ACE CAFE RADIO

    mardi 29 juillet 2014

    BSA A50 BY HAZAN MOTORWORKS


    BSA A50 motorcycle customized by Maxwell Hazan.
    Barely six months ago, Max Hazan shifted his workshop from Brooklyn to Los Angeles. But the cross-country trip barely interrupted his stride. This stark and beautiful BSA A50, the first build to come out of Max’s new LA shop, was completed in just five weeks.
    It’s a commissioned bike, built for a client who already has a Hazan XS650 in his garage. And with such a short deadline, there was no time to shop around for parts. Instead, Max had to build everything from scratch—and being a master craftsman and artist, that’s how he likes it.
    BSA A50 motorcycle customized by Maxwell Hazan.
    The design is the simplest form of a motorcycle, with the shapely BSA motor being the center of attention. Attracted to the lines of the cases, Max selected a 1966 A50 engine to use as the foundation of the build.
    The cleanest way to mount the gas tank was to make the tank part of the frame. There’s a sediment bowl from a tractor right below the tank, feeding fuel via hand-formed aluminum lines direct to the single Amal Monobloc carburetor.
    BSA A50 motorcycle customized by Maxwell Hazan.
    The bars are super-clean, cleverly machined with hidden parts and cabling routed through the frame—an approach Hazan also used for his acclaimed Harley Ironhead.
    Another remarkable detail is the oil ‘bag.’ Lab equipment has always intrigued Max, so he’s used an aspirator bottle rather than the traditional steel or aluminum tank.
    BSA A50 motorcycle customized by Maxwell Hazan.
    It’s a bold move, but something about it is just right: Movement of the liquid, usually hidden, is now visible. And then there’s the exquisite hand-formed plumbing and mounting hardware surrounding the bottle.
    BSA A50 motorcycle customized by Maxwell Hazan.
    The kickstand is another first. Max made a bolt-action piece to avoid dragging metal during turns on the low-profile BSA. And the rear fender is mounted to the axle spacer, so you can move them both when making adjustments. A Honda CB350 front drum brake was re-machined and adapted for use as a rear hub; up front is a modified Harley hub.
    The 2-into-1 exhaust system is equally elegant, curving around the righthand side of the BSA motor. The placement is perfect, with the angles and bends almost defying geometry.
    BSA A50 motorcycle customized by Maxwell Hazan.
    The axle stoppers are inside the dropouts, so you can’t see them. And the best thing about the rear end? Max made it so that no tools are needed to take the rear wheel off. Just twist and off it comes.
    BSA A50 motorcycle customized by Maxwell Hazan.
    This BSA is riddled with more detail than space permits to write about. Take a closer look—you’re sure to find something we’ve neglected to mention.
    Images by Shaik Ridzwan. Visit the Hazan Motorworks website or follow Max’s news via his Facebook page.
    BSA A50 motorcycle customized by Maxwell Hazan.
    via BIKEexif

    76′ Honda CB750 by Raccia Motorcycles


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    It’s not every day you get stalked by a Hollywood actor to build you a bike. But that’s exactly what happened to Mike LaFountain from Raccia Motorcycles. One day he receives a phone call from motorcycle nut and actor Ryan Reynolds asking to build him his dream bike. Ryan has a nice collection of motorcycles, but the bike that started it all when he was a teenager was a 1976 CB750. We were lucky enough to ask Ryan a few questions about this project and his passion for old CB’s…
    How did you discover Mike from Raccia Motorcycles? Did you see a certain bike he built?
    I found Mike through countless hours of Internet stalking. I’ve always been a little obsessed with 70′s Honda CB’s. Admittedly, even more so as they rose in popularity yet again these past 10 years. Mike had done a couple of builds which stopped me in my tracks. It never occurred to me I could probably just email him through his website and inquire about a project. But I did just that and we jumped into this thing together.
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    What was the brief to Mike?
    Not to get overly romantic about it, (although I suppose I’m preaching to the converted here at Pipeburn) but Wabi-Sabi was the inspiration. It’s a Japanese term which basically embraces a kind of beauty which is imperfect. Basically finding perfection in imperfection. I wanted the bike to be mechanically sound, but the aesthetic raw, strong and timeless. I didn’t want anything glossy, or flashy. I wanted it to feel like a bike you’d go to war on. Mike made the vision a reality. In spades.
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    Did you have a specific donor bike in mind? Or were you open to options?
    The only aspect I was rigid on, was the donor machine had to be a 76 CB. When I was a kid in Vancouver, I learned to ride on a woefully neglected 1976 CB750. I bought the thing for $600 worth of hard earned paper-route money. The bike was battered, abused and rough. It wore its scars in the manner of an aging prizefighter.
    Riding it was not unlike ferrying myself to and fro on a pipe-bomb made out of duct tape and future hospital bills. But god, I loved that thing. It was an extension of myself. I’d have dragged it to bed with me at night if my landlord (my father) hadn’t surgically installed eyeballs to the back of his head.
    Part of the romance I had with the bike was the two years of friction it left in its wake. When my Dad found out I’d bought the thing, he started using his “inside voice” to accentuate the three new veins growing out of his forehead. My older brother had crashed an interceptor 750 a few years earlier and nearly ate it for good. Understandably, bikes were not a welcome item at our household.
    Rightly or wrongly, I fought for that old CB. I went to war for it. Despite the fact filling it with a tank of gas would likely double its value, it represented independence and freedom. Having a bike was as if I’d invited in a clear and direct path to a different life. Being young and dumb and frivolous, things changed soon enough.
    Before moving to Los Angeles at 18 years old, I sold it to a local no gooder named Nick, who’d turned it into a fucking chopper. Not a fitting end to a bike that changed my life. At the time, I felt a fitting end to Nick might be a mandatory sterilization program, or at minimum, some sort of messy stabbing death – but there’s an ass for every seat as they say. And nobody forced me to sell it to him.
    I think Nick works on Wall Street now. Selling a slightly fancier kind of drug. A fitting occupation for his mercenary sensibility and lead-pipe cruelty.
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    How do you like the finished product? How’s she ride?
    I’m lucky to be in the position to have someone build me a bike. Especially one like this. I really believe money’s better spent on an experience than a particular “thing”. Be it a night out for dinner or a trip somewhere you’ve never been. This bike is certainly a “thing” but moreover, it’s an experience. And of course, it can take me to dinner – or some place I’ve never been. And above all, I’m really grateful to Mike and the countless hours of sweat he spilled to build this ride.
    It’s runs better than I could ever imagine. More than anything, it feels exactly like my old bike went to heaven and came back, somehow better – yet the same – if that makes any sense.
    There’s no narcotic more powerful than nostalgia, and every second I’m on the bike, I feel like I just snatched a piece of misspent youth back and washed it clean. The only strange part, is the fact there’s literally nothing wrong with the motorcycle. And nobody to fight me for owning it.
    It runs like it just came off the assembly line, but looks as though it were ridden to my home in New York from Japan. Including the large chunk of road which goes underwater. I’ve already put 700 miles on it and it refuses to frustrate me. That said, I won’t be dragging it to bed anytime soon.
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    What other bikes have you got in your garage? 
    I own about 8 bikes, including A couple of old Triumphs, a 1962 BMW R60/Sidecar and a very special Egli-Vincent Godet. I say, “about” because I bought an old beat-to-shit and brake-less BMW I rode in the movie Safe House. We shot the film in South Africa and I’m still waiting for the thing to clear customs, nearly 2 years later. So I should have it in my garage around September of two-thousand-never.
    And if Nick is reading this, feel free to send my bike back. As Mike LaFountain demonstrates admirably, time is the mother of reinvention. Anything can be undone.
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    Check out the next issue of Iron and Air Magazine for more on this stunning CB750.
    [Photography by Gustavo Penna]
    via PIPEBURN

    North Atlantic Drift: BMW M4 goes Top Gun on aircraft carrier


    Picture a racetrack twisting around the deck of an enormous aircraft carrier. Got it? Now take a (mostly sideways) lap in a BMW M4.

    The ultimate racetrack


    Okay, so BMW’s ‘Ultimate Racetrack’ might not be real, but we love the idea. Isn’t it incredible how CGI can make something so ludicrous appear so convincing? The tail-happy M4 looks right at home attacking the numerous tight turns. It sounds pretty good, too. Perhaps someone should show this video to Mr Ecclestone – in a world of DRS and push-to-pass, a floating racetrack would probably be more than welcome in Formula One. 
    Feel like going 'Top Gun' as well? There are numerous ready-to-race BMWs for sale in the Classic Driver Market. 

    Maserati 150 GT Spider Prototipo wins at the Schloss Bensberg Classics 2014


    'Best of Show' at this year’s Schloss Bensberg Classics concours d’elegance was awarded to the beautiful Maserati 150 GT Fantuzzi Spider Prototipo. The car won over the judging panel, fending off other Italian competitors to claim the coveted prize...
    For the Maserati’s owner Andreas Mohringer, this isn't the first time that one of his cars has won ‘Best of Show’ at the Schloss Bensberg Classics – in 2012, his excellent Dino 166P/206P did enough to convince the judges. So is he accustomed to winning concours events yet? "No, quite the opposite!" he says, laughing. "I was totally surprised and did not expect the award. To win it again seemed so unlikely because of the success two years ago."  

    A very special one-off

    Other than for its owner, the decision of the jury came as no surprise to the participants and experts. The 150 GT Spider Prototipo is a unique car. Designed by Carrozzeria Fantuzzi, it was the result of an idea to bring a sporty road version of the successful competition 150S to the market. But the production run never happened, and this remains the only prototype built. "For me, this Maserati is special for several reasons," says Mohringer. "In my opinion, it’s a design icon and, above all, I love the contrast of the pretty and luxurious exterior, and the thoroughbred racing car underneath." Mohringer remains tight-lipped about which classic he’ll be bringing to next year’s event, but you can be sure that when he shows his hand, he’ll be well in the running.
    Classic Driver reports from the Schloss Bensberg Classics 2014, kindly supported by Berenberg private bank. For the latest articles from Schloss Bensberg, click here.