ACE CAFE RADIO

    vendredi 20 novembre 2015

    GP de Macau ; Provisional Pole for McGuinness


    The sweltering heat of a Macau afternoon provided a steamy setting for a dramatic battle for the top of the leaderboard between two of the Guia Circuit’s most experienced riders. Michael Rutter (Penz BMW) and John McGuinness (Honda) traded times and places as a series of other riders tried to get in on the act as well.
     
    Martin Jessopp (Riders Motorcycles BMW) continually challenged the battling duo with fast times in each of the three sectors but never managed to put together the entire lap he needed.

    Ian Hutchinson (Paul Bird Motorsport Kawasaki) closed in on the top of the leaderboard as the session went on but ended the afternoon in fourth place behind Jessopp, and a head of Gary Johnson (Penz13.com BMW Motorrad Motorsport by MGM China)
     
    Horst Saiger (Saiger-Heidger Macau Race Team Kawasaki) was another who launched a sustained attack on the top spot, especially during the second half of a session split in two by a red flag after Russ Mountford (VRS Racing Honda) fell at Faraway.

    The strong entry list meant that the rest of the top ten positions were the subject of a continual scrap and the chequered flag dropped on a leaderboard with riders like Lee Johnston (East Coast Construction BMW) and Conor Cummins (Honda Racing) still looking for something further up the ladder, but with another session in the cool of the morning in which to find the lap times they need.
     
    Last year’s winner Stuart Easton (SMT/Booth Yamaha), recovering from injury, is yet to find his full confidence on a bike he has not ridden before.

    jeudi 19 novembre 2015

    FIA WEC 6 Heures de Barhain,essais libres : Audi répond à Porsche / Free Practice: Audi responds to Porsche


    La dernière manche du championnat FIA WEC 2015 a débuté aujourd’hui sur le circuit de Sakhir avec deux séances d’essais libres. Les équipages de la Porsche N°17 et de l’Audi N°7, en course pour le titre mondial, se sont tour à tour hissés en haut du classement.
    Après le BBQ géant organisé hier soir dans le paddock par Shaikh Salman bin Isa al Khalifa et l’équipe organisatrice des 6 Heures de Bahreïn, les choses sérieuses ont débuté aujourd’hui avec les deux premières séances d’essais libres (90 minutes).
    Les 32 concurrents ont pris la piste en milieu d’après-midi, sur un asphalte à 30°C. Le meilleur temps a été réalisé par Timo Bernhard (Porsche 919 Hybrid/Michelin N°17) en 1min42s800 au 16e tour. En fin de session, André Lotterer (Audi R18 e-tron quattro N°7) s’est rapproché à 17 millièmes de seconde. Les prototypes Porsche et Audi se tenaient en 0s654, alors que les Toyota TS040 Hybrid ont conclu à plus de 2s5.
    Programmée en nocturne, la deuxième séance a vu les Audi R18 e-tron quattro/Michelin se rebiffer. Marcel Fässler a signé un 1min42s133 en début de session. L’Audi N°8 (Duval) a réalisé le deuxième chrono en 1min43s291. Les Porsche 919 Hybrid ont conclu à plus d’1s2 et la Toyota N°2 s’est rapprochée à 1s7 du meilleur temps grâce au bientôt retraité Alex Wurz.
    En LM P2, sur la lancée de sa première victoire mondiale à Shanghai, l’Alpine 450b a signé le meilleur tour de la première séance (Panciatici), puis la Ligier-Nissan N°28 lui a succédé en haut du classement (Derani). Les écarts sont conséquents dans cette catégorie avec plus de 3s4 entre la Ligier-Nissan N°28 et la Ligier-HPD N°31.
    Triples vainqueurs à Bahreïn, les Ferrari 458 AF Corse ont dominé la catégorie LM GTE Pro, avec la N°71, puis la N°51. Toni Vilander a signé le meilleur temps du jour en 1min59s402. Patrick Pilet (Porsche N°92) a conclu à 0s216, devant les Aston Martin Vantage N°95 et N°99 revigorées par la nouvelle BoP, elles aussi à moins d’une seconde.
    C’est également une Ferrari 458/Michelin qui a réalisé le temps de référence en LM GTE Am avec Andrea Bertolini (2min00s866). Mais derrière la Ferrari SMP Racing N°72, Patrick Long a échoué à seulement 73 millièmes sur la Porsche N°77. Au cumul des temps, les cinq premiers se tiennent en une demi-seconde...
    The last round of the 2015 FIA World Endurance Championship kicked off with two free practice sessions today at Sakhir, Bahrain. The N°17 Porsche and N°7 Audi took turns at the top of the timesheet.
    After the giant barbecue organised by Sheikh Salman bin Isa al Khalifa and his team in the paddock on Wednesday evening, serious business began today with two 90-minute free practice sessions.
    The 32 cars took to the track mid-afternoon with the track temperature standing at 30°C. The first quick time was the work of Timo Bernhard (N°17 Porsche 919 Hybrid/Michelin, 1m42.800s) on the car’s 16th lap. Near the end, André Lotterer (N°7 Audi R18 e-tron quattro) got to within 17 thousandths of a second, while the four Porsche and Audi prototypes were blanketed by 0.654s after the 90 minutes. The Toyota TS040 Hybrids conceded more than 2.5s.
    Free Practice 2 took place after nightfall and saw the Michelin-equipped Audi R18 e-tron quattros respond with an early 1m42.133s for Marcel Fässler. The N°8 Audi (Duval) was second quickest with a 1m43.29s1. The Porsche 919s were more than 1.2s back but the N°2 Toyota got to within 1.7s of the fastest lap thanks to Alex Wurz who is retiring after Saturday’s race.

    In LM P2, the Alpine 450b continued on the momentum of its win in Shanghai to go top in FP1 (Panciatici). Fastest in FP2 was the N°28 Ligier-Nissan (Derani). There were big gaps in the class since the N°31 finished 3.4s short of the best lap.
    AF Corse, which has won three races in Bahrain, saw its N°71 and N°51 Ferrari 458s dominate in LM GTE Pro. Toni Vilander was fastest over the two sessions (1m59.402s), chased by Patrick Pilet (N°92 Porsche, +0.216s). Helped by the new BoP, the N°95 and N°99 Aston Martin Vantages were also less than a second adrift.
    A Ferrari 458/Michelin was fastest in LM GTE Am, too, thanks to Andrea Bertolini (2m0.866s). The N°72 Ferrari (SMP Racing, Patrick Long) was just 0.073s behind, however. In today’s overall order, the top five cars were covered by half-a-second.

    FIA WEC 6 Hours Bahrain : Apothéose à Sakhir / 2015’s grand finale in Sakhir


    Les 6 Heures de Bahreïn concluent le Championnat du monde d’Endurance FIA 2015. Mark Webber, Timo Bernhard et Brendon Hartley vont-ils remporter leur premier titre mondial ? Benoît Tréluyer, Marcel Fässler et André Lotterer vont-ils être doubles champions du monde ?
    Les enjeux sont importants ce week-end sur le circuit de Sakhir puisque huit titres mondiaux vont être décernés à l’issue des 6 Heures de Bahreïn. A commencer par le titre Pilotes qui se jouera entre l’équipage de la Porsche N°17 (Bernhard/Hartley/Webber) et celui de l’Audi N°7 (Tréluyer/Fässler/Lotterer) qui accuse 12 points de retard.
    Les Porsche 919 Hybrid/Michelin ont signé toutes les pole positions cette saison et ont remporté les cinq dernières épreuves WEC. En revanche, elles n’ont encore jamais gagné sur le circuit de Sakhir.
    En catégorie LM GTE Pro et au Trophée Endurance GT, tout va se jouer ce week-end également entre Porsche et Ferrari, deux partenaires de Michelin, séparés par quatre petits points et ex aequo au nombre de victoires (trois chacun). Les Ferrari 458 ont toujours gagné à Sakhir et visent un 4e titre mondial. Porsche est le mieux placé au championnat Pilotes avec Richard Lietz seul leader face aux deux équipages AF Corse.
    En LM P2, le duel entre G-Drive Racing et KCMG, entre la Ligier-Nissan N°26 (Bird/Rusinov/Canal) et l’Oreca05-Nissan N°47 (Howson/Bradley/Tandy) va se prolonger ce week-end. Si KCMG s’impose, une 4e place suffit à G-Drive pour décrocher son premier titre WEC.
    Il y aura moins de suspense en LM GTE Am où la Ferrari N°72 SMP Racing et son équipage Basov/Bertolini/Shaytar comptent 19 points d’avance sur la Ferrari N°83 AF Corse de Aguas/Perrodo/Collard. L’Italien Matteo Cressoni remplace Aguas dans cet équipage.
    Autres changements parmi les équipages pour cette dernière manche 2015 : Marco Mapelli remplace Christian Ried sur la Porsche/Michelin N°88, lequel remplace Patrick Dempsey sur la N°77. Nick Heidfeld, blessé, ne sera pas au départ sur la R-One N°12. L’équipe AF Racing engage une BR01-Nissan LM P2 pour Aleshin/Minassian/Markozov.
    Le circuit de Sakhir (5,412 km) est particulièrement sollicitant pour les pneumatiques en raison du sable qui peut venir modifier l’adhérence, des températures élevées et de violents et répétés freinages.
    Le départ sera donné samedi 21 novembre à 15h00 (13h00 heure française) pour une arrivée en nocturne sous un feu d’artifice qui célèbrera les champions 2015 et la dernière course d’Alexander Wurz.


    Saturday’s 6 Hours of Bahrain will wrap up the 2015 FIA World Endurance Championship (WEC). Will we see Mark Webber, Timo Bernhard and Brendon Hartley secure their first Drivers’ title, or will Benoît Tréluyer, Marcel Fässler and André Lotterer claim a second world crown?
    There will be much at stake when teams reconvene in Sakhir on Thursday since no fewer than eight WEC titles remain to be settled at the 6 Hours of Bahrain.
    The main focus will be on the fight for top Drivers’ honours which opposes Bernhard/Hartley/Webber (N°17 Porsche) and Tréluyer/Fässler/Lotterer (N°7 Audi) who have a deficit of 12 points.
    The Porsche 919 Hybrid/Michelin has won pole position at every round so far this year and also won the last five events, but the car has never previously raced at Bahrain International Circuit.
    Meanwhile, in LM GTE Pro and in the Endurance GT Trophy, all eyes will be on Porsche and Ferrari. The two Michelin partners are split by just four points and have notched up three wins each. The Ferrari 458 has won every race in Sakhir so far and is targeting a fourth world title. Porsche is in a stronger position in the Drivers’ championship, however, thanks to Richard Lietz who is currently clear of the two AF Corse crews.
    In LM P2, we are likely to see another duel between G-Drive Racing’s N°26 Ligier-Nissan (Bird/Rusinov/Canal) and KCMG’s N°47 Oreca05-Nissan (Howson/Bradley/Tandy). If KCMG wins, G-Drive only needs to come fourth to seal its first WEC trophy.
    There is less suspense in LM GTE Am where the N°72 Ferrari (SMP Racing) and its drivers Basov/Bertolini/Shaytar are 19 points clear of the N°83 Ferrari (AF Corse, Aguas/Perrodo/Collard), although Aguas will be replaced by Italy’s Matteo Cressoni in Bahrain.
    Other driver changes for the final round of 2015 involve Marco Mapelli standing in for Christian Ried in the N°88 Porsche/Michelin, with Ried replacing Patrick Dempsey in the similar N°77 car. Nick Heidfeld is hurt and will not appear in the N°12 R-One, while AF Racing has entered a BR01-Nissan (LM P2) for Aleshin/Minassian/Markozov.
    Bahrain International Circuit (5.412km) is reputed for being particularly hard on tyres because of the abrasive sand that gets blown onto the track, high temperatures and repeated heavy braking and hard acceleration.
    Saturday’s race – the last for Austria’s Alexander Wurz – will start at 3pm local time and will end after nightfall. The chequered flag will be accompanied by a fireworks display to celebrate the 2015 Drivers’ champions.

    WRC Wales Rally GB 2015 Les brèves galloises


    De l’eau, de la boue, du Rally2, encore de la boue, une journée de 15 heures, un champion WRC-3, 500 spéciales remportées par la VW Polo R WRC, 400 par Ogier, Chris Ingram et Eric Camilli bien malheureux en fin d’épreuve...













    Si Sébastien Ogier a franchi le cap des 400 victoires en spéciales au Wales Rally GB 2015 Volkswagen a dépassé celui des 500 spéciales remportées sur 717 disputées avec la Polo R WRC/Michelin depuis 2013 !
    CTs8aW4WEAArDie
    Par ailleurs, avec 12 victoires sur 13 rallyes (Ogier 8, Latvala 3 et Mikkelsen 1), Volkswagen a égalé son propre record du nombre de victoires en une année.
    19 des 57 équipages classés ont eu recours au Rally2 (voire « Rally3 » pour certains), soit 33% !
    2015015027_AMBIANCE
    Grâce à la robustesse des pneus Michelin LTX Force, Elfyn Evans a pu parcourir 133 km de liaison avec un pneu crevé suite à une touchette dans l’ES6. Le règlement WRC interdit d’évoluer sur trois roues en liaison, mais les pneus Michelin peuvent rouler sans air sur plusieurs kilomètres.
    Reparti en Rally2 après son accrochage avec Hayden Paddon sur une liaison, Martin Prokop était 21e du classement après la dernière ES. Mais il n’a finalement pas franchi le podium d’arrivée et n’est donc pas classé.
    Le Gallois Tom Cave (Fiesta R5) a dû se retirer après l’ES1 pour des raisons familiales.
    Gilbert
    Malgré un abandon (courroie de pompe à eau après ES6) et un retour en Rally2, Quentin Gilbert a signé la plupart des meilleurs temps et terminé 3e de la catégorie WRC-3, suffisant pour décrocher le titre mondial après celui du Junior.
    Le WRC-3 a été remporté par Ole-Christian Veiby. Natif de Manchester, à quelques kilomètres du parc d’assistance de Deeside, Chris Ingram était 2e avant son abandon sur la liaison vers la dernière spéciale (capteur moteur).
    Autre malheureux de fin de rallye : Eric Camilli. C’est un problème de turbo dans la dernière spéciale qui l’a privé d’un premier succès en WRC-2. C’est son équipier au sein du Toyota Junior Team, Teemu Suninen, qui a remporté sa première victoire dans cette catégorie (Skoda S2000).
    Le titre de vice-champion WRC-2 revient à Abdulaziz Al-Kuwari (Ford) pour un point face à Yurii Protasov (Ford) victime d’une sortie de route au Wales Rally GB. Avec Al-Attiyah et Al-Kuwari, le Qatar place deux pilotes aux deux premières places du WRC-2 2015.
    Après ses déboires d’avant-course (du sable dans son réservoir), l’Italien Gianluca Linari a remporté la Coupe du monde Production devant Max Rendina et Joan Carchat.
    2015015020_AMBIANCE
    On a relevé 67,2 mm d’eau tombée en 24 heures sur le nord du Pays de Galles, et des vents à plus de 100 km/h qui ont secoué le parc d’assistance de Deeside.
    Après 20 éditions passées à la tête du Wales Rally GB, le directeur de course Fred Gallagher prend sa retraite. Retraite aussi pour le coordinateur de M-Sport John Milliington qui avait juré à son épouse d’arrêter à 65 ans... On n’entendra donc plus son célèbre « Ok, copy that » sur la radio du team...
    Le mystère de l’absence de Mikkelsen au Shakedown jeudi demeure. Le Norvégien a fait un aller-retour express en Allemagne pour passer des examens médicaux.
    La DS3 WRC de Mads Ostberg prenait l’eau (trou au niveau du plancher). Le Norvégien a passé toute l’épreuve à patauger dans la boue.
    « J’ai l’impression que ce rallye a débuté il y a trois mois » a déclaré Kris Meeke dimanche matin. C’est vrai que la 2e étape fut la plus longue journée du championnat avec un départ à 5h00 et une arrivée à 21h07, soit 15 heures et 684 km parcourus.


    ANSON CLASSIC RESTORATIONS CCM


    A thumping big single motor, a sprinkling of quality running gear and the allure of the slightly left field choice are just some of the attributes attracting shed and pro-builders to the CCM marque. My potentially awesome but non running, electrical gremlin packed CCM that is currently masquerading as a garden sculpture and attracting raised eyebrows from my better half attests to my belief in their donor potential. Maybe one day it might look half as good as this stunning effort by Anson Classic Restorations.
    CCM B
    The story of this machine began some 4 years ago (still time for mine yet then…) when Jason Blackiston acquired a 2001 Rotax R30 supermoto that had been used for hill climbing. After generally roaring around a few short circuits with it, he realised it needed something extra.
    “I loved the works 640 Rotax motor that was powering the bike, but the chassis was as ugly as an exploded toad and did nothing for me. I thought the motor would go very well in a twinshock flat tracker style frame to give it a more classic look (we do a lot of classic track days here).”
    CCM c
    As the tale so often unfolds with personal projects based in busy workshops the CCM found itself put out of sight and generally forgotten about, until fortune intervened. A flat tracker frame happened to come Jason’s way and with it the project quickly forced its way back to the front of the garage.
    “The plan was to use as many parts as we had here at the workshop and try to make or modify as many parts as possible to keep the build cost down. I wanted a bike that seemed to flow and all the curves matched, like every part had been made to fit.”  
    CCM D
    To begin with however, nothing fitted the way Jason’s keen eye required and so the fabrication processes began. The standard bodywork was consigned to the fate it deserved and Jason began the laborious task of constructing his vision of a swooping Triumph Hurricane inspired one piece seat and tail unit. His good lady had to put up with many nights of him returning home covered in the inevitable itchy, sticky residue of a day working with fibre glass but eventually his hands had crafted a unit with the lines his mind imagined. A wonderful thing it is too.
    CCM e
    “The wheels needed to be a size that would accept a good range of tyres from sticky track rubber to the more traditional chunky style that are popular in the current custom bike scene. 18 inch rims seemed to offer the best compromise as there was a full range of classic race rubber that would fit. We sourced these from Talon (very helpful chaps)”
    CCM 9
    With the rolling frame and bodywork complete fabrication time was assigned to items such as catch tanks, the battery box, front mudguard, number board and a myriad of other bits and bobs. The decision was made to keep the machine as pure and simple as possible, that meant the bare minimum of daytime MOT requirements and as little wiring as possible. Any of the shitty OEM thread impersonating wire was binned in an effort to prevent the electrical issues that thwart mine and other’s CCMs.
    CCM 8
    The front forks and yolks were surrendered for the project by a Triumph Thruxton while the rear shocks are custom alloy items modified to fit. The total build took just under a year with near every part requiring some form of modification. Jason was keen to use as many donor parts from the CCM as he could to keep it the same bike so to speak.
    CCM F
    The resplendent paintwork was all done in house, the graphics were hand painted and lined by Jon Leeson aka Letterknight – who used Palladium Leaf for the numbers which was then hand turned to give the “engine turned effect”.
    “The bike was finally finished and fitted with Conti Classic Race rubber and tried out at the fantastic airfield circuit in Lurcy Levis, France . The bike certainly performs and handles well. After the test we added the larger Heidenau tyres to give it the right look.”
    CCM h
    With about 65hp on tap and loads of torque Jason reports the finished article will pull your arms out as the front wheel desperately paws at the air. Excellent. Taking a shed load of inspiration from this Anson crew creation I may just pull the covers from my recalcitrant beast come the next day off and try to coax some semblance of life out of it… Until then I will continue ogling this machine and imagining just how good it could be…
    Thanks go to Mat, Guy Butler Photography (Twinkle), Jon Lesson (Letterknight), and Jase’s other half (Pinky) for putting up with him coming home covered in fibreglass for days on end…
    via The Bike Shed

    Deity – Rendezvous with a Goddess


    Upon its introduction in 1955, no one could have estimated the impact that the Citroën DS would have, not just on the wider automotive landscape, but also on French culture in general. The ‘Goddess’ defined a national rebirth, and forged a legacy that remains prevalent and topical today…
    “There is the DS. And there are other cars,” concludes the foreword in creative design company Counterpoint’s sumptuous new book dedicated to the Citroën DS, aptly titled ‘Deity’. A combination of Flaminio Bertoni’s graceful and quirky styling, André Lefèbvre’s innovative engineering, and a sensual driving experience instantly cemented the DS as a timeless classic when it was revealed. It would remain largely unchanged until production ceased in 1975, some 1.4 million cars (and myriad variations) later.
    This new book is the result of almost two years of work and tells the story of the Citroën DS, from its importance in French culture, to how it changed Citroën’s public image. We spoke to Counterpoint about the premise behind the project, and how it came to be.
    Why was the Citroën DS so groundbreaking?
    Designed by sculptor and car designer Flaminio Bertoni, the DS looked completely different from anything else. Considered by many to be the most beautiful car of all time, it was futuristic, elegant and beautifully curvaceous. It was the most technically advanced car in the world at its 1955 launch, and remained so two decades later, when it was withdrawn from production. But it was more than just a technical powerhouse, or one of the most aerodynamically efficient cars of its time. The DS stood as a statement of intent.
    Why was the ‘Goddess’ moniker so appropriate?
    Déesse in French translates as Goddess, which was perfect for our tribute. We wanted to tell the story of the car’s curvaceous aesthetics juxtaposed against the harsh, brutalist architecture of the 1960s and 1970s. We think the name is perfect, as the DS looks as graceful today as it did 60 years ago.
    Of the countless variations of the DS, which is your favourite?
    There were so many variations made during the car’s 20-year tenure, some of which we feel strayed a little too far from the original shape, such as the Safari. Our favourites are the later versions with the teardrop-shaped headlights. The silver Pallas edition that we used in our photoshoot is a particularly nice example.
    What did the Citroën DS symbolise at the time?
    Initially, it announced that Citroën was back at the forefront of engineering, where it had resided years earlier with the radical Traction Avant. Aesthetically, it had a sparse, unornamented grace that spoke of the same economy of design as contemporary architecture, but with flowing artistry rather than functionalist brutality. More importantly, the DS symbolised a national rebirth. It was an emblem of the dynamic and modern France of the ‘trente glorieuses’ – the 30 years of social and economic construction that followed the War. It was born into a moment of history, and grew as France found new pride and prominence in the world. 
    From where did your fascination with the Citroën DS stem?
    It’s a car you don’t see on the road very often but, when you do see one, it’s a real head-turner. You can’t help but stare at it, or peer inside. Six decades later, there is still nothing like it. We also liked that it’s divisive – not everybody likes it, which is a conversation starter in itself. 
    Could you tell us more about the project you undertook?
    As designers and art directors, we wanted to tell a story about a car in a way that hadn’t been done before. There were plenty of images of Citroën DSs on the internet and in books, but none that we thought truly did the car justice. We wanted to see the profile of the car, the details and the interior. We wanted a backdrop that contrasted with, but connected to, the car’s history. We’d worked with automotive photographer Oli Tennent before, and were lucky enough to be able to work with him again on this project. His studio photography is second-to-none, and we worked together to capture the details that tend to go unnoticed.
    We were also fortunate enough to work with automotive writer Jon Pressnell, who had interviewed some of the DS’s original designers for one of his books. His knowledge was invaluable in adding succinct detail that conveyed the history of this iconic car. When it came to the design of the publication, we were intentionally minimal, letting the imagery and type take priority. Subtle details such as the gold foil and silver ink – which were matched to the colours of the car we shot – were a nod to the similarly subtle details on the car. It was a pleasure getting under the skin of the DS, and we hope our tribute does the car justice. 
    From extensively documenting the car, which details stick out in your mind?
    As we mentioned, the DS is full of details and intricacies. Everywhere you look, you’ll find something new, be it on the exterior, underneath the bonnet, or in the cockpit. When we were driving the car to the photoshoot location, we couldn’t help but admire the thick carpet, which felt like something you’d find in someone’s lounge rather than their car. 
    The DS’s enduring legacy is as strong as ever – why do you think this is?
    A gauge of a design’s worth is whether there is a need to facelift it. The DS resisted all attempts to give it a new look – the DS of 1975 was barely different aesthetically from the first cars in 1955, save for the pastel colours, perhaps. Despite its hard-edged technology, the ‘Goddess’ could almost seem human… 
    Photos: Counterpoint (concept, design and art direction)/ Oli Tennent (studio and location photography)
    ‘Deity’ by Counterpoint is available to buy worldwide in a limited quantity, priced at £25 exc. postage and packaging. To register your interest, please send an email addressed to hello@wearecounterpoint.co.uk. We don’t think stocking-fillers get much better.

    ‘Silver Aero’ by Half Caste Creations

    18_11_2015_SRV_250_CDC_04
    Written by Martin Hodgson.
    The very nature of custom bike building is that convention gets thrown out the window; convention is what everyone else does, what the manufacturers make, what normal people like and what the average rider owns. The custom world is about going where nobody has gone before and with his latest build Dennis Karlsson ofHalf Caste Creations in Bangkok has done exactly that – only he jumped light years ahead in the process. I can’t give you a make or model, this is a one off custom motorcycle creation that simply drew on a little of the board trackers of the 1930’s for inspiration, but is truly a 21st century piece of functional art work with one hell of a story to tell.
    18_11_2015_SRV_250_CDC_03
    It all starts two years ago when one of the true renaissance men of the world, Thomas Erber, was visiting Bangkok to piece together his Le Cabinet de Curiosities that would take place in the city in 2014. The idea is a modern interpretation of the 16th century phenomena of cabinets of curiosity where the European elite would display their many exotic and curious objects they had gathered from around the world. Nobility would be invited to stately homes to view the animal heads from Africa, trinkets from China, Middle Eastern artefacts and just about anything that appeared to be other worldly. In the 21st century French Journalist Erber has brought back the tradition, only tired of the convention and conformity in modern design, he’s created a platform for those in fashion, jewellery, furniture and other ventures to showcase their creative genius to the world and it was on this trip to Bangkok he found a Half Caste Creation in a magazine and wanted a motorcycle to be part of the show.
    18_11_2015_SRV_250_CDC_05
    So Karlsson and the Half Caste crew built a Yamaha SR400 with alligator skin and hand formed features that wowed the crowds. So pleased was Erber with the introduction of a custom motorcycle to his travelling show he commissioned Karlsson to build another bike for the Paris show and this time the Half Caste Creations crew knew that nothing short of outrageous perfection would fit the bill when presented with such an honour. The bike would not just be squirreled off in a corner but be on display in the window of the iconic Colette Paris – so no pressure then lads. For Karlsson there was also a feeling of unfinished business “I felt that there was a potential that I had yet not reached or quite frankly not yet attempted and I wanted this feeling to go away”. Only an engine was purchased, the rest would be built by hand and take the shape of the bicycle like board trackers that have you hunched over, back aching and a face full of wind as you build more and more speed around the oval.
    18_11_2015_SRV_250_CDC_01
    The engine was the beginning of the process, a 248cc V-Twin from a Yamaha SRV that provides the slimline, vintage styling of an air cooled twin and the reliability of a modern engine that would create the visual centre piece of the build. The motor is not just what powers the machine but also plays an integral structural role in the frame of the bike as Karlsson chose to mount the V-Twin in a way that provides a floating effect while also acting as the lower frame rails. The rest of the frame consists of a single backbone as straight as an old mountain bike, while the hard tail rear-end sets the geometry for a flat stretched look.
    18_11_2015_SRV_250_CDC_06
    The pièce de résistance is the exquisitely formed downtube that curves its way around the tyre from the headstock to a mount at the front of the engine providing a truly artistic touch to what is an extremely functional piece of engineering. With the engine mounts fabricated and the motor having been triple checked for fitment the frame was given a coat of black so as to further enhance the floating effect of the engine with it’s contrasting silver colour.
    18_11_2015_SRV_250_CDC_07
    A hard-tail rear end leaves a lot of options on the table when it comes to the front suspension as a builder could use function to compensate or form for even more dramatic looks. Luckily for us all Half Caste Creations combined the two and built their own girder front end that not only fits the board tracker styling but is arguably the best setup when working in tandem with a hard tail, the lack of dive creating a constant stability other forks are incapable of. For Karlsson this was his first time working with a girder design, let alone building one and is the first to admit the priority was “the pursuit of ultimate aesthetic beauty”. But you don’t build bikes this good unless you have more than a little talent and the first ride proved his own design not only looks amazing but handles just as well. Every piece from the linkages, to the spring and the finishing welds are modern perfection with a ’30s feel and no doubt HCC will be flooded with orders.
    18_11_2015_SRV_250_CDC_08
    With a rolling chassis now on the bench the attention turned to one of Karlsson specialities, hand formed metal bodywork. The initial idea was to create a Hazan style wooden seat but wanting to hide all the wiring and maintain the ultimate in clean looks the decision was made to stick with metal. The board tracker influence may be there, but these are modern flowing lines, that take on an alien like formation as the tins arch from front to back in a single solid piece.
    The rear end following the lines of the tire for a faux guard feel while the tank gently rolls forward creating a beautiful symmetry with the forward cylinder of the engine and that incredible downtube. The paint work is subtle to let the fabrication take pride of place and yet classic in 1930’s Mercedes blonde grey with some subtle black pin stripping to express the the unity of the seat cowling and tank.
    18_11_2015_SRV_250_CDC_09
    The bars and levers are another nod to the board tracker era but mounted in a way so as not to disturb the lines of the metal work. The headlight provides a single square element to this otherwise curvaceous build and all the wiring and associated components are hidden in the seat, a cleaner design you’re never likely to see on such a modern engine. The wheels are 18 inch rims front and rear, laced to polished hubs and with their aggressive antique styled rubber provide some menace to and otherwise sweeping build of soft lines.
    18_11_2015_SRV_250_CDC_02
    But Karlsson wanted a little more agro to his one off creation and while the exhaust pipes may visually be a thing of beauty their bark is enough to wake a neighbourhood and frighten the toughest of men! The end result is a bike named Silver Aero, built in just three months and that is currently on a plane to Paris where the city of love will certainly fall head over heels for a revolutionary machine so good the fashion capital of the world gave it a personal invitation.
    via PIPEBURN