THE 564HP STEAM PUNK SPEED FREAK

There are some cars which have the power to completely captivate all of those around them just by their mere presence. No sound. No fanfare. Car people just know when there’s something special around. Heads turn, a crowd gathers. Jaws hang open. I know of few cars that have this power more than the astonishing Napier-Railton, a car which is 80 years old. I think this is one of the most beautiful, imposing cars ever made. And then you hear the 24-litre aero engine running: grown men weep, children gasp, angels sing. The aero engine at the heart of the Napier-Railton is the sound of a thousand storms. It’s the sound of… victory.

I defy anyone to witness this car in the flesh and dismiss it as an irrelevant automotive anachronism. So it’s positively medieval in the technology it uses. So it’s not the product of some fashionable tuning house (though actually in period it was…). It’s not a well-known name. It’s old; most likely far older than anyone reading this.

But just look at the next picture and I think you’ll understand.

Four wheels off the ground at the Brooklands oval as the car hits the bump on the bridge over the River Wey and already pulling over 130mph, John Cobb hangs on to his two-ton leviathan as he approaches the Railway Straight, where the car will accelerate to almost 170mph.

Just 17 drivers lapped the 2.8-mile Brooklands oval at more than 130mph, earning one of the circuit’s coveted 130mph badges. Cobb went even further, setting the fastest ever lap of the banked Outer Circuit in the Napier-Railton at an average speed of 143.44mph in 1935. It’s a record that will never be beaten: here we have a car that has outlasted the track it became so famous on.

The Napier-Railton is everything you could ever want in an automobile, as long as it’s not comfort, a CD player or a bad body kit. It was an endurance racer. A dragster. A Time Attack specialist. A Land Speed Record holder. And it won everything. Built over the winter of 1932 the Napier-Railton quickly became recognised as the ultimate Brooklands racing car, the most historic and revered racer in the circuit’s 32 year history and the perfect encapsulation of the spirit of that era.

The car is intimidatingly large at almost five metres long and has a wheelbase over three metres, but has a streamlined body, raked and curvaceous, that belies its age and sets the car apart from the more angular, upright contemporaries. Sheer power and speed look like they’ve melted the Napier-Railton and raked the whole thing backwards, accentuating the impression of speed even when it’s standing still. Like any good modern car in fact. This is the Bugatti Veyron of its day.

Contrary to the suggestion given by its size and weight, this was a well-developed, advanced racing car. It steered easily and was tractable to drive; braking was good, despite the limitations of the drums. Even people who are lucky enough to drive the Napier-Railton today comment on how docile the car is: almost impossible to stall with its galaxy of torque, and voluptuous in turns.

The architect of the Napier-Railton was John Rhodes Cobb, Brooklands’ ‘Gentle Giant’, who had lived near Brooklands as a teenager and cycled down there to watch the racing. After making his career as a successful fur-broker he had the funds to pursue his childhood passion, and in 1925 drove a 10-litre FIAT to victory – in his first ever race. He subsequently raced Parry Thomas’ famous 27-litre ‘Babs’ Special, before buying a V12 Delage in 1928. Wins became the norm, but as the years went on the competitors raised the bar – and none more so than ‘Tim’ Birkin.

Sir Henry ‘Tim’ Birkin had raised the Brooklands lap record to a 137mph average in his Blower Bentley, out of the reach of Cobb’s Delage. With his sights set on that speed and also on taking the World 24 Hour record, Cobb commissioned Reid Railton to design him a new car, with money no object.

From Railton’s pen flowed the Napier-Railton, and Brooklands-based manufacturing specialists Thomson & Taylor were engaged to build it. T&T had fabricated Malcolm Campbell’s Bluebird Land Speed Record machines, and were also Alfa and Railton maintenance specialists.

Enormous capacity aero-engined racers had dominated the record books at Brooklands after the First World War, so the the chosen powerplant was a Napier Lion Type E89 Series XIA 12-cylinder ‘broad-arrow’ aero engine. The design dated from 1919, but was chosen for its power and rugged reliability – it was based on a unit used by the Royal Air Force in the ’20s.

Despite its huge displacement of 24 litres, the aluminium block and cast head are relatively compact and allowed the bare aluminium body to be far lower than the previous generation of aero-engined monsters – almost streamlined in fact.

The engine was in a W12 configuration, with three banks of four cylinders. The outer banks are installed at 60 degrees to the central bank, which resulted in the elaborate triple exhaust system. Double overhead camshafts connect to each bank, with four valves and two spark plugs per cylinder.

Stock, the engine would produce 502bhp, but Cobb had his unit modified and on the test bench it was able to develop 564hp. As with all racers of the time, the block was front longitudinally mounted. The cavernous capacity is matched to a disarmingly low rev limit of just 3,000rpm, meaning there are acres of torque: 1,184lb ft is estimated, with the optimum power of 530bhp delivered at around 2,500rpm.

A pair of thick leather straps keep the big vented bonnet panels in place.

Ignition is provided by twin Watts magnetos, controlled by, of all things, basically a light-switch housing. Getting the engine turning over was something even more simple: pushing. This meant – and still means – that getting the Napier-Railton firing requires several mechanics putting their backs against the two-tonne machine.

Once rolling, the rear wheels are driven through a bespoke Moss three-speed crash gearbox with no reverse, cantilever mounted, running through a Borg & Beck single-plate dry clutch.

To keep the beast of an engine running requires a whole lot of fluid. The Napier-Railton originally mounted a 65-gallon petrol tank that took 10 minutes to fill.

Oil tank capacity is 15 gallons (the engine itself utilised dry sump lubrication) of Castrol GP50 and the cooling system requires 12 gallons of 25 percent Bluecol antifreeze solution.

The bonnet has several caps dotted over it for the various filler tanks, which are themselves little pieces of metalwork art.

Wooden rods are stored in the cockpit for checking petrol and oil levels.

These are simply retracted out of their brackets and dipped into the relevant tanks, using the marked scale as a measure.

By the time the Napier-Railton was being designed, the rigours of racing around Brooklands were well known: the new car would be based on a heavy duty ladder chassis with a pair of underslung live axles, and variable-rate hydraulic dampers at the rear adjustable from the cockpit. Twin cantilever leaf springs sat outboard either side at the rear, delivering a meaty four-bar set-up necessary to cope with Brooklands’ notorious bumps.

The front springs were semi-elliptical with outboard friction dampers, which were also installed inboard the rear. The mechanicals are extremely sturdy, which was absolutely required for the extreme operating conditions of the car, but at the same time have a beautiful, sculptural quality.

It’s the same all around the suspension parts of the car: it’s like an exhibition of Steam Punk flourishes…

…matched with hardcore post-Victorian industrial design.

Andre Hartford Shock Absorbers were de rigueur at the time, an early form of damper. They worked by the friction created from the stack of disks inside the unit held together by a spring and bolt – an external dial showed the approximate setting in use.

As we’ve already seen, keeping in contact with the track was always a major issue, despite the damping. On the odd occasion when there was rubber on concrete, it was through bespoke tyres developed by Dunlop; treadless rubber in various sizes for 20×7.5-inch to 35×6-inch sizes were used, depending on conditions and the type of event. The car currently runs on modern Blockley rubber: 21×6.75/7. Blockley was founded about a decade ago by historics racer Julian Mazjub specifically to create authentic rubber for pre-war cars.

The cockpit was a hostile place. Refined, comfortable, calm – none of these words would be appropriate. The Napier-Railton would reach a top speed of 168mph down the Railway Straight. Cobb would be precariously perched in the car – maybe ‘on’ would be more appropriate, although with the fared bodywork around the cockpit and small air-deflecting windscreen he was more embedded in the car than most of his competitors in theirs. On driving around Brooklands, he said it was like “Seeing how far one can lean out of a window without falling out, and therefore somewhat risky”. That’s some understatement, especially in mind of the open side of the car, lack of belts and armchair of a seat.

Getting up to nearly 170mph was one thing – stopping was another. Thankfully, for the most part, where Cobb was going he wouldn’t need front brakes. 16″ drums were originally fitted to the rears only, controlled by a foot brake, with a hand brake connected directly to the transmission via expanding shoes in a drum behind the gearbox.

As soon as the car drove out of the Brooklands workshop in 1933 it was clear that it was something special – as long as Dunlop could produce the requisite rubber that could withstand the forces. In the Napier-Railton’s first event in August 1933, Cobb set a new standing start lap record of 120.59mph and a flying lap of 123.28mph, winning the race by 2.6 seconds. His next outing took the speed to 137.2mph, a new Class A record. Cobb took the car to the Montlhéry oval near Paris for his first attempt on the 24 Hour record: tyre trouble interrupted that run, but he still broke the 200-mile speed record (126.44mph average) and a multitude of other lower distance records.

In 1934 the Napier-Railton returned to Monthlhéry: this time Cobb’s run was ruined by the small matter of the Napier going over the edge of the banking… But back in one piece and back at Brooklands Cobb clocked up 143.67mph in the Class A standing-start mile record and upped the lap record once again, taking the lap record from Birkin after setting a 139.71mph lap. Next was a trip to the Utah Salt Flats in 1935: the Napier-Railton took the World 24 Hour record and for good measure also took every other record between one and 23 hours.

Returning home again, Cobb won the 500 mile race, setting a new speed record of 121.28mph in the process which remained the fastest average speed for a 500 mile race until the 1949 Indianapolis 500. He then set his Napier-Railton to crushing every other record at the track: fastest short and fastest long distance races; fastest standing start lap of 120.59mph… But the Outer Circuit lap was still the ultimate target, and four times he upped the average speed.

On the 7th October 1935 Cobb made another speed run on a damp track: his Dunlop tyres lasted only two laps, but he somehow set a lap of 143.44mph, with a top speed of 151.97mph showing the Napier’s barely abated speed despite the treacherous conditions. It was a lap that would never be beaten.

Contemporary video is naturally scarce, but this clip gives some context to what that speed meant: Brooklands was insanely bumpy even when new, with no barriers and a hilariously dangerous mismatch of car sizes competing against each other. And we worry about prototypes and GT cars nowadays…

The Napier-Railton wouldn’t go faster at Brooklands, but in 1936 it returned to Bonneville and maintained a 168.59mph average over a 100 mile run. The following year Cobb gave the Napier its last race outing at Brooklands in the final 500 run there and won, before turning his attention to the Land Speed Record. He would become the fastest man on earth in 1939 when he shattered the LSR in his Brooklands-built Railton-Special, reaching 326.7mph at Bonneville, and in 1947 he went faster still, hitting 398.82mph

But the Napier-Railton lived on: its fame meant that it was still a darling for the public, and it appeared on film even as late as 1949 in the Ava Gardner film Pandora And The Flying Dutchman. After Cobb’s death in 1952 during an attempt on the World Water Speed Record at Loch Ness, the Napier-Railton was sold on and used to test aircraft braking parachutes at Dunsfold aerodrome for the RAF in the 1950s: Dunlop callipered disk brakes were fitted to the rear wheels, which it still has now.

After its military service ended the Napier-Railton returned to private hands and was again raced in the 1950s, but displayed at the National Motor Museum in Beaulieu in-between times. During a restoration in the 1970s it was confirmed that it had the same original engine from 1933; it was sold twice more in the ’80s (owners included the chairman of Aston Martin) and ended up in Germany, before being restored again in 1997 and loaned to the Brooklands Museum and run at the Goodwood Festival Of Speed.

In 1998 it was offered to the Museum and purchased with help from a group of benefactors that included Rowan Atkinson, Ron Dennis, The Earl Of March and Tom Walkinshaw, and since then the Napier-Railton has been at home. Where it belongs. It’s still regularly run out, both at Brooklands and at events round the UK, and continues to draw admiration and love from all who see it. It’s a magical car: a living, relevant piece of automotive history.

I present: the Napier-Railton.

NAPIER-RAILTON

1933

Owned by the Brooklands Museum

ENGINE

Napier Lion Type E89 Series XIA

24-litre W12

Double overhead camshaft, four valves per cylinder

Four throw crankpin with three connecting rods on each pin

Dual Magneto ignition

ENGINE MANAGEMENT/ELECTRONICS

Claudel-Hobson carburettors

Champion D16 Sparking Plugs

TRANSMISSION

Walker steel flywheel

Open Borg & Beck single-plate clutch

Three-speed non-synchromesh Moss gearbox

Hardy Spicer prop shaft

Fully floating back axle with differential

ENV final drive with a ratio of 1.66:1

SUSPENSION/CHASSIS

Front: Semi-elliptical Woodhead leaf springs

Rear: Dual cantilever with Luvax hydraulic dampers

Underslung axles

Hartford shock absorbers

BRAKES

Dunlop six-cylinder disks at rear

Transmission-operated handbrake

Ferodo linings

WHEELS/TYRES

Rudge-Whitworth wheels

Dunlop 35×6″-20×7.5″ (period)

Blockley 21×6.75/7 (current)

FLUIDS

15-gallon fuel tank (Shell 95 Octane unleaded pus Castrol additive)

15-gallon oil tank (Castrol GP50)

Dry-sump lubrication

Rear-axle oil sump

12-gallon cooling system

CABIN

Bluemel steering wheel

Jaeger instruments

BODY

Thomson & Taylor designed, Nutting Gurney built bare aluminium body

PERFORMANCE

564bhp@2,350rpm

1,184lb-ft of torque

Weight 4,518lb (2,054kg)

Overall length: 16’3″

Wheelbase 10’10″

Track 5’3″

Jonathan Moore

from SPEEDHUNTERS

The Little Red Racing Car

As the father  of two young boys and the publisher of what I consider my other baby (but obviously not as important as my real children), Sports Car Digest, I hope that by sharing my affinity for classic cars with my kids and their future children, they will in turn become part of the larger classic car community. Thus, I am constantly searching for new ways to help kindle that interest.

Queue Dwight Knowlton, a fellow vintage car lover and father, who’s working diligently to put together The Little Red Racing Car, a story about a Maserati 300S barn-find being restored by a father and son. We sat down with Dwight to find out more about both himself and his newest project.

Sports Car Digest: What is the Little Red Racing Car?

Dwight Knowlton: The Little Red Racing Car is a Father/Son/Car story about a barn-find 1955 Maserati 300S. It’s a story about the love of cars, history and the father-son relationship. And it’s illustrated in a style derived from the vintage racing posters of yesteryear.

SCD: What gave you the idea?

DK: I went looking for the perfect automotive picture book when my son was born and couldn’t find it. It seemed like an opportunity waiting for someone to make it happen. I hope I’m that someone.

SCD: Explain your desire to do this.

DK: I want to create something special for my son — and all car loving families. I’d like nothing better than to influence and energize a new generation of automotive passion — especially for the vintage sports car. In fact, I want it all badly enough that I’ve used a couple years of savings that was supposed to be for a project car! I want to create something timeless — something of quality. Something that while created with children in mind, can still be meaningful for adults…and not grossly inaccurate.

SCD: Connect us with the story. How do you expect readers to identify?

DK: The story begins with a flash of the car at its glory. Then casts time and neglect as the protagonist. From there on, it’s a barn-find story with a boy and his dog, the boy and his dad, and a surprise or two along the way.

Some readers will never see a 300S in person. Others might have one parked in their garage. But we can all connect to this story in different ways. There may be readers that wish it was about a brown Camaro…but that’s OK…they’ll still connect because it’s about a father, a son and a car. We all have dreams of something like this happening.

SCD: Why the Maserati 300S?

DK: The title came first, likely influenced somewhat by the favorite car book of my youth, The Red Car by Don Stanford. But The Little Red Racing Car just sounds familiar, like something you’ve probably already read – even though it doesn’t exist yet. I love that about it. After the title, it was a matter of determining the right car. It’s red, so it had to be Italian. For most that might make Ferrari a foregone conclusion, but I’m never one for the obvious choice. I’ve always loved Maserati, but there were a couple wonderful Alfas in the running, too. Ultimately though, the 300S just had the right combination of stunning looks, great performance and unbeatable heritage. I have a lot of respect for Sir Stirling Moss, and loved that he had piloted this car to numerous victories.

SCD: How much accuracy are you after in representing the car as a 300s?

DK: I’d like to think that if the book were a little longer, it could serve as a Bentley manual for a rebuild! I’m joking, of course. But I really do want everything that is represented visually to be correct. That’s part of what makes this concept unique. It truly has cross- age, cross-demographic appeal.

SCD: How have you achieved this level of accuracy?

DK: I started with extensive online research. When I felt I had pretty much exhausted that, I bought Walter Baumer’s incredible Maserati 300S book. For added visual exploration I have used the gallery feature in the Xbox driving simulator Forza 4, and have purchased a CMC model. I light and photograph the model to create angles and to give myself reference material from which to illustrate.

Personalized Poster Creator App

SCD: Is there anything that you would consider unique about your approach?

DK: Probably the biggest uniqueness for the project as a whole has been my use of social media to grow a following before a product existed and before the story was even written. For those who do this sort of thing, you can Like, Follow, Pin, Sign Up and more through the website: www.theLittleRedRacingCar.com. The Personalized Poster Creator is definitely unique, as well. I’ve not seen anything like it done. If you’ve not tried it, go make one (or a dozen, it’s free to use) for the little car lover in your life…or for yourself.

SCD: What else are you doing that might be interesting?

DK: I’m tucking in little things that are meaningful to me. The vehicle used to pull the car from its hiding place for example, was the first vehicle I ever held the title to, a 1965 Chevy truck. It was my grandfather’s farm truck, and was itself, a barn find for me. It hadn’t run in years, and while I did buy it and get it running, sadly, it never did become my daily driver. Also, the name on the side of the old tow truck is in memory of the man who took me under his wing so to speak, and taught me much of what I know about cars. He passed away about 10 years ago from a brain tumor, and this is just a way of saying thanks.

SCD: What has been the most challenging part of the project so far?

DK: Time. There are just not enough hours. Even now, I am considering that I might have to move the release date from Fathers Day 2013 to later in the year. I am doing it all myself. I’m the Writer, Illustrator, Strategist, Marketer, Social Media Guy, Web Designer, Photographer, Videographer, Voice Over Artist, Editor and Key Grip. I’m just kidding on the last one, I’ve just always wanted to say Key Grip.

SCD: You mentioned quality earlier. Tell us about that.

DK: I want everything associated with this project to be top shelf or not at all. I’d rather not produce the corresponding iPad app, for instance, than to produce anything less than great. I am printing the books in the USA. It’s OK that it costs more. Its my plan to produce everything, every T-shirt, every embroidered patch, everything, in the USA. The only exception so far is some metal casting that I plan to do with Auto-Racing Studio in Cornwall.

LRRC VIN Plate Sketch

Through the Knothole Sketch

Getting Close Sketch

Hands on the Wheel Sketch

SCD: Do you plan to release it internationally?

DK: Without question. I don’t think I can help it. The second email newsletter was opened by subscribers in 18 countries. I have received so many notes from all over the world. So many people just connect with the premise and the style.

SCD: Where do you see The Little Red Racing Car in another ten years time?

DK: I’d like to be a few books in. I’d like to have at least a couple of them animated as short films. I think there are quite a few stories here – and not just for The Little Red Racing Car. But others, such as the already named book 2: The Small Silver Speedster. It’s based on a love of my life, the Porsche 550. And then there’s a certain Jaguar of the 50’s…And…Well, I’m open to suggestions.

SCD: Did you expect as much support as you’ve gotten?

DK: No. I mean, I hoped it and I dreamed it. But I didn’t expect it. As it turns out, picturing something big in your head and having it really happen, are two very different things. I feel a tremendous responsibility now. I have gotten so many amazing notes and emails from people who are behind this. Some from folks that have bottles of red with a higher net worth than me!

SCD: What are you most excited about at the moment?

DK: Well, the response so far has been incredible. So I guess I’m most excited by the possibility of this being bigger than I had planned. The next few months may just determine that I’ve begun career 2.0!

The Little Red Racing Car Sketch Book

Many a Great Race Sketch

SCD: What key goal have you yet to achieve?

DK: Honestly, even more than big book sales, I’d like to see this story as an animated short film. I have buy-in from an extraordinarily talented Emmy award-winning producer/director. If we hit the third milestone of the upcoming Kickstarter fundraising campaign, we’re making the film. So I’m hoping on hope for that!

SCD: What other projects do you have in mind?

DK: How long do you have? I have a few more books and printed products as good as done in my head. Other than that, I’ll limit it to two.

One idea that I very much want to execute is to hand build vintage race and sports car inspired grandfather clocks. Some might be banged up, burned and patina’d. Others might be high gloss showroom quality showpieces. I’ll design clock faces inspired by the instrument panel. I will likely buck-build the skins, then finish with appropriate details, badging and colors. The thought of an XKSS grandfather clock…Oh, man!

I’ve also done some sketching and design for the creation of bespoke car haulers created to match/compliment a couple of the world’s most amazing automobiles, such as this Bugatti Atlantic Coupe. I’d love to play a role in seeing something like this built.

Most importantly though, given any level of continued success for this project, I’d like to either start, or greatly enable a charity for kids. The idea of children in bad situations breaks my heart. So I don’t just want to give a kid a book or a gift at Christmas. I’d like to be part of something that can change lives. I’d like to give kids without a hope or a home the possibility of a new life.

SCD: You are launching a funding campaign on Kickstarter on February 1st. Can you convince the reader to contribute?

DK: This project is pure passion for me. So I want passionate people involved. If anyone has read this article and isn’t sold, I don’t want to convince them. But if you do connect, I cannot tell you how much that means to me. I want you on my team!

SCD: Final thoughts?

DK: In order to create some extra press and hence traction for the project, I’m hoping to organize followers of the project and set a record for the fastest funded campaign ever. Even if we don’t accomplish that, we may succeed in creating some momentum. So please bookmark the site: www.theLittleRedRacingCar.com and visit again on February 1st. I’ll post information and a link on the site when the Kickstarter campaign goes live.

[Source: Dwight Knowlton]

with sportscardigeste fa

Chennai to Pondicherry: A Motorcycle Tour of Southern India

from VITA BREVIS FILMS 

During a once in a lifetime trip to Southern India, we had the chance to capture some sights and sounds while we made our way from Chennai to Pondicherry on motorbikes. The trip was overwhelming and a truly eye opening experience. We at VBF knew that it would be very difficult to re-create on film the actual experience of being in India on the streets with thousands of cars, tuk-tuk's, cows, goats, and dogs. The visuals, sounds, and smells all created a sensory overload situation that can only be experienced by being there, but hopefully this film gives you a sense of what it was like to be immersed in the surroundings and experience the amazing places along the coast of Southern India.

Riva Tritone: In another class

Film star Elizabeth Taylor, the Shah of Iran and Prince Rainier of Monaco — all were to own examples of the most famous powerboat in the world, a Riva. It’s no wonder, then, that the classic wooden boats built on Lake Iseo are as popular as ever. 

We found a fine example from Classic Driver dealer ‘Classic Boats Amsterdam’. It’s a Tritone, named after Triton (Tritone in Italian), the son of Poseidon and Aphrodite in Greek mythology. 

This example, hull number 220, was built in 1963 and is powered by two, big-block Chrysler V8s. 

It’s in the final stages of restoration and priced at 350,000 euros. 

Related Links This Riva Tritone is available from Classic Boats Amsterdam. You can find out more by visiting the Classic Driver Marketplace Or see all the boats for sale at Classic Boats Amsterdam

Text: J. Philip Rathgen(ClassicDriver)
Photos: Classic Boats Amsterdam