ACE CAFE RADIO

    mardi 27 août 2013

    TOYOTA RACING AU MANS, LE FILM...


    Full length feature of "The Ultimate Endurance Race" short film looking back at TOYOTA Racing at the 90th anniversary running of Le Mans 24 Hours race at the Circuit de la Sarthe. Enjoy the twists and turns, on and off the track, and all the emotions this epic race generates. Our film crew were given unprecedented behind-the-scenes access to TOYOTA Racing during the entire Le Mans week for the third round of the 2013 FIA World Endurance Championship.

    Until the 2013 IAA Frankfurt Motor Show begins in September, "The Ultimate Endurance Race" short film will be available exclusively online before the first public screening at the hybrid-themed Toyota stand.

    This short film is dedicated in honour of Allan Simonsen who succumbed to injuries which he suffered just a few minutes into the race.



    '75 Honda CR750 Yoshimura Special


    Being a child of the 1970s, I fondly remember a few formative moments in my motorcycle education. SS Ducatis. The Fonz. Evel Knievel. And, most importantly, Mad Max. We've talked before about this Australian movie par excellence, and I don't think it's an overstatement to say that it not only represents a milestone in the history of movie making, but also in motorcycle trend-setting. In a way it crystallised the ascendance of Japanese motorcycles - something that had started over a decade before at the Isle of Man with Soichiro Honda and continued in the 70s with the legendary Honda Daytona wins. Suddenly, kids like me weren't dreaming of riding Italian or English bikes, but instead a new generation of Far Eastern dream machines with their race-bred OHCs, in-line four blocks and new-school traditions. To me, this bike is everything a cool motorcycle needs to be. Black. Fared. Flat-backed. Bad-assed. Not moved? We suggest you check your pulse for signs of life and read on.
    Here's Angus Dykman. He's the boss at Northeast Sportscar, a classic car and motorbike dealership basted in East Hampton, New York. “The collector who owned this bike for the last 37 years related to us that it was professionally built in 1975 from the frame-up by Yoshimura North, with no expense spared. It is believed that it was built on commission for a privateer race team that wanted to compete in the Bol d’Or 24 endurance race in France, as well as the Lemans 24 hour race. But the team’s efforts never materialized and the bike never went to Europe. Instead, the bike was immediately purchased by the aforementioned collector and drained of all its fluids. It went directly into his extensive art collection and was stored in his living room as a prized piece for the next 3 decades.
    “From what we were told, Yoshimura built the motor to their full race specs. They fitted their aluminum racing tank and racing saddle. They equipped it with authentic Honda CR750 CR31 carburetors, the CR750 megaphone exhaust and CR750 tachometer. They fabricated a custom aluminum oil tank, used aircraft style oil lines and a heavy duty oil cooler, and fitted an ARD racing magneto. They chose Ceriani forks and triple trees up front, and a Dresda swingarm with Koni air shocks in the rear. The bike rides on amazing Kimtab magnesium wheels and Goodyear racing slicks. Stopping power is provided by Hunt plasma-cut triple discs. Many of the parts on the bike, especially the carburetors, tach, and magnesium wheels are now extremely hard to find and worth quite a large sum in their own right. The bike is fitted with high powered Marchal headlamps, as well as a low-mounted Cibie spotlight on the right front fork. The fit and finish is exquisite, down to the perfectly braided safety wire on various nuts and fasteners.”
    “The bike was recently acquired by a long time friend of mine, who also happens to be a CB750 expert. He has owned over 60 Honda CB750s, including 15 sandcasts, and has won first place at Mid-Ohio for a perfectly restored CB750 that he restored himself. Our CR750 was shown to the public for the first time at the 2012 Mid-Ohio Vintage Motorcycle Days, where it won 1st Place in its class with motorcycle hall of famer Craig Vetter judging. The bike still retains its original 1975 title.”
    “This bike is a moment in time that has been captured and preserved. It was the often short-lived moment after its birth but before its use as a racing machine. It exudes a seriousness and sense of purpose. The Goodyear racing slicks are hard as a rock, no longer race-worthy, but true to the bike’s racing heritage. The ARD magneto eliminates the need for a battery and is set at full advance, and the CR31 carbs have no idle circuit- and yet there's never been a dead bug splattered on it! The tank hasn't had gas in it for 37 years. The mufflers do not even appear to have carbon deposits inside of them.  The bike is a testament not only to precision engineering but to careful preservation. Rarely do we see a beautiful piece of racing machinery in this condition, before it goes through the inevitable deterioration.”
    “The bike still transmits the same feeling of excitement that its builders and its owner must have felt at the moment it was completed. And one can look at the bike, enjoying light’s reflection off its surfaces, and wonder about what might have happened. Could it have fought it out for the closest finish in Lemans history? Perhaps it would have been part of a bad accident. Would they have won first overall? Would they have experienced mechanical difficulty and managed a heroic repair? Would they have beaten the factory teams? Or would they have simply finished respectably and went home to their wives and children?”
    “We will never know the answers, but the bike’s condition and thoughtful design more than speak for themselves. It is a national show winner, built to the nines with a multitude of rare and weapons grade period parts. We doubt there are very many bikes of this caliber that have been so well preserved.”
    Infatuated? Obsessed? Stark raving mad on it? You'd be crazy if you wern't. And you'll be glad to hear that Angus has the bike up for sale. So if you feel like developing a drinking problem, growing some sideburns and risking life and limb on one of Japan's finest moments just drop him a line. Us and Mel Gibson will be mighty glad you did.
    from PIPEBURN

    A CENTURY IN THE MAKING: THE ASTON MARTIN CC100


    One hundred year anniversaries are a somewhat rare occurrence in the motoring world, so as part of Aston Martin’s centenary celebrations this year, the British car maker wasn’t going to let an opportunity to commemorate the occasion with a very special project pass it by. CC100 is the result.
    We first met the gorgeous speedster back in May, when Aston Martin’s CEO, Dr Ulrich Bez, unveiled the bespoke creation to the world, leading a parade lap around the Nürburgring Nordschleife ahead of the ADAC Zurich 24 Hours of Nürburgring race. The contingent included Sir Stirling Moss, who was once again behind the wheel of the spectacular DBR1 – the famous racing model that won at Le Mans and Nürburgring in 1959, and 98 other Aston Martin machines of varying vintage.
    It’s easy to draw parallels between this car and the DBR1 with its open cockpit, unconstrained vision and seating just for two, but it’s wrong to think of the CC100 as a contemporary reimagination of a legendary racing machine. We’re looking at a glimpse of what’s to come for the inimitable marque.
    Originally the CC100 project was envisaged to be a one-off, but two cars were built and both examples have since been purchased by private buyers for undisclosed amounts. On his visit to Monterey and the Pebble Beach Concours d’Elegance last weekend, a very lucky Larry Chen got to spend some quality time with one of them.
    Unlike many future design studies that emerge from auto manufacturer design labs, Aston Martin’s DNA is unmistakable in the CC100.
    The project  was given the green light in the latter half of 2012, leaving the automotive artisans in Aston Martin’s Prototype Operations department less than six months to design and build a car that perfectly reflected the brand’s first 100 years. No pressure then.
    Of course, that task would have been made much easier were the engineers only required a create static showpiece as is often the case with concept cars. But right from the get-go the brief called for a fully functioning vehicle, finished to the same exacting standards extended to all Aston Martin production cars. Realising an entirely new car from the ground up was not possible though, and given the parts bins at the team’s disposal there was absolutely no reason to try and reinvent the wheel anyway.
    The highly versatile ‘VH’ (Vertical Horizontal) bonded aluminium chassis that underpins the limited edition V12 Vantage Roadster forms the backbone of the CC100. Dimensionally, its shares the same 2,600mm wheelbase and the same sills and the front bulkhead/firewall. But at well over two metres wide (including the mirrors), it’s considerably broader than the Roadster; a fact that necessitated control arms and a widened subframe at the front end, and longer driveshafts in the rear to collectively increase wheel track by 100mm (4 inches). The lack of height only accentuates its squat stance.
    The CC100′s bodywork however, is entirely unique to the project. Given the time restraints, at sketch level the exterior architecture was signed off swiftly, allowing Aston Martin’s Director of Design Marek Reichman, Chief Exterior Designer Miles Nurnberger, and their team to move quickly into the modeling phase.
    After working in scale a full-size clay model was carved and shaped by hand. Then, the finished form was 3D scanned and digitally prototyped in-house, before being sent off to Multimatic – one of Aston Martin’s many technical partners – for precision molding in carbon fibre.
    In total there are 55 separate carbon body panels draped over and around the alloy chassis, many with their raw weave exposed and finished in a high-gloss clear coat. That means high tensile strength and light weight – 390kg (860lb) less than the V12 Vantage Roadster’s 1760kg kerb weight – if we’re crunching numbers.
    It’s not hard then to figure out what sort of performance is on offer with that latest iteration of Aston Martin’s venerable 5935cc V12 mounted low in the chassis up the front, just begging to be awaken.
    That masterpiece of naturally-aspirated engineering with its all-alloy construction, quad cams and 48 valves delivers 565hp at 6,750rpm, and 620Nm (457lb/ft) at 5,500rpm through a finely-tuned Bosch Motorsport engine management system.
    Five hundred and sixty five horsepower – thirteen hundred and seventy kilograms: it’s a pretty healthy ratio. Aston Martin says the CC100 can go zero to 62mph (100km/h) in a little over four seconds, before storming its way to an electronically-governed top end speed of 180mph (290km/h).
    Helping it achieve those numbers is a six-speed, hydraulically-actuated, automated sequential manual transmission from Italian maker Oerlikon Graziano. Unlike the V12 Vantage Roadster, which is only available with a traditional manual gearbox and a floor stick; in the CC100 clutch-less gear changes are made via the steering column-mounted paddle shifters.
    The chassis and handling tune needs a mention here too, because unlike Aston Martin’s road car range, which across the board offers up a perfect balance between performance and comfort – as all grand tourers should, the CC100′s suspension specification has been developed directly from the car maker’s GT4-spec Vantage race car programme. That goes some way in explaining the four-way adjustable dampers at each corner, along with bespoke 18-inch forged alloys from Italian wheel boutique APP Tech and brakes by Brembo.
    It is, for me at least, the way the CC100 presents itself that is the defining factor here. From the expansive One 77-esque front grille treatment to its Aston Martin Heritage Racing Green paintwork and yellow ‘lipstick’ accents, Aston Martin has hit the mark.
    To be honest, I’m not sure there’s a bad angle to view the car from either. It’s often said that beauty is in the details, and that’s certainly true of the CC100. The two fins that rise up from the bodywork behind the driver and passenger compartments serve a purpose without distracting from the car’s dramatic, yet elegant lines.
    From an aesthetic perspective there was no place in the CC100 for small rectangular doors. The solution? Narrow, gull-style wings built around solid intrusion beams that allow easy access to and from the cockpit when opened outwards.
    Then, when they’re closed, they almost blend into the large front fender panels. The resulting open voids on the flanks enhance the ’open cockpit’ philosophy with a new perspective on the road that I imagine is best served at speed. I really like how the yellow detailing around the driver and passenger entry and exit points  each have a subtle tie-in to one half of Aston Martin’s winged motif too.
    See what I mean? It’s all in the details.
    There was clear directive when it came into the interior space. There’s a race car script here, but absolutely no compromises on fit or finish. Sparco, for instance, supplied the seats, but Aston Martin chose black Alcantara along with soft leathers from Scottish tannery Bridge of Weir to take them to an all-new quality level.
    Have carbon fibre paneling and hand-crafted leather accessories ever gone so well together? I don’t think so.
    The steering wheel is another item from Sparco’s competition catalogue, but it too has been dressed up for the occasion with more of the good stuff from Multimatic. The slim dashboard – also exquisitely cast from carbon fibre – is another throwback to DBR1 design.
    The ‘Q’ touch from Aston Martin’s personalised design service speaks volumes of the high-end fit out the CC100 has received. Who wouldn’twant to rest their elbows right there?
    Wherever you look, it’s that sort of attention to detail that Aston Martin has built its name on.
    Since the car hasn’t been homologated, technically speaking, it can’t be driven on the road. No problem for the long, smooth driveway that winds its way through your impeccably-manicured lawn to the manor’s front door of course, nor the race track where the CC100 was really designed to be driven.
    It has all the right working bits though, so low volume compliance is highly possible. Not a legal requirement of course, but there’s even a heater to keep your toes warm. The roof certainly isn’t much help in that department.
    I think it’s safe to say that Aston Martin has truly captured the spirit of the brand in this amazing creation. The CC100 is a finely-honed machine that tips its hat to the past, but at the same time has its eyes firmly set on the future.
    If it’s anything to go by, there’s exciting times ahead for Aston Martin.

    Words by Brad Lord

    Bugatti Veyron Grand Sport Vitesse Legend Jean-Pierre Wimille


    Regularly pushing out limited editions is helping to keep the Bugatti Veyron at the top of all hyper cars eight years after it was launched so we’re not surprised to be bringing you another special edition model. Over the past eight years Bugatti has brought us the EB 16.4 Veyron Pur Sang that was limited to just 5 examples, the Pegaso which was tailor made for a Ukrainian driver living in Dubai, the Sang Noir of which only 15 were ever made, the 100th anniversary Bleu Centenaire edition from 2009, the US$2.1 million one-off Sang d’Argent and the Nocturne from 2010 of which 5 were ever produced and all for the Middle East market.
    In keeping with this tradition, the Bugatti Veyron Grand Sport Vitesse Legend Jean-Pierre Wimille that was shown to the public at Pebble Beach last weekend is just one of three that will ever be built. The new machine is based on the Veyron 16.4 Grand Sport Vitesse and named after Jean-Pierre Wimille, French Grand Prix driver who died driving a Simca-Gordini during the 1949 Buenos Aires Grand Prix weekend. The car’s power comes from Bugatti’s 8.0-litre W-16 powerplant so you can expect 1,183bhp and 1500Nm of torque. The 0-62mph time is 2.6 seconds and you’re looking at a top speed of 254mph.
    Bugatti has coloured the car “Bleu Wimille” and mimicked the colour of the historic racing car Jean-Pierre Wimille drove with darker blue over the lights and the wing panels. Inside, the headliner and footwells are also coloured “Bleu Wimille” and the contrasting dark colour is created by blue leather on the dash and doors. French national colours of blue, white and red are used on the gear lever to honour Wimille’s country of birth, and Wimille’s signature has been included on the door sills.
    As you might imagine the price and availability weren’t part of the firm’s press release, but we’re guessing that these 3 cars were sold while they were still just a collection of components in the parts bin and if you have to ask the price you can’t afford it.
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    from EUROCARBLOG