ACE CAFE RADIO

    samedi 19 octobre 2013

    Hold Fast Motors “Black & Tan”


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    Andrew Hull from Austin, Minnesota, is one of those guys recently returned to meddling with bikes in his backyard, and getting to the point where his work needs a proper brand and yo be properly shared with others, and as a starting point he’s made a superb job of turning this 1979 Yamaha xs400 into a Brat/Scrambler hybrid. Normally we have to we-write the builder’s story, but in this case, Andy tells it best himself, without any interference from us…
    I’m Andy Hull I started riding and modifying bikes when I was 15. I started out with a old Tomos Silver Bullet moped. I went from two wheels into four wheels then decided that four wheels consumed to much space in my little shop/garage so I returned to my roots two years ago when I started picking up motorcycles again. I now have 11 bikes in the garage, some including my old moped, I just recently stumbled across and bought back.
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    I’m a painter by trade, houses and businesses not cars or motorcycles. I actually went to school to be a cylinder head machinist but some how took up painting instead. I worked as a mechanic for a few years out of high school and it started to kill my love for working on things so I took up painting with my father, but I did not kill the love of metal and bolts when I did this. I brought all my tools home and started to tinker with some older motorcycles and found that it just invigorated me. I sold my first bike last winter it was a slightly modified Kawasaki KZ400 and that was the beginning of Hold Fast Motors.
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    I bought this 1979 XS400 from an old farmer a few hours from my home town, he had been letting his grand kids ride it all over the farm so when I got the bike it looked like it had gone through a tropical storm. I rolled it off the truck and began by ditching everything that was not essential to what I wanted to build. I started with the frame, I removed the rear shock stays and re-mounted them more forward on the frame, lifting the rear of the bike a good two inches.
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    The rear frame hoop was chopped off and a new custom hand made hoop was made. I then had a good friend build me a seat pan to fit the shorter frame section and re upholstered it in black and tan. The seat was really what the bikes color scheme was based on. I loved the contrast of color it had so I spread it throughout the bike.
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    The tank was the next to be modified. I read an article online about adding knee indents to tanks and I loved the look of old cafe racers with them, so I decided to do that. After some good hammering and body work it was right where I wanted it. I sent it over to a good friend and pinstriper Jeremy Pedersen of Relic Kustoms where he added the Hold Fast Motors badge on the sides and added some highlights with some well laid lines. The frame was then sprayed in a gloss black and set aside to be assembled.
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    When I got the bike it had an issue with the electric starter and kick starter. I pulled the engine out because I was going to freshen it up anyway, and when I opened the side case I found a sheared off kick starter journal. This threw a hammer in my progress. I started searching online for a set of engine cases to swap my internals into. After a few weeks I found a set of low milage cases on eBay and had them sent to me. I reassembled the engine and gave it a good coat of flat black engine paint.
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    I ditched the stock mufflers and instead made some custom turn downs with home made screw in baffles for back pressure. The engine sucked in through a pair of stock carbs re-jetted for the XS Performance pod filters. I hated the look of the battery just hanging out under the seat so I had Nick Pedersen make me up a leather battery surround with a pocket on one side and a compartment for all the essential wires and fuses to be tucked into on the opposite side.
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    The wheels are stock just repainted to match the rest of the bike and the tires are some knobby Kenda dual purpose rubbers I found online. The steering is done with a old vintage set of motocross handle bars. I ditched the stock head light and went with a smaller chrome unit I found on Craigslist. The stock speedo and tacho were destroyed from the farmers grand kids so I bought a mini speedo and mounted it up on the top triple tree.
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    The bike was one of those builds that really evolved with time, it was going to be a cafe racer when I first brought it home then I fell in love with the brat style bikes that I was seeing on The Bike Shed and BikeEXIF. I then re watched “The Great Escape” and fell in love with the Triumph Steve was riding in the chase. The one that was built to look like a war era BMW. The knobby tires and the rough look of it enthralled me so it went from a brat bike to a knobby tired scrambler. I would have never pictured this bike in my head it just evolved slowly into what it is now, I don’t think I could ever just draw up a design of a bike and build it, first off I don’t have the skill to do that and second I really enjoy sculpting and changing things as they go until they meet my satisfaction…
    It’s a really great looking build, Andy – Thanks for sharing with all of us. We look forward to seeing what comes out of the Hold Fast Motors garage next.
    via the bike shed

    Steel Bent Customs T100


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    Steel bent Customs are back on the Bike Shed, and having set themselves a firm reputation for bikes with a firm rear end it’s interesting to see a bike with a little more seat padding than their usual hard-assed brat style customs, but this T100 still has all the usual SBC touches that make them one of our most popular builders.
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    The donor is a 2008 Bonneville, and was sent to Michael & Co in Tampa, Florida all the way from the Mediterranean, having been bought unseen and accompanied by a set of pictures and rough ideas of what he wanted. Being a newer bike, she was mechanically sound, but the owner wanted something very special.
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    First up the wheels needed to be lightened, so Michael got in touch with Doug at the Devon Wheel Company in the UK to get some wider and lighter rims laced-up in satin black with stainless steel spokes. The 4.5 inch rear and 3.5 inch front could then be fitted with a Continental TKC80 150 & 120.
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    Meanwhile the guys got started on the frame, looping the rear, adding support for the exhaust and a smaller rear fender. The 2:1 Arrow Exhaust was designed for the Scrambler, so they had to modify the right side cover along with the rear master cylinder and fuse box. The stock shocks were removed & replaced with a fresh set of fully adjustable Öhlins from British Customs.
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    The seat pan was hand made to account for the battery placement & rear fender clearance, while the (unusually comfy) seat foam was upholstered in leather with orange piping & stitching to match the paint scheme. The chrome engine covers were pulled off and powdercoated in satin black and the chain guard and cover were drilled for looks and lightness. Stock instruments were replaced by a mini Motogadget gauge. The Headlight is a MuzaMoto unit, complemented by LED bar end turn signals and a cat-eye rear light.
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    The paint scheme uses matte silver with a Coast Guard orange accented stripe that flows from the tank down to the brush guard. As a final touch the guys relocated the tank filler hole from the right side to the center and mounted a camera-lens style removable Francis Barker compass, following the design with a custom fabricated headlight guard.
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    Michael goes on to say; “This was by far one of our most exciting builds. The client spared no expense building one incredibly unique bike that is sure to inspire anyone with a stock Bonneville on the streets today.” We agree, it’s not your average scrambler and great to see SBC spreading their style onto a modern Triumph.
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    See more from Michael Mundy and Steel Bent Customs on their Website and on The Bike Shed’s Steel Bent Customs pages.
    Quality photos from Erick Runyan
    via The Bike Shed

    ’70s Street Fighter: The Imai Works Datsun 260Z


    If there’s one thing I can admit to, it’s this: I absolutely love a project, and every aspect of it. From the initial vision, whether it’s a picture in my mind or a sketch on a sheet of scrap paper, to the procurement of the assets, then working through the pains and pleasures of the process – it’s all good fun. The moment you get to the home stretch and embark on that maiden voyage down the street (in whatever it might be) there is almost no greater reward. The dedication, time management, and the support you get from friends and family, it all comes together at that moment. For those who have been there, you know the feeling; you couldn’t wipe the smile from your face if you tried.
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    Welcome to my humble garage, which I affectionately call ‘Imai Works’. I named it that because this is where all of my personal projects, big or small, go down. I wanted to share a few of these projects with you before we get to my latest build. And you will have to excuse the mess, as my workspace was still reeling with energy from the pre-JCCS thrash-a-thon a week before, getting cars ready for the show. This also happens to be the favorite part of the house for my two year old daughter. We spend many weekend mornings here, where she assists me by hiding my sockets, wrenches, and anything else she can get her little hands on.
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    It’s a small workspace, but I manage to fit a lot of stuff in here.
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    On any wall, you’ll see art pieces from friends, a bustling toy collection and memorable souvenirs from my travels.
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    I even have a few derelict 1/10 scale projects sitting around, waiting for a bit of love. One of these days…
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    Now about those 1/10 scale projects. RC cars were a big part of my childhood. I’ve spent many days riding my bike to the hobby shop after school to gaze at the shiny kits and cool box art. I hoped that I’d be presented with one for a birthday or holiday.
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    Although I completely thrashed the first few cars I got, eventually I became quite good at building, tuning and racing these things.
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    About 10 years ago, I started resurrecting whatever old cars I had, and began restoring them, along with other used and abused examples of my favorite models growing up.
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    Although RC cars are great fun, I decided to make the jump and work on a full scale project a few years back. I picked up a 1971 Datsun 510 wagon that some of you may be familiar with – it debuted at the 2012 JCCS event after a lengthy build process. All of it was done right here, in the Imai Works garage, from the suspension to the bodywork. I’m currently doing a quick refresh on it; perhaps we can look at it in more detail in the near future.
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    But the real reason I’m here today is to talk about my latest project, a 1974 Datsun 260Z that I purchased shortly after 2012 JCCS. I was quite satisfied with the progress on my 510, so I wanted to change things up and build something different. While I went for a more shakotan style with my wagon, I really wanted to build a works-style street bruiser. At first, I had my eye on a first generation Toyota Celica, but I was never happy with the examples I looked at. Literally a day after looking at another beat Celica, a good friend of mine called and asked if I knew anyone who would like to buy his 260Z.
    I took this as a sign, and immediately thought of the possibilities. A works style Z? A vision popped up in my head, and I was sold. A deal was made, and I took delivery of the car a few days later.
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    The car certainly had an eclectic mixture of good and bad. Stainless brake lines, a semi-decent repaint on a solid body, the gauges and lights worked occasionally and it ran for a little bit before overheating. Not too tragic for an old car. But it was the bad stuff that would take me for a hard ride. It was running on five cylinders, second and fifth gears were gone, the engine was leaking fluid from every possible area, and it looked like no one had ever bothered to cleanany of it during the many years of operation and neglect. To top it off, a week before the car was sold to me, my friend bumped into a truck on a freeway on-ramp, crumpling the hood, passenger side fender and accompanying sugar scoop. Malaises aside, this car meant a lot to my friend, and I wanted to make sure it became something he’d be proud to see after a makeover.
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    I’ve built a personal strategy that has worked for my projects, regardless of scale. I’m a budget-minded builder, and I enjoy finding cost effective solutions. I try to reuse everything I can before throwing it away and replacing it. Of course, if the integrity of a part is compromised in any way, it will be replaced. But many times, a good cleaning and light restore can make a part look, work and feel like new. Be it intake manifolds, suspension components or even the engine hardware, most parts are worth saving.
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    On the other hand, there are lustful components that are worth blowing the budget for, and make all the difference. For me, wheels and tires make or break a car. Since I was building this car for brutal balance, I was not going to compromise here. I went full tilt and settled for the best.
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    Work Meister CR01s wrapped with meaty Yokohama ADVAN Neova AO48s was the perfect combination for this project.
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    The measurements are 15×9 ET-58 wrapped with 205/50 for the front, and 15×10 -58 with a 225/50 for the rear.
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    When it was time to order the wheels, it was a total brain buster deciding on finish. I ended up committing to the polished faces with gloss black barrels, and I couldn’t be happier. The offsets are aggressive, but they complete the look along with the track ready rubber.
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    With offsets like these, the faces disappear into the barrels in various angles…
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    … and devour Andrew Jacksons without a hiccup. Thanks for the $20 Larry!
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    Containing this footwork required some massive flaring, so I sourced a set of works-style flares from Japan. For the many who asked me where they are from, they are made by Arita Speed. Purchasing them was no problem for me, but I had to go through a network of friends in Japan and here in LA who went through some creative shipping solutions to get them to my door.
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    The results are worth the effort, and they are complemented by the three piece wing that was a lucky find on Craigslist. Most people usually remove the rear bumper with the works flares, but I kept mine to keep it street. All of the ancillary and trim parts are finished in matte black. This was an easy way to get a cohesive and aggressive look. For those of you considering the works flares, keep in mind that they are designed for the G-nose, which I do not have and aren’t easily sourced in the US. I came up with a solution that you’ll see in a moment.
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    As a designer, I enjoy giving my projects personal touches. These are the little bits of details I look forward to creating for my car, whether it’s a one-off sticker design…
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    … or a unique part I made using raw materials I have in the garage. Someone recently asked me how I drilled all of those holes in the inspection lid. I just told him that I have a steady hand and a lot of drill bits. Of course, I later mentioned that it’s a custom part.
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    And if you can’t fix it, feature it. After straightening and grinding the fender metal, I got this neat blown-out look, like the tail end of a jet engine. I couldn’t be bothered with repainting it at the time, so I just added a clear coat and a message. It’s a lot of fun when those who aren’t necessarily car folks see this and ask if a ball of fire is going to shoot out from there.
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    The NOS Fairlady Z emblem was a gift from a great friend. It took him a long time to track it down, and that means a lot to me.
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    I got the #MaximumAttack sticker when I met with Rod at SEMA last year. I’ve been waiting for the perfect place to stick it on to, and here it is! It’s a neat location because it glows bright orange in front of the headlight.
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    Getting the engine bay sorted took a very long time. I began working on it immediately after I got the car, because frankly I couldn’t even see the block or head under all of the sludge and grime. When I was done scraping the gunk off, I was happy to find a L28 block in there. I began dismantling everything from the engine bay for a proper cleaning, inspection and refinish/replacement process. I didn’t want to go overboard here, but as you know, the further you dig, the more stuff you find.
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    It took a few months with the limited time I have, but I managed to make some simple and effective modifications. First I painted the engine bay and block. I relocated the battery to the inside of the car, and rewired the entire engine harness. Every connection was on the verge of breaking off, so I started with fresh wire and connectors, and rewired it all. While at it I did a mild wire tuck and hid the many relays to reduce the clutter. I cleaned and rebuilt the carbs, and had the head fully rebuilt by a local machine shop as it was cracked on the inside, which explained the dead cylinder. I cleaned, restored or replaced every part that came off before it went back on the engine. I’m happy that I was able to save much of the components, aside from the gaskets and rubber hoses which I replaced. I added a Koyorad radiator, and replaced the ailing transmission with an identical replacement five-speed. As long as the tranny was out, I replaced the tired clutch with an Exedy OE unit.
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    And to be honest, this was the first time I’ve ever gone so far on mechanicals. I’ve never taken an engine apart to this point, let alone redone all of the wiring, replace a transmission and do a clutch job. I followed the FSM’s and advice from friends to a T, and got it all done. I was elated when the Z fired up after all of the work. I had a friend come by to help me tune the carbs, and it was good to go. Eventually I’d like to go with a set of triples and really make the motor sing, but for now I’m content and the fresh headwork makes the engine feel like new.
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    The interior was pretty complete, but I spent a lot of time cleaning things up and getting the gauges and lights to work. I found an old Nardi wheel for $10 at a swap meet in Japan, which was perfect for this car. Again, budget is key and I do my best to stay on it.
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    The TRD-like racing bucket was also a swap meet find in Japan. I originally had it in my 510, but have repurposed it for Z duty. But why is it on the passenger side? I wanted to use it as the driver’s seat for this Z, but it’s unbearable after a few miles. It looks great, and it’s lightweight, but it’s a backbreaker and that’s why I roll the stocker under my rear. Mounted behind the seats are a set of Pioneer TSX-200 speakers, a modern tribute to the old school shakotan speaker boxes.
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    Now back to the exterior for a minute. Using the works flares without a G-nose requires a bit of trickery. I researched the ways people get around it, and I wasn’t happy with them. I wanted that huge chin spoiler look while using the stock valance, at the same time blending in to the flares. After trying a few premade solutions that didn’t work, I ended up making my own. It took several cardboard mockups, but after the tenth made mine out of a variety of materials including ABS, and it works great. It creates a good amount of downforce and has held up to some hard driving and unforgiving LA roads!
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    Despite all that I’ve done, I still have a way to go on this project. I didn’t discuss suspension on this feature, simply because this car currently doesn’t have a good set-up at the moment. I’m planning on a proper coilover system with adjustable inserts, and a brake upgrade. Perhaps the next time around, I’ll have that sorted. In the meantime…
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    … I enjoy the ride, and you couldn’t wipe the smile off my face.
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    I have really enjoyed sharing my story with all of you Speedhunters out there, and hope you’re having as much fun as I am working on these projects. Be inspired, and get creative. See you around!