which I’ve been really looking forward to. Brad really nailed it with the opening line of that feature when he said: ‘If there’s one thing our look into Scandinavian performance car culture over the past month has taught me, it’s to always expect the unexpected.’ This sentence could not be any more on-point when it comes to Alex’s Mercedes…
    … and the gargantuan turbo that I never expected to see in the engine bay of a Mercedes 190E. I really do love Scandinavia!
    This is a serious forced induction device, and that Holset HX52 turbo is surely too big for a 22-year old? Which kind of got me thinking…
    … this whole car is a celebration of what is exciting about building cars when you are young.
    Personally, I just cannot get overly excited about builds that incorporate parts that have been brought together for the sake of box ticking. Predictability in the automotive world, and of course life in general, is tedious. Don’t get me wrong, we need people who live on the safer side of unexciting so as builds like this one can stand out. In its current guise, this Mercedes is not going to set the fastest time around a race track or lay down record-breaking quarter mile times. The build of this 190E is in its infancy. And, much like his car, Alex too is at the beginning of a very long and exciting automotive life of adventure.
    In my short time as a Speedhunter I have enjoyed the experience of encountering cars at different stages of their life. Some have seen a few much action and abuse, some are unfinished and a handful of cars have literally just been completed. Like many, Alex had worked hard to get his car complete for the Gatebil event. It just required some final mapping to the motor and a few other tweaks before it was ready, hence why it didn’t get any track time. I love fresh builds and I wonder what the front end of Alex’s 190 will look like in a few years time? Hopefully the motor will ensure that the business end of the Merc gets peppered in track debris during its next outing at Gatebil.
    The project started in September for Alex and he has been in the garage working on his creation almost every night.
    In January his daily BMW got sold to release some money so that he could carry on with the build he was passionate about. Everything has been a massive learning curve for this dedicated car creator.
    At the beginning the 190 had an M102.910 motor, which for those of you unfamiliar with Mercedes-Benz engine codes is a 1.8-litre lump that doesn’t make much power. Obviously it was really slow, and to make the car even less cool it even had a tow bar. The only time Alex used that tow bar was when he bought the new engine that you see in the bay now. The new M103 103.980 is a straight-six displacing 2960cc in factory form.
    So was it hard to install? Well this was the first time Alex has ever built a motor and, like anything I guess, in the beginning it was a challenge. But, everything is possible if you really want to achieve it. I think it’s fair to say things are looking pretty good in this bay now.
    The car itself has been rebuilt from scratch. Alex had a lot of rust to take care of and many hours were spent repairing all of the gaping holes. This is his first attempt at a really involved build and I love his attitude. Suspension-wise the 190 uses Bilstein B8 shock absorbers on all four corners with AP lowering springs from a R129. The front anti-roll bar is 28.5mm thick and came from a A124 300 24V, with the rear item sourced from a 190E 2.3-16 Evolution 1.
    Although Alex had never welded before and as soon as all of the rust had been attended to, he made a start on the roll cage – another first. He’s the first to admit that some of the welds on his car aren’t that perfect, but they did become better as the build progressed. Alex joked with me that you can follow the welds and see where the cage starts!
    Another innovative aspect of the build is the cooling system, which Alex has designed and created himself. It has yet to be tested with the car at full noise, but of course, this is all part of doing things in an outside-of-the-box fashion. I guess, once the motor is fully mapped Alex will find out how all of his ideas have come together.
    The innards of the 190 are pure class. In keeping with the ago of the car, period styling is rife, and I’m a massive fan.
    That Benetton steering wheel – just awesome.
    Stepping back the details of the Momo Corse Extreme seat in carbon/Kevlar add a nice contrast to the fresh white bodywork, and are still perfectly in keeping with the rest of the build.
    Another nicely chosen upgrade is the rolling stock. Dreamy 17-inch OZ Racing Futura wheels measuring 9.0 inches wide at the front and 10.5 inches wide at the rear are bang on the money.
    The reason for selecting this engine was simple: it’s understated and people do not expect mad power from a Mercedes. These are just old engines now but 700hp is no problem. Plus they’re extremely cheap and reliable. For such a young guy Alex sure does have a bright head on his shoulders. In just a short time he’s built a motor with his own hands and clearly is on a mission to create some awesome motor vehicles. Keep an eye out for this kid.
    Like Brad highlighted, the Scandinavians do not do the expected. I can’t wait to get back over to there and hopefully I can see how this Mercedes 190 is evolving. Predictability does not exist in Scandinavia and that alone makes it worth a trip to an event in this amazing part of the world. Sure a can of Coke might be $5 (I joke not) but the experience is absolutely priceless.

    Words by Ben Chandler
    Twitter: @Ben_SceneMedia
    Instagram: @ben_scenemedia
    Photos by Paddy McGrath
    Twitter: @PaddyMcGrathSH
    Instagram: speedhunters_paddy
    paddy@speedhunters.com

    Alexander Lindquist’s Mercedes-Benz 190E
    Engine
    M103 103.980 2960cc, standard bottom, pistons, rods, match-ported head with standard camshaft and dbilas valve springs, Elring head gasket, OEM head bolts, modified manifold for Bosch 1680cc injectors, custom fuel rail, 500x350x76mm Intercooler, 3″ piping, Marmander blow-off-valve, Turbobanditen stainless exhaust manifold, Holset HX52, 60mm wastegate, 4″ stainless downpipe and 3.5″ exhaust, oil cooler,  KL-Racing 044 fuel pump x2, 13mm feed line, 11mm return, 19L fuel cell, rear-mounted radiator, 16″ cooling fan, Bosch Motorsport coil pack, Vems ECU, running on E85 with 2-bar of boost.
    Driveline
    Getrag 717.404 dog-leg 5-speed gearbox, lightened and balanced flywheel by DLI-Teknik, 4-puck sintered clutch, Sachs 765 pressure plate, ASD differential from W124, 2.5-16V ASD driveshafts.
    Suspension
    Bilstein B8 shock absorbers, shortened AP springs from R129, Dibed camber plates, R129 wheel hubs, Hedgehog polyurethane control arm bushings, delrin subframe bushes, 28.5mm front anti-roll bar, 13mm rear, S124 drop links, stiffened subframe and rear top mounts.
    Brakes
    Brembo 4-piston calipers, EBC YellowStuff pads, 330mm drilled discs (front), ATE 2-piston calipers, EBC YellowStuff pads, 300mm discs (rear), steel braided brake hoses, rear mounted ABS, hydraulic handbrake.
    Wheels/Tyres
    OZ Futura 17×9-inch (front) and 17×10,5-inch (rear) with Federal EVO 595 215/40R17 (front) and Federal SS-595 235/40R17 (rear).
    Exterior
    Full 2.3/2.5-16 body kit, shaved front fenders, custom DTM-splitter, red tail lights, white turning lights.
    Interior
    Full roll cage, stripped interior, Momo Corse Extreme seat in carbon fibre, Momo Benetton F1 steering wheel, STR 6P harness, 2.3/2.5-16V centre console.

    1983 BMW R80RT - 'CARNERA'


    We love the scramblers coming out of Europe at the moment. The latest is this BMW R80RT built by the talented brothers at Emporio Elaborazioni Meccaniche named 'Carnera'. To most of us this name doesn't mean a thing, but to Italian's, Primo Carnera was one of the greatest boxers Italy has produced – winning the world heavyweight championship back in 1933. "We named it after him because our bike is a big, elegant and like him, it has a boxer engine too" says Andrea. The bike was commissioned by a customer from Tuscany whose brief was simple "create an elegant and bad ass vintage enduro." Well, we think they've built a knockout Beemer.
    Emporio Elaborazioni started the build with the rear frame which was chopped and shortened to give the rear tyre greater visibility. Then they worked on the large stock tank. "We don't like this trend of using "boxy" big tank on a slim seat so we cut, and curved it to make the tank more minimal and follow the line we designed." They also added a couple of nozzles and transparent fuel lines to make a visible fuel level on the tank – the external version of what they did with the Mastino XJR 1200. The seat was then custom made to follow the curve from the tank, then covered in Italian burgundy leather.
    They really wanted to add some special details to the build. So to add a touch of "vintage" they modified a set of Ducati GT side covers, that look right at home on the bike. In their search for other details, they worked with a leather artisan who added all the leather details to the foot rests, the hand grips, the top of the headlight and the leather insert on the forks.
    The classic lucas style headlight has been modified to insert the tachometer in it. The big headlight switch it had, has been turned into a engine kill switch and the actual light switch is on the handlebar. The headlight brackets are two wrenches which they seem to add somewhere to all their bikes – because the wrench is part of their logo design. 
    Other modifcations include new enduro handlebars, new brake pump, throttle and aluminium mudfender.
    "We closed the air filter with a metal cup to improve the engine design and also put the key lock on it."
    To co-ordinate the fuel pipes with the tank level they used transparent tubes again with an aluminium filter. All the electric parts, which used to be housed in the big stock headlight, have been relocated to under the seat.
    To finish the bike off and give it a more enduro style they opted for a 2-in-1 exhaust with an artisan muffler which was designed on an old Ducati scrambler type. Then finally the bike was given the stunning vintage themed paint job, using ivory with red and black pin stripes.
    The guys at Emporio Elaborazioni have 'pulled no punches' building this sensational bike. They've turned a bulky stock R80T touring bike into a very classy vintage scrambler, which we bet will get the old men along the streets of Tuscany telling stories of their past machines.
    [Photography by Simone Giorgi at Fotografo]


    from PIPEBURN

    Octane Icon: Ferrari F40


    ferrari-f40-icon-gear-patrol-lead-full
    By AMOS KWON
    It’s easy to marvel at modern supercars — the Bugatti Veyron, Ferrari 458 Italia and Lamborghini Aventador. They’re remarkable automobiles that almost defy logic, packed with technology that can turn just about anybody (short of a ham-fisted, oblivious SUV-driving soccer mom) into a semi-competent driver. But there are some cars that usurp respect and admiration from even these titans of technology. They’re so iconic, so wickedly ravishing to behold, and so pure in their purpose and performance that to own one is to reach automotive nirvana. To see one in the flesh is enough to take your breath away. The Ferrari F40 is just such a car.
    MORE DROOL-WORTHY ICONS Porsche 917 | BMW M1 | Lamborghini Countach

    What It’s All About

    ferrari-f40-icon-gear-patrol-what-its-all-about
    The legend himself, Enzo Ferrari (though he must have realized that his legacy of creating some of the best cars in history would persist long after his death), wanted to depart this world with a resounding statement. At the age of 90, he knew his time was limited. Both Enzo and Ferrari management fully acknowledged that their racing reputation had suffered of late, largely due to poor Formula One performances in the early 1980s. What’s more, the 288 GTO, which had been built for homologation for Group B Racing, never officially competed due to the cancellation of the series in 1986. Enzo was left with five track versions of the GTO, known as the 288 GTO Evoluzione — which was fast, ferocious and perfectly suited for the development of Enzo’s swan song vehicle. This competition version of the 288 GTO gave birth to the F40, so named to celebrate the 40th anniversary of Ferrari.
    The ultimate goal was to produce a supercar infused with the lifeblood of Ferrari’s racing technology: a track car built for road use. Pairing lightness — for excellent power-to-weight ratio, structural rigidity and racing-pedigree handling — and the very conspicuous absence of creature comforts would lend to a pure, unadulterated focus on driving. Its performance would have to trump the ridiculously fast Porsche 959 and the Lamborghini Countach in order for it to fit the bill for Ferrari. That would be no small feat.

    Technical Rundown

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    Naturally, the car’s body would have to be light in order for it to possess track chops, and naturally, it would have to be designed by Pininfarina, the Italian design house responsible for iconic Ferraris such as the 250 GTO and the 275 SWB. Though the F40 would carry over much of the 288 GTO Evoluzione’s technology, the design of the body was not copied or derived from any previous Ferrari. The body panels would be constructed of Kevlar, carbon fiber and aluminum, producing all-important lightness and rigidity. Ferrari would even go so far as to install a lightweight but extremely strong plastic, Lexan, in the side windows, the windshield and the vented rear engine cover. The first 50 versions of the F40 didn’t even have roll-down windows; rather, they were racing-style sliding Lexan. Not exactly convenient at the toll booth, but then we suppose one could just drive under the gate arm, were it not for the massive rear wing.
    So committed was Ferrari to keeping the car light that they spurned carpet, audio equipment and even door handles. But since it would be used on the road and the mid-engine design would build up a large amount of heat behind the driver, air conditioning was mercifully included.

    The car also needed to be both slippery and stable — meaning it needed to handle like a track car while still being able to top out with the best of them. The Pininfarina body had a low front end, huge vents on the front quarter panels to dispel heat from the brakes, an undertray to provide sufficient airflow to cool the car, rear diffusers and a huge but purposeful rear wing to improve airflow and create the proper downforce necessary for supercar handling. The rear quarter panel shark gill exhaust vents emitted waste from the engine itself and the central dual exhaust at the rear dispelled waste from the twin turbochargers. Though they were, of course, purposeful, these also lended to the beauty of the car’s design.
    IT’S NOT EXACTLY CONVENIENT AT THE TOLL BOOTH, BUT THEN WE SUPPOSE ONE COULD JUST DRIVE UNDER THE GATE ARM, WERE IT NOT FOR THE MASSIVE REAR WING.
    Just a quick glance at the F40 made clear its intended purpose: to be fast, both in straight line and through whatever curves would be thrown its way. Ask any motoring enthusiast today to describe the F40’s looks and you’ll undoubtedly get a response along the lines of form following function. That’s what makes it truly stunning. It was perhaps the first time in Ferrari’s history that a car with such a singular purpose was built for the road; the result looked “clinically beautiful”.
    Though its body was purely original, the F40 was powered by a larger displacement version of the GTO’s engine, a 2.9 liter, twin-turbo V8 with 471 prancing horses within. This power, coupled with a weight of only 2,425 pounds, gave Enzo Ferrari the kind of numbers he was looking for. 0-60 came in 3.8 seconds and 120 arrived in 11 seconds, slightly faster than the Porsche 959. Most importantly, however, was the F40’s top speed. It was the first production car to break the 200 MPH barrier, clocking officially at 201.4. The engine was mated to a proper 5-speed manual transmission and made use of the classic Ferrari shift gate. The purity of it all is so good it almost hurts.

    Its Place in History

    ferrari-f40-icon-gear-patrol-place-in-history
    Though the F40 was never intended for the track, it appeared in various modified forms on the racing circuit and saw success. But the real legacy of the F40 lies in the road car. Over a quarter of a century later, it’s still considered to be one of the best supercars ever made, and though the original $400,000 price tag was high (even by today’s standards for a supercar), low mileage versions in excellent condition can command prices in excess of a million dollars. Top Gear’s own Jeremy Clarkson declared it “the best supercar ever made”.
    What remains today is a name known worldwide. Enzo Ferrari had the foresight of a true master — and his dream was executed with surgical precision in the creation of one of the best cars the world will ever see. Enzo passed away shortly after the F40′s creation, but went to his grave knowing what he had wrought: an automotive icon.

    Tycoon’s Tourer: Packard Eight Sport Phaeton



    The Great Gatsby ended tragically, and so did – much later – the automotive brand Packard. But both were key components in cultivating American style in the late 1920s, an era which retains its magical aura to this day…
    Originally a car to appeal to corporate tycoons, heads of state, leaders of industry and movie stars, the Packard Eight was a prominent player in American inter-war culture. Even if the brand name is now long gone, in its day Packard dominated the American luxury segment, selling, in total, more cars than Lincoln, Cadillac or Pierce-Arrow. As we know, 1929 was to be a historic year: the year of the great stock market crash and the onset of brutal economic recession, but it was also the most productive year for Packard. Almost 50,000 vehicles were built by Packard before the sun set on 1929 – most were six-cylinder, but well over 8,500 eight-cylinder cars were created, representing the essence of the American pre-War days.
    Early in 1929, Packard presented the models 640 and 645 ‘Deluxe Eight’. Thanks to their long wheelbases and quiet, powerful engines, they emerged as touring cars par excellence, and various improvements saw the so-called Sixth Series rise to the top of the desirability stakes. The model was full of innovation: ground-breaking suspension, a servo-hydraulic braking system on all four wheels, and automatic cylinder lubrication (which made the time-consuming process of dry starts unnecessary) brought second-to-none comfort. 
    The Sport Phaeton shown here was originally shipped to Los Angeles, where it received a number of cosmetic upgrades, from elaborate chrome hub-caps to dual driving lights. In the course of a subsequent restoration, the car was given tasteful two-tone paintwork, a red leather interior and beige soft-top. With the 120HP eight-cylinder engine and manual three-speed gearbox, the car today offers a formidable touring weapon; it’s easy to imagine oneself sitting behind the huge, sculpted steering wheel, riding fast and high through the countryside.
    As did, supposedly, the Great Gatsby, roaring along the roads of Long Island… but we also know that Gatsby died young. The Packard brand that had been founded in 1899 finally met a similar fate, disappearing entirely by the end of the 1950s. Today, this car fits perfectly with the breathtaking imagery of F. Scott Fitzgerald’s 1925 novel: an extraordinary automobile that preserves countless glamorous and beautiful moments of that inter-war era – a piece of automotive history that is best seen cruising coastal roads. Long may it continue to do so.
    Photos: RM Auctions
    via Classic Driver