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    mardi 17 février 2015

    Industrial designer looking for classic car sketches shortlist as he shops


    Bruce Thomson is looking for his dream classic. Rather than merely relying on memory to evaluate his shortlist, the automotive designer sketches every car he samples – even adding annotations to detail specific characteristics of each example…
    “I’ve been told that I was born in the wrong decade,” says Canadian industrial designer turned college professor Bruce Thomson. “Everything from music to cars was better in the 60s and 70s, at least in my view.” We’d have to agree.

    Master draftsman

    Now Thomson is searching for his perfect automotive match, having recently sold his 1971 Mercedes-Benz 220. During his quest so far, he has documented each sports car he has sampled with annotated sketchworks – including observations such as ‘after-market bumper, really busy’ and ‘turbine wheels are lovely… bet they’re a chore to clean’. What’s more, his blog Kicking Vintage Tyres also includes the remarks of his wife Evelyn in terms of cool-factor, comfort, price and ‘likelihood that I’d join Bruce on a Sunday drive in this’. The search is ongoing, and we’ll be keeping you updated on Bruce and Evelyn’s progress – we’re genuinely fascinated to see what finally ticks all the boxes.
    Photos: Bruce Thomson
    You (and Bruce) can find thousands of classic cars for sale in the Classic Driver Market.

    16.3m-euro California Spider rounds up barn-find frenzy at Artcurial sale


    From the outset, the lure of Artcurial’s ‘forgotten’ classics was evident, with some of the dilapidated lots fetching more than ten times their estimates – before the headlining California Spider charted a stunning €16.3m (including premium) result…
    In hindsight, Artcurial’s estimates might have been a little conservative due to a lack of precedence, but the champagne will certainly be flowing in the 15th arrondissement this evening. Whether four or seven figures, estimates were beaten lot after lot – with tenfold increases not uncommon. Take the case, early on, of a 1923 Voisin Type C3 estimated to fetch a mere €1,500 – €2,000 that sold for €44,000. Soon afterwards, the 1963 Porsche 356 SC coupé made €75,000, against a predicted €20,000 – €30,000. Paving the way for the Ferrari finale, the trend continued with big-money lots such as the Saoutchik-bodied Talbot Lago T26 Grand Sport, which commanded €1.45m off the back of a €400,000 – €600,000 estimate. Oh, and these results are ‘on the hammer’, without the premiums added, just in case they weren’t impressive enough.
    Then came the Italians. A 1982 Ferrari 308 GTSi in need of a ground-up restoration (estimate €5,000 – €10,000) made €29,000, while a 400 GT (estimate €12,000 - €16,000) went for €45,000. But, of course, all eyes were on the Maserati A6G 2000 Gran Sport and the SWB California Spider. The former whizzed past its high estimate of €1.2m within 10 seconds of bidding, before settling at €1.72m, while the Ferrari was strung out to €14.2m (which is €16.3m including premium) – a new World Record.
    Photos: Rémi Dargegen for Classic Driver © 2015

    Alfa Romeo Giulia Aluminium Body

    Alfa Romeo Giulia Aluminium Body from Cool & Vintage on Vimeo.

    EMPORIO ELABORAZIONI SORPASSO V11


    Sorpasso 1 THUMBDonor choice is a personal thing, some prefer the tried and tested whilst others march confidently along a rarely trodden path. Some scream sacrilege if an angle grinder is wafted in the direction of Italian machinery but quite frankly, that’s nostalgic poppycock. Moto Guzzi is as guilty as any manufacturer of taking existing models, putting them in fancy dress and offering the world a “new riding experience”. The V11 was such a bike. That said, a ‘Guzzi does posses a little something extra that no BMW or Rice Rocket will ever have. Like Sienna Miller in the film Layer Cake, you know she’ll be trouble, expensive, high maintenance and unreliable; but who cares!
    Sorpasso 2This V11, “SORPASSO” by Emporio Elaborazioni Meccaniche was designed to pack a modern punch whilst attempting to maintain a degree of classical elegance. As is often the case these days, the rear end makes or breaks the look of a bike, so the guys focussed initial attention there, removing bulk and proudly displaying one of the Guzzi’s key attributes, the near maintenance free shaft drive transmission.
    Sorpasso 3Moto Guzzi frames mostly feature a flat bone line front to back so subframe manipulation is limited. Whilst rooting around at a local market a racing tail unit was found, but it turned out to be slightly more work than anticipated to achieve a decent finish. Time had its wicked way with the fibreglass and it was well out of shape. Once repaired a modified Fiat tail light was grafted in and a seat pad upholstered in leather to suit.
    Sorpasso 4The motor was in good order and needed only a good service and a retune to run on the velocity stacks and open exhaust. The oil system received slightly more attention, enlarging internal oilways to increase efficiency and importantly allowing for the removal of some ugly external lines. The exhausts are underslung and understated visually but drum a deep baseline from the 1100cc twin.
    Sorpasso 5The front end has been beefed up with a set of Showa forks from a Ducati 998, held by modified triple clamps. If you check the photos of the top clamp you’ll see fancy knurled reservoirs next to the fork legs. These carry the hydraulic fluid for the brake and clutch levers, further tidying the clutter which can sometimes spoil the view over the bars.
    Sorpasso 6A reworked Falcone headlight adds that classic touch but now houses modern bulbs, the speedo and switches; keeping the bars free from plastic nastiness. To match the triple clamps, tank cap and rocker covers, an antiqued finish has been applied.
    Sorpasso 7Out went the original fuel tank with its immersion pump and in with a much modded Suzuki unit. The sides have been slimmed down to reduce proportions and the pump mounted underneath, complete with a trick anodised pressure gauge.
    Sorpasso 8Super clean clipons with stock fluid reservoris removed and simple rubber button switchgear really enhance the simplistic feel. To make the most of this a new wiring loom was made, hiding as much as possible and miniaturising the oversized relays and connectors.
    Sorpasso 9
    Emporio Elaborazioni Meccaniche have succeeded in taking a bulbous, plastic clad monster and turning it into a good looking café racer with enough torque to peel Tarmac off the road beneath, whilst introducing an element of over engineering that is unnecessary but oh so desirable. For more, the Facebook page is here and a short clip of the motor’s first fire up here.
    Thanks to  F. Porrozzi for the photos.
    via The Bike Shed