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    jeudi 24 octobre 2013

    The art of curves: The greatest Playboy covers


    What Playboy considered daring in the 1950s is today seen as rather tame. Nevertheless, seasoned graphic designers get sweaty palms when they discover an old issue, as early Playboy covers are small masterpieces of design…
    Sixty years ago, when Hugh Hefner and his magazine took the American market by storm, the design of the cover was in a class of its own. During the late 1950s and early 1960s in particular, playful graphics and teasing little cut-outs elicited the requisite 50 cents from men who wished to see more. The creative king of Playboy from its earliest days was graphic designer and art director Art Paul, who also designed the famous bunny logo. 

    An art director called Art

    Paul had studied art at the Chicago Institute of Design (or ‘Chicago Bauhaus’) under professor László Moholy-Nagy, and Hugh Hefner learned about him from a mutual acquaintance. When he was looking for a graphic designer in 1953 for his own magazine project, Hefner contacted Art Paul – who came on board and stayed for 30 years. Together with local illustrators such as Leo Bellin, Roy Schnakenberg, Ed Paschke and Seymour Rosofsky, Paul developed an imaginative style that played with the bunny motif and was honoured with numerous awards over the years. At the same time, he made illustration as an art form socially acceptable – to many designers, he is celebrated as a pioneer of the ‘Illustration Liberation Movement’. 
    More information about Art Paul can be found on the website of the Art Directors Club; seeadcglobal.org.

    HILLCLIMB REVIVAL


    By  
    Photographer :  GarrettHamilton.com, AMA Motorcycle Hall of Fame Archives, Jeff Whitehead
    John Koester action shot
    Ever since the days of what was then called “pedal assist,” motorcycles and hills have been linked in competition. That is, sometimes the motor does the job, sometimes the hill comes out on top.
    In pioneer days, this wasn’t mere sport. When Indian’s founders wanted to show the world what they’d built, they summoned the press to the steepest hill in Springfield, Massachusetts. The prototype zoomed up, the press went wild and orders poured in. Mission accomplished.
    It followed that climbing hills was no longer work, so it became a sport. Early riders used their daily mounts, marked off the steepest hill in the area and staged meets. Who could climb the hill quickest, if at all?
    Then came hillclimbing’s Golden Age. In the late 1920s, racing had become so fast and dangerous that the pros on the dirt and board tracks were limited to 500cc Singles; fair and efficient but frankly not much of a show, not in what had become V-Twin country.
    The limits didn’t apply to hillclimbs, so first Excelsior, then Indian and Harley-Davidson, designed and built limited numbers of 750cc overhead-valve V-Twins. They burned alcohol and benzol as fuel, cranked out 50 horsepower, used special frames, fat rear tires wrapped in chains and for a few seasons were the biggest, baddest machines on two wheels. There were famous hillclimbs coast to coast, and the national champions ranked with the closed-track stars.
    But then some savvy promoters introduced speedway, where the 500 Singles looked fast, racing was head-to-head, up close and fierce, and the seats and snack bars were close to the action.
    On the other side of the coin, to keep the sport alive, the AMA introduced strictly stock flat-track and TT, so, once again, the owner of one motorcycle could win on Sunday and ride to work on Monday.
    Hillclimbs were still in the rule­book, but their social status was like, oh, rugby or squash, with small clusters of fans and competitors. Results went no further than the club magazine or the agate type on the sports page. Perhaps worse, if you didn’t have a wildly reworked Triumph or Harley, you didn’t have much chance at a trophy.
    Perhaps because the hillclimbers were a small group, they were dedicated, especially in the form of the Professional Hillclimbers Association; it’s fair to say here that the “professional” meant dedicated, as opposed to getting rich.
    Earl Bowlby AMA Motorcycle Hall of Fame ArchivesThen and now: Earl Bowlby won 10 national titles during the 1970s and ’80s on BSA-powered machines.
    Hillclimbing’s revival began when the Daytona Motorsports Group took over truly professional motorcycle racing from the AMA. This wasn’t a hostile takeover. In historical fact, the AMA was formed as a member club, riders and owners, and became the sport’s sanctioning body only because—again, back in the Great Depression—there was no one else willing to do it.
    But DMG, meaning NASCAR and the France family, was created to run, promote and govern top-class motorsports. The PHCA and DMG execs met and each liked what the other group had to offer.
    And what are they doing as partners?
    Begin with the current classes:
    The entry class, which bears a deliberate resemblance to current flat-track rules, allows just about any machine on two wheels, but the best and the quickest bikes began as motocrossers. The class, oddly named Pro Sport, again, like the dirt-track rules, is open to any rider who shows up. The limit is a 450cc Single, burning pump or race gas and fitted with an extended swingarm, 8 to 14 inches over stock, with a paddle rear tire.
    All the riders are required to wear a neck brace along with the usual helmet, gloves, boots, and all the bikes must be fitted with a deadman’s switch, as in speedway, where if the rider’s hand comes off the grip, a lanyard yanks a switch and kills the engine.
    The intent is clear: You can do a classic Malcolm Smith, as seen in “On Any Sunday,” and just show up, or you can swap parts on your motocrosser and have a shot at a trophy and perhaps a new interest.
    Next step up is Xtreme, spelled just like that. The rules here allow Fours up to 700cc and Twins to 750cc, as in Triumphs or even Harley XR-750s. This class allows custom frames, any fuel up to nitrous or nitro, and paddle tires with bolts or tires wrapped in chains.
    These clearly are a challenge to ride, so entrants who aren’t known to the club—that is, they aren’t moving up from Pro Sport—are required to make some observed runs before being turned loose in competition. Because Xtreme is an intermediate class, the riders can opt to keep their amateur status, as in Pro Sport, or run for a share of the purse.
    The top class, for pros only, is Unlimited, meaning just that, again custom frames, running Fours larger than 700cc or Twins larger that 750cc.
    What this results in usually is a bumper crop of 900cc Fours, modern as in twin cams and full modification. AMA Pro Hillclimb spokeswoman Amanda Campbell pauses when asked and says the largest she can recall is a 1900cc Harley-Davidson. But while that adds to the show, it’s a bit more power than can be harnessed.
    Jockamo Baldina action shotJockamo Baldina is part of a new breed of hillclimbers, piloting hot-rodded Japanese inline-Fours producing as much as 300 horsepower.
    What these rules add up to is a wide span: The new riders and entry-level machines, running mostly stock, have a better power-to-weight ratio than the awesome factory-backed monsters of the previous golden age.
    At the other end, no limits. All that needs to be said is that first, there’s no hill on the schedule, no matter how steep or rough, that hasn’t been climbed. Second, to make sure the results are based on skill and tech­nique and tuning, not mere grunt, all the hills have steps, doubles and triples as seen in motocross. One hill even has a turn partway up.
    The AMA hillclimb series is listed as a national championship, which is sort of like calling the international roadraces of the past a world series even when the races were all in Europe.
    The current series ranges from Ohio in the West to New Hampshire in the Northeast—not quite coast to coast. This is simply because, while the top riders are professional and win money, the actual purse comes from ticket sales. And while the crowds are larger than they used to be, the prices are kept at a family level, meaning that even with several thousand fans per meet, none of the pros can win enough to quit their day job, nor can they afford the time and money to travel very far.
    Campbell says this is an investment in the future. “If we have ticket sales of several thousand, we know that maybe 500 kids were in the crowd and got in free. We think if you see a hillclimb, you’ll come back, and we want the younger crowd.”
    Families are key, she adds. The AMA Pro ranks, PHCA and local clubs are all working to create a family atmosphere, in contrast to the former reputation for rowdies and outlaws. Back with tradition, the national groups are working with local motorcycle clubs, the way the Jackpine Gypsies do Sturgis events and the Peoria MC puts on the national TT.
    In sum, hillclimb offers another
     set of reasons to go for a ride on your motorcycle.
    from http://www.cycleworld.com

    Baja Social Club


    baja social club trailer
    There are few things more inspiring than seeing stories that uncover the passion of motorsport told in a way that all can see. An upcoming film by the name of ‘The Baja Social Club’ is set to do exactly that, reflecting on the history of those who dedicated their lives to the Baja 1000 and the lifestyle that surrounded it.
    Whether you’re an avid Baja enthusiast – or you’re not quite sure exactly what it even is, this looks like it’s going to be a must-see movie for all race fans.
    Described as an “authentic human story”, The Baja Social club dives forty-years into the history books and brings to light the amazing experience that was the early days of extreme racing. The trailer is brilliant, enjoy it!
    Further information: Baja Social Club
    via http://www.motorsportretro.com

    le plein svp !!