Beatles vs. Stones: The Car Clash!

Let’s face it, as with motor cars – Aston and Ferrari, for example – you’re either a Beatles or a Stones man. Does their choice in cars reflect their musical differences? I think we should find out...

Being a British rock star in the 1960s wasn’t bad. Yes, the taxes were crippling; it’s true there were only three channels on TV; and the food wasn’t all that great. But with untold wealth at your fingertips - until the inevitable falling out with your management - there were some very nice things to spend it on.Houses in Chelsea and the Home Counties, the new breed of ‘girl next door’ supermodel wives and girlfriends plus, of course, expensive cars. Cars We Like: 300 SL Gullwings, Facel Vegas, Bentleys, Lamborghinis, E-types, Astons and Ferraris. All ruinously pricey, probably desperately unreliable and also pretty dangerous.Marvellous.The biggest groups of the 60s were the Beatles and the Stones. So, leaving aside the knotty question of which was the better band, who ran the more impressive cars? In this very unscientific overview, here are our findings:The Beatles


First on the bill are the loveable Liverpudlians. Now, there’s some good car stuff here. You might not like Paul’s pouty stance (or music in later years: ‘Ebony and Ivory’, anyone?) but he’s had at least a couple of Astons, including a DB5 recently sold by RM and the DB6 now back in Aston Martin’s ownership.Ringo Starr was one of many doyens of show business and British industry who bought a Facel Vega from the then-importer HWM. Bang on the beat, as ever.And George Harrison was probably the most enthusiastic driver, having a selection of Ferraris and being a keen follower of Grand Prix racing until his death in 2001.
But it’s John Lennon, and the colossal Rolls-Royce Phantom V painted in ‘Romany caravan’ colours by Marijke Koger (known as ‘The Fool’, a member of a Dutch team of gypsy artists), who steals the show. And, as with the other stars of the time, he also favoured Radford and Wood & Pickett Minis, and in later years liked an automatic Mercedes SL ‘Pagoda’.That’s not a bad set.The Rolling Stones

Now for the bad boys, the Rolling Stones. I have to confess, Keith’s Bentleyaside, we feel they have let the side down a bit here. Majestic riffing, 'tis true, but slightly lacking in the garage department.You can see Mick posing by a newly acquired DB6. So far so good. But… what’s this, looks like St Trop… right, and a Morgan V8. Nice car, we know… but couldn’t he have run to a Ghibli Spider or something?Then again, Keith has form on this, on American motors in particular. Cars such as the 1950 Pontiac Chieftain Silver Streak Convertible sold at a Bonhams sale this year. I suppose when the cats on the Delta drive them, it’s like the Blues: they just get into your soul.So, over to you dear readers, who do you support, and what cars can you come up with to substantiate your loyalty?Text: Steve Wakefield
Photos: Gered Mankowitz, Copyright Bowstir Ltd 2012 / Getty Images
From Classic Driver

lifestyle ..........

"SPIRITS" :regardez en accéléré une succession d'aurores boréales

from Nicholas Buer

This film was shot mainly around the Tromvik area of Northern Norway at approximately 70 degrees North.

Tromvik is located right in the heart of the aurora belt and because of this even quiet displays of the Aurora Borealis will always be visible overhead on clear nights.

I was very lucky in the time that I visited in that a CME (coronal mass ejection) from the sun hit on the first night I arrived. The earths magnetic field reverberated for the entire week that I was there and I was lucky to witness strong displays every night.

The Aurora Borealis is the most beautiful natural phenomenon I have ever had the pleasure of witnessing. I love astronomy, and for me there is nothing more tranquil that watching our own galaxy rise but the Northern lights was quite a different experience, one that was in some ways even more humbling.

I was fascinated with how the aurora changed so quickly, from rolling like a never ending curtain of soft light stretching, weaving and contorting itself across the Arctic sky, to sharp fingers of green and red piercing the black to its own percussive rhythm.

A friend of mine spoke to a native Norwegian shortly before I embarked on this trip and he told him that Norway "is good for the soul" And after visiting I could not agree more.

Music composed by Fieldscarecrow:
soundcloud.com/fieldscarecrow

Motion control Dynamic Perception Stage Zero:
dynamicperception.com/

Spirits from Nicholas Buer on Vimeo.

VELOCETTE MSS 500

Photography by Benoit Guerry, © Guerry & Prat Images.