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    jeudi 3 septembre 2015

    "Rosewood" by ETIK


    Voici la dernière réalisation sortie de notre atelier. "Rosewood" ou "Bois de Rose" c’est bel et bien le nom de ce Scrambler résolument nature et élégant jusqu’aux plus profond de ses fibres. Cette Yamaha SR 500 de 1978 se voit endosser un réservoir aux allures de Palissandre pour assumer la place symbolique de numéro 30.
     
    Pour les plus curieux, cette dernière sera exposée le week-end du 5-6 septembre à l’occasion du Motors & Soul 2015.

    GUERILLA FOUR: AN XJR 1300 FROM ROUGH CRAFTS



    Yamaha’s XJR 1300 is proof that, once in a while, major manufacturers pay attention. And get it right. Now celebrating its 20th anniversary, the iconic street bruiser was re-released this year with a refreshed look and a layout that encourages customization—thanks to the prolific Yard Built program.

    Driving the movement is Yamaha’s European product manager, Shun Miyazawa. Shun and his team have now turned their attention to Taiwan, and one of our favorite builders:Rough Crafts‘ Winston Yeh.

    Known for his edgy Harley builds, Winston’s trademark aesthetic is tough, dark and menacing. A vibe that the muscular XJR wears well.

    “We’ve been privileged to work with the best custom builders in the world,” says Shun, “and builders who are doing something original, pushing boundaries with a distinct style. The ‘Guerilla Four’ is no exception, with the Rough Crafts signature—a sleek, stripped back creation that really stands out.”





















    It’s one of those rare cases when the PR blurb matches the reality. Winston’s process is collaborative: he kicks off each build by sketching it out digitally, before turning to a trusted network of artisans in Taipei to execute it. And he has an arsenal of Rough Crafts parts at his disposal—bolt-on bits developed and refined over time.

    His approach to the XJR 1300 was simple: ramp up the brutality with his signature ‘Guerilla’ look. As with all Yard Built customs, the trick was to leave the frame as unscathed as possible. It’s a look that can be emulated by ‘everyday’ XJR owners.

    Winston started by beefing up the front end with a set of Yamaha VMAX forks. Held in place by custom-made triple trees, they’ve been dropped by 100mm and the front brake caliper mount’s been modified to take 11.5-inch discs.

    Equally brawny are the wheels: 16×5.0 Roland Sands Design Boss rims, wrapped in chunky Coker Beck tires. Out back, the stock Öhlins rear shocks were stripped, refinished in black and re-assembled.





















    A new ISR braking system has been installed, and the XJR’s airbox has been replaced by a set of velocity stacks. The exhaust headers are stock, but the silencer is a Rough Crafts creation.

    The steel bodywork—from the scalloped tank to the sharp tail section—was fabricated by OneHandMade Customs. And the paint, a typically monochrome Rough Crafts scheme, was executed by Taipei’s top paint shop, Air Runner Custom Paint.





















    A sprinkling of Rough Crafts parts were added to finish it off. These include foot pegs, handlebars and risers, grips, a headlight grill and a custom fuel cap. And all the instrumentation’s been binned for a super-clean cockpit (and extra attitude).
    ‘Guerilla Four’ is one of the best Yard Built—and Rough Crafts—bikes that we’ve seen yet. And, in typical Yard Built fashion, a selection of parts from the build will be available for owners to customize their own XJRs.





















    We reckon the XJR 1300’s popularity just went up a notch.
    via BIKEexif

    Dirt Quake IV

    Dirt Quake IV from SIDEBURN on Vimeo.

    Auto Reverse - the dark side of the automobile


    A 1968 Porsche 911 T.
    The Porsche 911 is an icon of car design – but would you recognise it from underneath? Artists Kay Michalak and Sven Völker have taken a peek at the underbellies of famous cars and discovered a dark world – a world that hasn't been tackled by designers to this day...

    Dive into the underworld

    The design of an automobile is crucial to its success. All great car icons of motoring history are easy to recognise - manufacturers spend millions on employing large design teams, who strive to give the car a unique visual character. Contrary to most everyday products, the car hasn’t been completely subjected to the design diktat, because roughly a quarter of its surface has been completely ignored by designers. “For most of us the underbody of a car is an unknown place,” say the artists Kay Michalak and Sven Völker, who have paid tribute to the underbody with their series of photographs ‘Auto Reverse’.

    Out of sight, out of mind?


    Kay Michalak and Sven Völker are now exploring these unknown and dark landscapes, usually only seen by mechanics, with their images. The contrast between the polished car bodies of the portrayed icons and their underside is most surprising, and the variety of the underbody designs seems to be larger than you might expect. It is also interesting that a car as beautiful as the Porsche 911 hasn’t got an equally pretty underbody. Out of sight, out of mind indeed.
     The art book ‘Auto Reverse’ by Kay Michalak and Sven Völker has been published as a limited edition (200 copies) and is available at svenvoelker.com