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    mardi 30 juin 2015

    MACCO MOTORS FOXY LADY


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    Macco Motors Foxy Lady 1 THUMBBillionaire. Has a nice ring to it, usually. That is until images of gambling fat cats in pinstripe suits spring to mind. Each to their own and all that but we prefer human stories of endeavour, and shed based ones all the better. At Bike Shed London we met a bunch of awesome people, one being John Bloor. A chap who started his working life as a plasterer and in 1983 scraped together £150,000 to buy Triumph Motorcycles from the receivers. Let us all rejoice that the man must have infinite vision, unwavering determination and balls the size of planets. Last year one in every five new motorcycles bought in the U.K. was a Triumph and globally nearly 55,000 units were built and sold.
    O.K. so this is starting to sound like some poorly prepared investor presentation but we have a lot to thank John and his team for. Without this modern base for customisers, builders and shed fettlers to work on a large void would exist in the current custom scene. The Bonneville and Scrambler are so frequent on our pages for very good reason, they’re a great bike, period.
    Macco Motors Foxy Lady 2Two other guys we met were Jose and Tito from Macco Motors in Cadiz, Spain. What they lack in comparative zeros on the bank balance they more than make up for in charisma and craftsmanship. They don’t just build Triumphs but when they do, the formula works and customers keep ordering more. The Foxy Lady was supposed to be a build for the guys to enjoy for themselves, but customers pay the bills so the spec changed to suit.
    The donor in question is a 2010 Bonnie T100 EFi, that was offered in very good original condition. Jose and Tito don’t hold stock but prefer to find the right donor to match the owner’s budget and expectations. It’s now commonplace for a prospective customer to source a bike from their home market, ship to the builder of choice for the work to be carried out, and then ship it back, reducing the time and admin of re-registering the bike. Although here in the U.K. the DVLA are pretty well set up for importing and the process is electronic and simple. This Foxy Lady is bound for home shores but a sister bike will soon be sent across the pond to Miami.
    Macco Motors Foxy Lady 3One component that is subject to the budget constraints of mass manufacturing in a competitive global market is the forks. Gold anodised Scando-suspenders suggest quality to the masses but the associated costs of fitting such exotic parts wouldn’t yield the aforementioned sales figures, so the Bonneville leaves Hinkley rolling on a perfectly good set of conventional forks, fit for the majority of real world situations. Custom customers are a bit more demanding so a pair of upsidedowners were liberated from a Ducati Monster 1100 EVO, complete with Brembo radials, Free Spirits triple trees enable simple fitment, and look the business black anodised matching the painted fork legs. They might not be gold either but the rear shocks are by Öhlins and fully adjustable.
    Macco Motors Foxy Lady 4To give that second Brembo disc a home a Thunderbird hub was laced to a 19″ rim and the spindle re-machined, this thing should stop on a Peseta. Metzeler Tourance dual sport rubber grip well in all conditions and come with just the slightest whiff of off-road without screaming faux-scrambler. The tall front wheel, squat forks and de-cluttered cockpit give a hunkered-down, beefy look. We like that. Biltwell bars with LSL clubman grips, a single mini speedo, race levers and a Bates headlight sit well alongside the stock switchgear.
    Macco Motors Foxy Lady 5The Triumph subframe is an easy one to plug the ends and leave as is, but it always looks infinitely neater to run a loop to keep the job tidy, a kick up helps visually and allows the rear fender to nestle higher up for a bit more clearance. The guys opted for real farmyard leather for the saddle, rather than the futuristic alternative, which should become supple and marked with age. You can’t put a price on real patina.
    The fuel tank was stripped bare and re-coated in matt black, with the side sections receiving just a few layers of lacquer and a gold pin stripe. Subtle and classy for one, but also the raw scallops of steel help to shrink the sometimes bulbous Bonnie tank.
    Macco Motors Foxy Lady 6The sweeping yet sectional stainless exhausts were designed and fabricated by Roberto from GR Exhausts. In a bid to steer clear of the more obvious and classic reverse megaphones Roberto has integrated oval versions of their GP end cans. The raw finish of the super neat welds help add that all important new but used look to the finished bike. Not only that, it’ll sound fantastic with the baffles pulled.
    Macco Motors Foxy Lady 7
    The Foxy Lady is now loose on U.K. roads, ready for the British Summer, which I think was here between 10:37 this morning and 13:19 this afternoon, I do hope the new owner enjoyed himself.  It might sound a touch pretentious laying thanks at the feet of a shrewd business man for the steady stream of fantastic custom Triumphs we’ve seen over the last few years, but seriously, look at the pictures above. Spreadsheets, bank managers, bore-mongers from Brussels and the press probably would have seen a radiator fitted to this icon some time ago. We are very, very glad John didn’t listen.
    Jose and Tito will take on builds of other marques but as demonstrated here, completely nail the Bonnie and Scrambler. To reach the guys head to the Macco Motors website, follow the progress of other builds on the Facebook page or wistfully daydream on Instagram.
    As usual, fantastic photos by Sergio Ibarra from Semimate agency.
    via the bike shed

    A summer solstice celebration with the Mercedes W123


    Rather ominously, the longest day of the year has now passed. Why not take a leaf out of this young lady's book, and get out and enjoy those summer evenings before the nights draw in...

    Rendezvous

    Here's another series of photos from our friends at Cool & Vintage, this time of a sunset soirée with an original Mercedes-Benz W123 230E. One of the most rugged and durable cars ever built, the sandy shores are no match for this Merc. And we’re sure its famously soft suspension and high-density steel body can more than handle the young lady clambering all over it. What are you waiting for? Mercedes or not, those summer evenings won't hang around for long... 
    Photos: Cool & Vintage

    Million-dollar deals, Matchbox Ferraris and fireflies at Art Basel 2015


    A billion-dollar market, an art playground and a research laboratory – these are just some of the attractions at this year’s Art Basel…

    Billion-dollar market

    Not only is Art Basel the world’s largest exhibition of 20th and 21st Century art, it also acts as a barometer for the art market. In 2014, for example, the global art market was estimated at around 51 billion euros – some seven per cent higher than the previous year, thanks in part to the central bank’s zero interest-rate policy. Just a few kilometres away from the fair, the Gauguin painting from 1892 – said to be the most expensive painting in the world, having sold recently for 300m US dollars – can currently be seen hanging in the Fondation Beyeler in Riehen. Among the many VIPs who attended the two-day preview this week were numerous ‘super collectors’, such as hedge fund billionaire Steven A. Cohen, who allegedly bought a bronze sculpture by Alberto Giacometti for 141.3m dollars at a Christie's sale in the Spring – a new record price for a sculpture…

    Back to the classics

    Naturally, Art Basel focuses on trade, with 284 galleries from 33 countries offering works from over 4,000 artists. According to insurer AXA Art, the combined value of these works comes to 3.4bn dollars. And, despite clients’ discretion, nothing could hide the small ‘sold’ indicators on many pieces during the preview days. Given often absurd price hikes and speculation in the market, we overheard some dealers explaining that they would only sell pieces at moderate prices to those who would not return the work to the market again in the near future. Even Mark Spiegel, the Director of Art Basel, was keen to emphasise that this wasn’t some bazaar for billionaires, setting a more conservative tone for 2015’s event. This could be seen on the ground floor of Hall 2, where c.1900 classics and post-War art from names such as Picasso, Giacometti, Magritte and Bacon promise sustainability and stability in the market. Inevitably, contemporary artists such as Cy Twombly, Marlene Dumas and Takashi Murakami continue to dazzle with multi-million-dollar sales. 

    Room for ideas

    Those travelling to Basel not to buy, but for the special art experience, were not disappointed. Take the over-sized works in the ‘Art Unlimited Sector’, for example. At the entrance to the hall, visitors were greeted with an installation by Chinese artist Ai Weiwei, who piled up 760 bicycle wheels forming several towers. Elsewhere, Berlin-based Julius von Bismarck presented a rotating bed and desk, and Shilpa Gupta created an impressive monolith of singing microphones, reminiscent of Stanley Kubrick’s ‘Space Odyssey’. Finally, David Shrigley’s somewhat idiosyncratic interpretation of Michelangelo’s ‘David’ invited visitors to be part of the production. 

    Design icons, from petrol stations to wristwatches

    This year also marks the tenth edition of the Design Miami/Basel large-format exhibition, held in an opposite hall. On the ground floor, the American hotel king André Balazs curated an exhibition with examples of modular architecture. Next to this, Jean Prouvé’s mock-up ‘Filling Station’ featured a VW Bulli with camping facilities and a pre-fabricated house built in partnership with Ikea. In addition to the great furniture in the exhibition, the galleries' own stands captivated collectors with more unusual pieces such as the GDR toy animals by Renate Müller. Even watch enthusiasts were catered for at Design Miami/Basel this year, with ‘Le Collection’ Heure documenting Steve McQueen in the movie ‘Le Mans’, a Patek Philippe by Andy Warhol, plus the Rolex Daytona chronograph worn by Jackie Stewart and David Brown. 

    Matchbox Ferraris and charcoal ice cream

    At Art Basel, there are also several mobile fairs and off-location parties and events. Those looking for alternative, young and inspiring artists should head to the former Warteck Brewery, or schedule a tour along the Basel city-centre nature trail. Stop by Davide Balula’s ice cream place, where he aims to infuse the ice cream with flavours such as dirt, charred wood and river, or make your childhood dreams come true with Vik Muniz’s life-size Matchbox Ferrari.

    Reflect and stay

    It’s hard to switch off from Art Basel – even on the journey home, Facebook and Instagram feeds were still full of items from the show. This year it was the sponsors who really captured our imagination, forcing us to linger and explore that little bit longer. For Rolls-Royce, British artist Isaac Julien transformed the Basel Church of St. Elizabeth with a video installation from an Icelandic cave. A short walk further, and the restaurant Noonh had been taken over by BMW, which showed the result of a creative collaboration with Swiss designer Alfredo Häberli. It also announced the winner of its Art Journey competition, the prize going to Samson Young from Hong Kong. 

    Tactful fireflies

    The most beautiful exhibit at Art Basel 2015, though, simply had to be Audemars Piguet’s ‘Synchronicity’ installation, created by Robin Meier and curated by Marc-Olivier Wahler. In a huge, dimmed, tropical-climate tent in the Basel Volkshaus, Meier had created an orchestra, with LEDs synchronously bouncing off fireflies in astounding harmony around the heads of the visitors. It’s surprises like that which make Art Basel really worth attending. 
    Photos: Art Basel / Design Miami / Liste / Audemars Piguet / BMW / Rolls-Royce / Classic Driver

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