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    vendredi 30 août 2013

    KTM 250 SX DE bikenstein by Sylvain Berneron


    My buddy Sylvain Berneron of Holographic Hammer just sent me a cool new DE Bikenstein he designed, based on the KTM 2013 250SX 2 stroke in a kind of cafe racer style! It would be pretty sick to go up in the austrian mountains around the Kiska studio! 
    ktm 250 SX bikenstein sylvain berneron 980x859 KTM 250 SX DE bikenstein by Sylvain Berneron
    The second bike is also based on a KTM 250SX and was done for El Solitario MC.
    ktm 250 SX bikenstein sylvain berneron 021 980x859 KTM 250 SX DE bikenstein by Sylvain Berneron

    ‘75 Honda CB360T - ‘Cowboy’


    Written buy guest writer Phil Guy.
    By all appearances Erik Harland Ludwig of Denver, Colorado, is living a fair approximation of the Man Dream. The 26-year old lives in his shop, ‘Machine Shed’, just him, no women (not permanently, anyway), no potpourri or cotton tips, just tools and grease and auto parts. By night he manages Meadowlark, quite possibly Denver’s smoothest bar, and by day he strips back and builds up, fabricates and assembles. Motorbikes or cars, it doesn’t matter, he loves both. No big surprise then that tearing out of this vortex of gritty cool is this raffish dirt rat, affectionately known as ‘Cowboy’.
    The base? A ’75 CB360T. ‘Bought stock and nowhere near running,’ says Erik. The motor was stripped and rebuilt, getting new hardened internals in the process. The carbys, too, rebuilt and re-jetted. The frame was detabbed and the sub-frame shortened, and gained a rear hoop of Erik’s making. The tank is from a ’72 Husky 400 Cross, and demanded some top tube mods for the right fit.
    Like many rat builds, the provenance of some parts are known—‘I made the tail light from random rusty metal bits and shaped the lens from the stock tail light’—while others, not so much—‘I think the headlight is an old rusty fog light bucket for a car.’ And what about that seat? ‘It’s a rolled up Mexican blanket that was lying around the shop, held on by my grandfather’s old broken belt. I use the blanket when I go camping up in the mountains.’
    Erik did all the work himself, even mounting the tyres. (‘A pain in the ass,’ he recalls.) Custom fabrications include the metal electronics box under the seat, the starter unit and kill switch on the bars, and a simplified wiring harness. The rear fender was taken from a ‘78 CX500, cut short and kick-up to a ducktail.
    ‘It’s insanely fun to ride,’ Erik says. ‘Especially in the dirt.’ We don’t question that at all—we just hope that blanket stays in place over the bumps!
    Not surprisingly Erik is now getting requests for commissioned builds. It wouldn’t surprise us if he got a request or two for a life swap either.
    [Photos by Sara Ford]
    via PIPEBURN

    Scott Redding signs two year deal with Gresini's MotoGP squad


    Scott Redding
    Ahead of this weekend’s Silverstone round, and as highly expected Moto2 standings leader Scott Redding will be making the switch to the premier class next season and will be riding for the Gresini team, after signing a two-year deal with the Italian team.
    The 20-year-old will be riding the new Honda production racer for Gresini and replacing Bryan Staring in the squad.
    Honda’s production racer that will be tested by former two-time World champion Casey Stoner is low cost version of the RC213V, and will not have pneumatic valves or the famed seamless transmission, but will be allowed more fuel and more engines and will use the Magneti Marelli spec ECU.
    “I am looking forward to the challenge of MotoGP next season. I’ll be racing alongside the best riders in the world, aboard the brand-new Honda production racer, so I know already how steep a learning curve it’s going to be. This was why it was so important to me that I made this step with an experienced team, and there are few more experienced in the MotoGP paddock than Team Go&Fun Honda Gresini,” commented Scott Redding.
    Scott ReddingScott ReddingScott ReddingScott Redding
    “My focus for now is on winning the Moto2 World Championship for Marc van der Straten, without whose support over the past four years I wouldn’t even have been given this opportunity to move up to the premier class,” continued the British rider.
    “I’m delighted to be able to work with a young talent like Scott Redding. We have signed a two-year contract together, with the clear aim of building an ambitious project that should see him develop and be taken to the pinnacle of MotoGP. Scott has already shown that he has a lot of quality and so we are proud to welcome him into our team. We cannot wait to begin working with him; his riding style is great to watch, as is his approach to racing,” said team owner Fausto Gresini.
    Bruno Bollini, GO&FUN President and title sponsor of the team added, “I’m really happy that we have signed the deal with Scott Redding. We couldn’t have chosen a better rider. I’ve been following him closely over the past couple of seasons and I think he’s a great talent and represents the future of motorcycling. He is young, fast and full of energy. His riding style along with his own ‘trendy’ look mean he fits in perfectly with the GO&FUN message; energy, adrenaline, intelligence and enjoyment. I am certain that 2014 will be a fantastic season results-wise, and that Redding will be a positive addition to the success of Team GO&FUN Honda Gresini.”
    from TWOWHEELSBLOG

    WORKING CLASS HEROES: WHY I LOVE TRANS AM


    It’s been over a week now, but I’m still sitting here trying to recover from the sights and sounds I experienced recently at the Rolex Monterey Motorsport Reunion. While the race weekend was full of everything from pre-war grand prix cars to all-wheel drive turbocharged Audis, one of the true highlights of the event is the running of the vintage SCCA Trans Am cars.
    With that in mind, I figured I’d dedicate a special post to sharing some of the Trans Am images I gathered over the course of the weekend and to wax poetically about why I think that particular series was so good, and how special it is to see these cars in action today – over four decades after they originally raced.
    For starters, in the context of the Rolex Monterey Motorsports Reunion – the 1966-1972 Trans Am cars are very much the all-American gang.  Compared to some of the priceless Ferraris, Porsches and Aston Martins competing at Laguna Seca, the Trans Am group has a distinctively blue collar vibe. Don’t get me wrong though, these Trans Am machines are genuine historic vehicles with real competition history and some are at or near the million dollar mark in terms of value. The feeling though, is way more steak and beer than it is wine and cheese.
    At this year’s Rolex Historics, the Trans Am group featured a field of over 40 cars, which I’m told is actually a larger field than any of the realTrans Am races had back in the late ’60s and early ’70s. That’s right, we are talking about more than 40 V8-powered vintage American Pony Cars taking to the track at once. You might be able to imagine what that sounds and feels like, but I’ll just say it’s simply some of the loudest and most visceral racing you’ll ever see, past or present.
    But what makes these Trans Am cars even better in that they are seemingly doing something they weren’t designed for. The prevailing image of cars like the Mustang, Camaro and Challenger is one of dragstrips, burger joints and straight boulevards. Yet at the height of the muscle car era from 1968-1972, the Trans Am racers were out there battling it out on North America’s great racing circuits for the hearts (and wallets) of a huge audience.
    That’s just one reason I and so many others have fallen in love with the history and excitement of the golden age of Trans Am racing. Muscle cars are supposed to be big archaic machines that couldn’t a turn a corner if their life depended on it, right? These guys take that stereotype and destroy it in a cloud of dust, late braking and beautifully modulated oversteer – and it’s been that way since the ’60s.
    The SCCA Trans Am series began modestly in 1966 with classes for sedans powered by engines both above and below 2.0 liters, with the higher displacement class featuring cars like the early Mustang. Dodge Dart and Plymouth Barracuda. This 289-powered ’63 Ford Falcon Sprint originally driven by James Taylor is a perfect example of the cars that ran early Trans Am events.
    The Mustang quickly became one of the most popular cars in the series, with the notchback model being the preferred version during the first few years of Trans Am. Along with a number of privateer entries, Shelby also prepared many coupe-bodied Mustangs for use in Trans Am competition.
    In 1967 Chevrolet introduced the Camaro to capture some of the Pony Car market that Ford had created with the Mustang a few years earlier. The Camaro soon became another popular platform for Trans Am racers, with few being more well known than the Smokey Yunick ’68 which is now owned and driven by the Edelbrock family. As with all of Yunick’s race cars, the Camaro was equipped with a number of rule-bending modifications to help give it a competitive edge.
    With the exploding popularity of the American Pony Car market and the rising influence of Trans Am, automakers saw the potential of campaigning their own factory-supported cars in the series. Soon, Trans Am became one of the premier battleground for Detroit’s automakers.
    The series would be directly responsible for the introduction of many famous production street cars that are heavily sought after by collectors and enthusiasts today. Cars like the Camaro Z/28, Boss 302 Mustang, Challenger T/A and AAR ‘Cuda all owe their existence completely  to Trans Am racing.
    Of course it wasn’t just the Big Three that could be found battling it out in Trans Am. American Motors became a perennial overachiever in the series with its distinct red white and blue colored Javelins. Even if the Javelin would never have any where near the sales numbers of its rivals, AMC’s success on the race track was incredible.
    Much of AMC’s Trans Am success is credited to Roger Penske, who left the Camaro behind to head up AMC’s factory team in 1970.
    AMC’s primary rival would be Ford’s factory-supported team, which campaigned its Bud Moore-prepared Boss 302 Mustangs and took the manufacturer’s championship during the 1970 season.
    Perhaps the greatest thing about Trans Am during the late ’60s and early ’70s was the strong resemblance these cars had to their production counterparts. The series redefined the old saying “Win on Sunday, sell on Monday.”
    Sure the suspensions were modified, special weight-saving tricks were used, and their 305 cubic inch (the displacement limit in the class) engines were built to realize every last drop of horsepower – but the cars looked and felt every bit like the ones found on showroom floors and street corners across the country.
    This is something I love not just about Trans Am cars, but about so many racing machines from this era. It’s also one of the reasons why I can’t get nearly as excited about modern race cars as I can old ones.
    While the machinery was great, Trans Am was made all the better by the talented men who drove these cars. The series featured an all-star cast of legendary drivers including Parnelli Jones, Sam Posey, George Follmer, Dan Gurney and Mark Donahue – all of whom had great international success across a range of motorsport disciplines.
    It’s hard to describe the what it’s like to watch these cars race to someone who hasn’t witnessed it in person. While all of the cars are powered by similarly-prepared V8 engines with rear-wheel drive and comparable size and weight, you really begin to pick out the differences in the cars as you watch them run.
    As you watch the action, you begin to notice how certain cars behave differently through corners – you notice the differences between the roar of the small block Ford motors and the AMCs, which have to be the loudest cars on the track. These have all the personality you could ask for – again something I think is often missing from modern race cars.
    And while you won’t see the drivers of today’s Historic Trans Am group passing through the grass like Parnelli Jones or banging fenders in braking zones, you’ll still find the competition gets pretty heated when their race begins.
    Bruce Canepa in particular always seems to drive his 1970 Javelin like an absolute madman, but then again he drives everything like a madman.
    Aside from that, there’s the simple fact that late ’60s and early ’70s Trans Am machines are some of the coolest looking race cars of all time.
    Aggressive chin spoilers, wide wheels and fat tires, ground-hugging stance and those glorious side pipes – I really could spend all day staring at these cars.
    While all of the aforementioned stuff was of course done to make the cars faster, it also helped give them a style and personality that is unforgettable. As personal matter of opinion, when it comes to Pony Cars I much prefer this classic look over the big wheel pro-touring style that’s become so popular in recent years.
    As for the history of the Trans Am series itself, the golden era was relatively short-lived. By 1971 most of the OEM support would be gone and as the ’70s continued the high performance Pony Cars themselves would disappear from the market as the gas crunch and government regulations took hold of the auto industry.
    The Trans Am name would continue on in various forms over the following decades with a move to tube-chassis based race cars, but nothing would have the same magic or excitement that existed between 1966 and 1972.
    However, with the efforts of the organizers, car owners and drivers of the Historic Trans Am group, the glory days the series are being reenacted regularly at vintage race events across the USA. There are many great things about these gatherings, but for me just the opportunity to experience historic Trans Am in action is worth the cost of admission alone.
    I’ll never know exactly what it was like to have been trackside at a real Trans Am race during the golden era, but thanks to the Historic Trans Am racers and events like the Rolex Historics it sure feels like I was part of this unforgettable period of American motorsport history. In other words, mission accomplished.

    Mike Garrett