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    samedi 25 juillet 2015

    SR400 ‘Grace Racer’ – AN-BU Custom Motors


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    The back alleys of cities all over Japan have delivered some of the coolest custom cars and bikes from small workshops that punch well above their weight. From the Hyper Lemon tuner cars of JUN to the retro-tech bikes produced by AC Sanctuary – you don’t need millions and a huge facility to produce incredible machines in the land of the rising sun. And nobody exemplifies that spirit more than custom bike building genius Fujita Koichi and his one man operation AN-BU Custom Motors.
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    Koichi takes that tradition even further, from his small workshop in Nagoya he works on both cars and motorcycles many from the 1980’s. He is a mechanic by trade but what sets him apart from so many is his style; AN-BU custom builds aren’t really café racers or bobbers, they don’t fit any particular category. But like so many artists, Koichi of the mechanical kind, has his own style and when you see an AN-BU bike there is no doubt just who the man behind the build is. And so it is with this 80’s racer inspired Yamaha SR400 known as Grace Racer; it’s industrial, it’s inspired by the golden era of punk, it’s designed to destroy the back streets with a purpose and it is 100% Koichi.
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    The Yamaha SR400 is a cult bike in Japan and one of the main reasons the small bike custom scene is so strong around the world today. A reliable single cylinder that pumps out enough power to have fun, lightweight, old school design but with handling that makes it a hell of a lot of fun. Being the mechanic he is the engine in Grace Racer is a little beauty that’s built to blast, the fuelling has been drastically improved with a flat slide Mikuni FCR carb with a velocity stack.
    With the extra air and fuel running through the 400cc engine the exhaust needed to match, so an increased diameter single pipe system built by Koichi flows under the engine, with a dirt bike muffler stopping just short of the rear tyre. Like almost every SR build Koichi has fitted a pod style oil breather, but rather than mount it to the block, full diameter pipe is retained to affix it under the seat. Both the raised height of the breather and the extra volume in the pipe means successful crankcase breathing without the oily mess, this build is all-purpose.
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    The body work on Grace Racer scream AN-BU from the Rocket style range, this is the style that Koichi has become so admired for and he crafts it all himself. The seat is a slender solo seat (TYPE5) styled from fibreglass in-house with a steep hump to keep the rider locked into position. Extended time in the saddle of this beast is no problem at all as the padding is generous rather than plank like and has been covered in 1980’s jacket style leather.
    The front fairing is signature Koichi; Rocket BALLE TYPE3 it has an overall shape of the 1970’s Ducati SS but with far more aggressive lines. Even the windshield makes a statement, flowing curves are ended at right angles, its part salt flat racer and part F15 and it looks just right. The headlight is side mounted, but rather than simply go for an easy flush fit, an additional piece of fibreglass is shaped and bolted into the fender to create a projector light look. To finish out the body work it was coated in a matte finish dark grey with a red horizontal stripe across the tank and neat AN-BU graphics down the sides of the fairing.
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    Having a mean looking Industrial machine, with a nasty growl and the punch to back it up is no good if the bike doesn’t handle and stop. Well this might be one of the best SR400’s ever built-in those two areas as Koichi leaves nothing to chance. The wobbly stock stanchions are gone from the front end and in their place fellow Yamaha inverted forks have been fitted. Out back the bike retains the twin shock rear end, but now with fully adjustable shocks and height adjustable progressive springs. This is an SR that can be tuned for the weight of the rider, the style of riding and the tyres fitted. And while old school rubber looks cool the sticky new Bridgestone’s give far superior performance in every way. Pulling that performance to a halt is a twin disc front end and a single Brembo disc rear, old school low weight and modern stopping power gives the best of both words.
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    Those brakes came courtesy of the Yamaha 3 spoke wheels they were bolted too and once again Koichi gets the mix of old and new absolutely right. Custom rearsets are fitted behind the line of the swingarm pivot point for the ultimate racer riding position. They are matched to low slung clip-ons that grab the forks considerably lower than a standard set of bars and allows the rider to really tuck in out of that cool night air.
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    By now you realise just how purposeful this build is and why have a bike built to be ridden hard if you can’t run it on the street. So along with the single headlight, mirrors, bullet indicators front and rear and a small tail light all result in one thing, street legality. That number plate that hangs off the back, that is the sign the highlights what this whole build and culture of Japanese customisation is all about.
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    When the sun goes down and the street lights come out, you find yourself standing on an overpass drowned by flood lights an industrial area below you and from the dimly lit industrial back alleys of Nagoya blasts a road racer with the attitude of the Sex Pistols and the growl of a fighter jet. You hear it coming, the exhaust popping and banging as it’s swung violently through the tight turns and rough little lanes ways. Then it appears in the distance, opening its lungs and firing towards you on that straight stretch of road.
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    With each click of the gears it thunders closer to your face, the single headlamp like the Maglite of a cop staring you down. And then it screams by and every sense is captured in time, the smell of a carby-fed thumper, the scream of the single pipe and for a split second a bad ass industrial urban racer is just inches from your nose… aboard, Koichi! As the noise trails off and the cool air becomes silent again, you peer over the rail of the overpass. You caught the taste, tomorrow you shall return to that industrial area and find the man and the machine that change the way you view motorcycles, just look for the sign, AN-BU Custom Motors.
    via PIPEBURN

    1968 Triumph Daytona 500 by Origin8or


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    Written by Martin Hodgson.
    Some builders have a distinct style you see in all their bikes, Rob Chappell of Origin8or is not one them, he can take the same two bikes and deliver totally different builds, the one constant however is always quality. Just six weeks ago we featured another Triumph Bobber build by Chappell, a springer wearing, orange flake painted Bonnie that screamed look at me. But this 1968 Triumph Daytona 500 is an example of how less can be more and custom cool can still stay true to classic style.
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    Like any high end restoration and rebuild of a vintage vehicle, either car or motorcycle, this is a full frame off build with absolutely every part removed and stripped down. To give the classic bobber look Rob fitted the frame up with a The Factory Metal Works 4 inch stretched and 2inch drop hard tail. The frame, suspension components, pedals and the various bits and pieces that keep them all together were sent off to be sandblasted before being treated to some silver powder coat for a durable and clean finish. One of the few matching features to the previous Triumph bobber build is the timeless rear fender, narrow and shortened to display as much rubber as possible.
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    The front suspension is stock, all be it renewed to function just as well as it did when it rolled off the factory floor. New fork tubes, new fork legs and 10wt oil were just some of the items that went into the full rebuild of the front end. Once completed the forks were also treated to the same colour as the frame, plus minimal use of raw polished metal to further accentuate the silver paint scheme. The brakes remain the stock 8 inch leading shoes at the front with polished hubs and a single 7 inch out the back. The hubs are laced with new spokes and the tires were something new for Rob, the ever popular Firestones. “I had to see what all the fuss was about and it suited the era of the bike.”
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    The engine fitted to Triumph’s Daytona is a special little beast, designed to take on the Japanese at the Daytona International Speedway. When Triumph won the 1966 Daytona 200 race with American Buddy Elmore aboard the Daytona name found its home on the Triumph the next year and a race winning average speed of nearly 100mph tells you this little thing can get up and go! The 490cc parallel twin engine featured new heads and twin AMAL Carbs for more top end power, both of which have been rebuilt by Rob. In fact the whole drivetrain has been rebuilt, not a bad decision when it was discovered the previous owner had used what looked like axle grease as their lube of choice for the transmission. Rob was nearly finished piecing together the rebuilt lump when he discovered the “full gasket kit” he’d bought didn’t include a head gasket, more than a minor issue. But a few emails and a two hour trip to a vintage bike show at a flea market, turned up just the right item and the rebuild was completed.
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    An engine this good deserves an exhaust to match and on a bobber the pipes become part of the look. With straight right side pipes on the last build Rob ran the twin pipes on the left side on the Daytona that are bent down and kinked slightly out to clear the oil tank. What makes Chappell such a great builder is his eye for detail, not only are the pipes ceramic coated to avoid pipe burn and an adverse effect on the oil temp the downward bend of the pipes exactly match the lines of the hard tailed frame. The oil tank itself is a TFMW item that has been painted silver, which next to the velocity stacked carbs and polished cases gives the engine an old school minimalist look that I personally could look at and appreciate for hours… imagine how good it sounds!
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    The “pristine” tank that came with the bike turned out to be a total nightmare, sandblasting revealed a wreck, dings and dints had been filled and one lump of bondo measured four inches deep. For a builder of Chappell’s quality there are no cutting corners, so an expensive session on eBay had a much better condition unit on its way. Factory badges and a lightly sparkled silver paint with black stripping over both the tank and fender are understated but enough of a detail to give passers-by a hint that this is no factory restoration.
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    The bobber seat is from the Chappell brothers company Tuffside, black with white diamond stitch and old school spring struts. There are no ape hangers here; a build of this quality doesn’t need anything over the top to the catch attention so Biltwell risers hold some flat track bars with Biltwell kung-fu grips and polished stock controls. Rob always gives his bike a full rewire for flawless operation and a small headlight and side mounted tail light do their job without interfering in the ultra-clean classic lines.
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    With the Triumph Daytona 500 finished it’s no surprise to see Rob sit aboard with a proud, broad smile. Many builders choose a bike and then throw a whole catalogue of parts at it, but Origin8or Cycles and Rob Chappell can make a crazy custom or like this build pay tribute to a classic in a subtle way that screams the sort of understated craftsmanship that makes him one of the best builders around.
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    via Pipeburn

    10 watches for the keen wheelman from the Classic Driver Market


    For keen drivers, a watch represents so much more than a style accessory. It should be easily legible, with the ability to record lap times while enduring the vibrations of an engine constantly hounding the red line. Here are 10 such timepieces currently for sale…

    10 drivers' watches in the Classic Driver Market

    Dynamite ........