ACE CAFE RADIO

    jeudi 6 décembre 2012

    A RACING HEART AT THE ESSEN MOTOR SHOW


    Racing is in Germany’s blood: since the pre-war days facing up to the big three of France, Italy and Great Britain, the Silver Arrows have been pounding the opposition on the tracks around the world for over 80 years. The 2012 Essen Motor Show put on a special display of sportscars in Hall 3 celebrating the rebirth of the World Sportscars in its modern guise as the FIA World Endurance Championship, which showed off four decades of stunning cars – including this pair of Sauber-Mercedes Group C behemoths.
    Around the show you could also find the oldest ’50s sportscar and newest hybrid-powered Le Mans Prototype…
    …and plenty more besides hiding around every corner across the other halls. Motorsport has been fully embraced by the Essen Motor Show and now permeates every aspect of it.
    But Essen isn’t just about the celebration of old racers – on the contrary, the special historic exhibits just backed up the real thrust of the show: to promote modern motorsport to the hundreds of thousands of fans who will pour through the gates of Messe Essen over its nine-day show period.
    Not that visitors looked like they needed much convincing… This is a sentiment that I very much agree with.
    Along with the display area for classic racers, a second major hall was dedicated to every conceivable form of contemporary motorsport available in Germany.
    Hill-climbing, Time Attack, drifting, single seaters, touring cars, multiple levels of GT racing – everything was there to sample and sign up to, presented by a combination of racecar manufacturers, series organisers and the major German tracks.
    Want to take an old DTM racecar hill-climbing?
    Or jump in the new trackday-prepped GT86 CS-V3 that’s just been launched in Germany? If you wanted to get racing, then Hall 6 was the place to be.
    More high-end racecars decorated booths throughout the show. It became a normal occurrence to wander past a McLaren MP4-12C GT3 on a paint stand…
    …and it seemed like almost every Mercedes-Benz SLS AMG GT3 so far constructed was in Essen, spread across the halls like racing confetti.
    Brand new racecars like Reiter Engineering’s Camaro GT3 could be admired up close. The Camaro first appeared this year in the ADAC GT Masters series in the hands of Yaco Racing, who are planning to mount a two-car attack with the US musclecar in 2013.
    Although there’s still a lot of politics to iron out in global GT racing, GT3 is still an incredibly strong category when the correct format is used: just look at GT Masters and the Blancpain Endurance series. GT3 racers tick all the boxes for me: a great mix of engines and body shapes, oversized aero and ridiculously big rear wings. The Camaro has a 7.9-litre V8, perfectly highlighting how the more open rules in GT3 allow a wide range of cars to be developed for the series.
    Sponsorship is of course important: and what better combination than meat and beer? The perfect car for the Nürburgring 24 Hours!
    Having not caught up with the DTM this year except on TV, the quantity of 2012 cars at Essen was a great opportunity to check out the latest generation of DTM track weaponry in detail.
    BMW’s Bruno Spengler took the championship after a hard-fought season; the front of his BMW M3 looks positively architectural with its stepped, spiralling front aero appendages.
    From low down you can see how advanced these cars are, and why drivers so often compare them to single-seaters with roofs. Tunnels under the nose channel air to the complex aero at the sides of the cars – and according to the revised rules these are theoretically simpler constructions than previously allowed! Looking at this you wouldn’t believe it.
    That said, although the front and side aero is still awash with winglets, louvres and tunnels the rear of the cars is definitely more simplistic: sculpted rear vents from the wheel arches along with deep diffusers and smaller rear wings. They are incredible-looking racecars: it’s just a shame that so few tracks show them off to their best and let them stretch their legs.
    Although Porsche are of course synonymous with Germany’s racing success, Mercedes-Benz have an even longer history. We’ve seen this 300 SEL 6.8 AMG a couple of times recently: Hans Heyer and Clemens Schickentanz drove it to a class victory and second place overall at the 1971 Spa 24 Hours. What an example of taking a saloon, dropping it, adding enormous rubber and plumbing in a ridiculously big engine. I’m glad to see that this is still the basic premise for so many modern racing cars.
    The DTM has featured some amazing cars over the years, like the 1990 Mercedes AMG 190 Evo II. This car now runs in the Nordschleife-based VLN series, which in itself allows drivers to enjoy a huge spectrum of old and new racecars around the legendary track.
    DriftUnited had strong representation on their stand: it’s not often you see a drift spec E21, especially not one with a shovel wing that looked like it was straight out of 1970s Group 5.
    Next door, a Z4 had somehow squeezed a dayglo V10 Viper unit into its nose…
    …whilst this nearby VLN Viper showed the V10 in its natural habitat.
    I know everyone loves Viper engine transplants, but you can’t beat a Viper engine in its proper place. It’s an industrial-scale weapons complex that deserves a suitably oversize environment to operate in.
    Over on the KW stand, Fredric Aasbø’s Toyota 86-X was on display behind suspension-mounted ropes – a nice touch!
    The ultra-wide front rubber and extreme camber still makes me gasp every time I see it… What a car! Hopefully we’ll see it out even more frequently in 2013.
    Backing on to Hall 6 was the Motorsport Arena: a fearsomely tight course laid out on the slippery hall surface where a wide selection of racers and drifters could show off to the crowds.
    Some cars apparently required serious ballast to help with control around the narrow course.
    Remmo Niezen and Lars Verbraeken, stars of Ken Block’s recent European Gymkhana event, were wowing everyone in their Falken BMWs.
    How about this for an unexpected track-day car? It was packing some serious firepower under the hood. We need to find out more about it! Imagine this at Gatebil…
    Back to Hall 3 and the World Sportscar Championship displays: a visual history of the evolution of sportscar racing across the decades.
    Ferrari’s hand-built V12-powered 250MM (MM for Mille Miglia) was entered into the debut year for the WSC, 1953, which included such tough events as Mexico’s Carrera Panamericana road race, the Targa Florio and the Mille Miglia itself.
    Although the ’50s were awash with iconic cars, the Mercedes 300SLR could be said to top them all, especially in Mille Miglia livery.
    Jaun Manuel Fangio piloted #658 in the 1955 running of the Mille Miglia: driving solo for a thousand miles (hence the fared-in passenger seat), he finished second to the Stirling Moss/Denis Jenkinson sister car, just 30 minutes in arrears.
    Jaguars, Aston Martins and Maseratis then led on to a 1968 Ford GT40 in the epic powder blue and orange livery of Gulf Oil.
    Gulf sponsorship transferred with the JWA team to Porsche, creating the definitive pin-up look for the 1970 917.
    The Ferrari 512 is often overlooked when looking back at that era, but I think it’s easily the equal of the 917 in aesthetic terms – even more so as the S rather than in the straighter lines of the later 512M. Making it even more special, this is an ex-Mario Andretti car.
    These three cars pretty much sum up the perfection of a decade of racing. Does it get better than this? (Well, there are the Group Cs to come…)
    Short-wheelbase roadsters ruled in the mid-70s: screaming pocket-rockets like the three-litre V8 Alfa Romeo T33TT from 1975 and accompanying Matra MS670 from 1973.
    For the sake of chronology, I’ll take a brief diversion to Porsche’s 50th Anniversary stand in Hall 1, where Kremer Racing had brought along this K3 – we featured this awesome car back in September, plus a tour of Kremer’s workshop.
    Porsche’s dominant 956/962 series of the early to mid-’80s was represented by this Primagaz 962C from 1987.
    Jaguar’s XJR-9LM was the winning car in the 1988 edition of the Le Mans 24 Hours…
    …but then we had two more heart-stopping examples of German racing technology (or Swiss-German, to be more accurate): firstly 1989′s Sauber-Mercedes C9, with its C11 sister next up.
    Both cars have been run in the Historic Group C challenge over the last couple of years: I’ve been lucky enough to see them racing twice in 2012, at Le Mans and also at the Donington Historic Festival back in the Spring. They are phenomenal to watch on track – and even more so to hear.
    They’re such raw cars: the plain, functional liveries makes them look even more brutally efficient. It’s the kind of extreme racing machine that anyone can appreciate.
    The Mercedes-Benz C11 came on stream the following year. It’s an even more shark-like car, and the performance was similarly predatory: the C11 swept the 1990 WSC, winning all but one race.
    Book-ending the WSC, 40 years on from the 1953 Ferrari, was the Peugeot 905B from 1992 – the final year of the original glorious run of the WSC. This was the ultimate evolution of a prototype sportscar: Formula 1 levels of performance and even more technology. The huge rear wing is so far off the back that it’s virtually in a different country, and they produced epic levels of downforce. More spaceship than sportscar.
    Although the World Championship was temporarily incapacitated, the following years were hardly lean for sportscars: how can anyone pass over the mighty McLaren F1 GTR, Mercedes CLR and Porsche GT1 from FIA GT of the late ’90s?
    But in 2012, 20 years after it last ran, there was once again a World Championship for sportscars. Audi might have run away with the overall title, but with the speed of their TS030 Hybrid newcomers Toyota have shown that 2013 will be no walk in the park for the Four Rings. Expect a serious arms race over the winter.
    Rallying is as popular as ever, particularly at a national level. Alongside Kremer’s 935s and the GT1 on Porsche’s anniversary stand was this 953 from the 1984 Paris-Dakar rally, driven to victory by René Metge and Dominique Lemoyne. Legendary all-rounder and multiple Le Mans winner Jacky Ickx drove a second 911SC that year…
    …and another, rather less familiar Mercedes rally-raid off-roader also driven by Ickx was over at the Mercedes FanWorld display. His name was also on several of the sportscars in the WSC display – he really was an incredibly adaptable driver.
    Upstairs in the auto-jumble area, more car clubs were crammed in – I have a soft spot for Stig Blomqvist’s Saab 96 from the ’60s…
    …and back downstairs in the ADAC hall (Germany’s automobile club, and organiser of most major racing series in the country) the new Polo R rally-car that will compete in next year’s World Rally Championship was on display.
    So, old to new and back again: Essen’s racing heart was clear to see. Next up we’ll focus on the tuned cars and the awesome selection of hot rods.
     Jonathan Moore (Speedhunters)

    Art: Robert Carter Prints


    1936 Talbot
    Sporting an aesthetic that combines a spectacular sense of speed with a stunning retro-chic style, Robert Carter’s artworks are absolutely awesome examples of classic motorsport art and the very definition of cool.
    His time working as a commercial artist in London during the ’60s shines through in his works, which capture the majesty and speed of classic machinery with a perfectly-tuned retro style. They feature a huge portfolio of classic racing cars and bikes, along with the events they raced in, with a definite preference for the vintage end of the historic racing spectrum.
    Rennsport
    Carter offers Giclée  prints of his oil on canvas originals, and they’re available in strictly limited runs of 250 printed, numbered and signed prints. The prints are 24″ X 36″ on satin finish acid free paper and go for US$220 each, plus $20 shipping. You can grab one from his online store at shop.robertcarterartwork.com.
    Head to his website here for more, and to his online store here to pick up a print. I’m thinking one would look magnificent in the Motorsport Retro garage!
    Images via Robert Carter
    peugeot

    Cool Caravans? Could a new gener­ation of Airstream trailers make it cool to caravan?


    Caravans get a bad press, partic­u­larly from people whose passion is motoring. When you look at it object­ively, they should be a good idea. You get to exper­ience the freedom of the open road without having to spend appalling nights under sweaty vinyl, lugging around overpriced and fetid camping equipment. Once you’ve pitched your van, you still have the motor you came with, and are not tied ether to that annoying compact you tow behind your campervan/​Winnebago or an at-​​times unprac­tical scooter or bicycle. And although trousers that zip off at the thigh to become a pair taupe-​​coloured shorts might seem to be de rigueur amongst the caravanning community, appar­ently they are not obligatory.
    170209-a-airs
    The distaste for caravans among many of us is broadly divided along the axes of two arguments: 1) they clog up the roads of Europe every summer with their inter­minable bank holiday crawl; 2) 90 % of them are hideously designed. They look, in other words, awful and you wouldn’t be seen dead in them. We’re not sure whether or not the Airstream, the iconic line of caravans made exclus­ively by a family firm in Ohio for the last three quarters of a century – can be towed any quicker than your average European monstrosity. The latter problem however, is much less of an issue. In fact, the stainless steel curves of an original forties-​​era Airstream caravan (pictured above) recently graced the haloed halls of the Museum of Modern Art. And this is not just a design classic. According to the company’s press office they are super-​​durable. Over sixty five percent of all Airstream trailers ever made are still on the road or in use today. Another more alarming statistic is that of the roughly 400 US trailer companies active in 1936 Airstream is the only survivor. So, buy an Airstream and you are not only contrib­uting to the survival of some of the hard-​​pressed blue-​​collar workers of America, you are buying a sustainable, relat­ively low-​​impact product.
    las-vegas-dwr-airstream_med
    Whatever motivates Airstreamers, the company recently launched a new model into the European market. The Bambi 422 (above) is a relat­ively light and nimble two-​​berther that can be towed by any mid-​​size saloon (A three series BMW or a Golf, for example), and it comes with things like a shower cubicle and vacuum toilet – as well as the external awning – as standard.
    But the inherent practic­al­ities of the design doesn’t account for the Airstream’s cult-​​like following. With its stripped down, modernist appeal it is just one of the many brands of retro Americana that has been lifted into an arena of love-​​like devotion. Witness how the mechanical simplicity (and ineffi­ciency) of the V-​​Twin Harley has been made into an icon. Witness also the devotion inspired by stripped down, three chord rock’n’roll. Could it be that the Airstream is the caravanning equivalent of Eddie Cochrane?
    08-airstream-basecamp
    So while the roads of Europe and the UK may be graced by a slightly more stylish annoyance this summer, in the states, Airstream have upped the bar in the sleek stakes with The Basecamp Trailer which is designed to be the stepping-​​off point for walkers climbers — even surfers. This little pod has wrap around windows, a skylight, an optional tent, a sink, cooking area, and a ramp for storing outdoor gear while you’re on the move.
    08-airstream-basecamp-2
    Could it be that with long distance travel getting more expensive and inher­ently unsus­tainable, that Caravanning (whisper it) might just become as cool as camping this summer? We won’t be donning the taupe zip-​​offs just yet. But the idea doesn’t seem as ridiculous as it once did.
    For great Caravan insurance use Adrian Flux, click or call 0800 089 0050.

    1911 INDIAN BOARD TRACK RACER


    Indian Board Track Racer 740x491 1911 Indian Board Track Racer
    Like many of you, I have a long-held love of board track racers. There’s something pure about the design and construction of these early motorcycles that we lost along the way and I think that’s a damn shame.
    This particular Indian board tracker was recently restored by award-winning car and motorcycle artisan Jim Prosper, the original bike was so complete that the only 2 non-factory parts on it are the fuel tank and handlebars.
    She’s heading for the 2013 Las Vegas Antique Motorcycle Auction on January the 10th, 11th, & 12th of 2013, so you still have some time to save up. Then you’ll just need to make friends with a chap who owns a velodrome.
    Indian Board Track Racer Engine 1911 Indian Board Track Racer
    Indian Board Track Racers 740x490 1911 Indian Board Track Racer
    from Silodrome.com