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    mercredi 10 juin 2015

    Crewe confidential - Tales of a Bentley chauffeur


    Before their unceremonious parting of ways, Bentleys were traditionally regarded as more driver-focused, while Rolls-Royce made cars in which you’d want to be driven. To dispel that age-old belief, we spent a day with David Vernon, one of two resident chauffeurs at Bentley’s Crewe HQ…
    Few sights are more appeasing than a Bentley’s rear door being opened for you after a long train or plane journey.
    Few sights are more appeasing than a Bentley’s rear door being opened for you after a long train or plane journey – but a warm, hospitable smile to go with it represents a welcome ‘extra mile’, so to speak. Patiently awaiting our arrival in Crewe by train from London (delayed, of course), David wastes no time in demonstrating the pride he takes in his job. 

    A warm welcome

    His two-tone Flying Spur stands proud in the restricted taxi pick-up area outside Crewe station, and we’re barely nestled into the quilted-leather rear seats before he explains why he isn’t currently being hassled by a traffic warden: “Crewe railway station gives our two chauffeur cars special dispensation to park here”. His proud smile isn’t going anywhere soon.
    “You can usually tell within the first few minutes whether a client fancies a chat, or whether they’d prefer to be left alone,” he continues. But David seems to have us figured out ahead of schedule. We want to hear all of his trade tales; in fact, this whole journey was triggered by a tip-off about his enthusiastic anecdotes. 

    Local spirit

    A local chap, David perfectly embodies the community spirit of Bentley’s long-term presence in Crewe (“You often get let out at junctions, or waved at by the locals,” he says). Coincidentally, one of his next jobs is to take company top brass to the annual long-standing service awards presentation, where many staff members will receive commendations for not years, but decades of service. After 13 years as a company chauffeur – before which he was a transport driver with the company for 17 years – David’s decoration is imminent­. But in the meantime, there are a few things he wants to show us back at HQ.

    Misters and the sisters

    Upon arrival, he asks us to wait in the car while he makes a phone call. Within moments, a Mulsanneappears driven by his colleague Mike, with whom he shares driving duties. It’s the Flying Spur’s sister car, painted in an identical grey-and-silver colour scheme. “These are being retired next week, so it’s probably the last time they’ll be seen together,” David tells us with a brief twinge of melancholy. “They were specified with the two-tone paintwork to show visitors that we still offer that option. We’ve had many striking paint schemes over the years. The first car I was given in this role was a Verdant Green Arnage R with a magnolia-coloured interior. These two will be replaced by a pair of single-tone cars in the new Jetstream Blue colour, and it’s quite vivid.” The smile is back.

    Unrivalled knowledge

    David escorts us inside, and directs us into a room – with knurled door handles, of course – where he shows us an image of one of the most memorable moments in his career: driving behind Derek Bell’s Le Mans-winning Speed 8 during its victory parade around the Arc de Triomphe in 2003. “That’s the thing I love about the job – it’s surprisingly varied. One day I’m part of the Le Mans winners parade, another day I’ll be training ‘close protection’ police officers on how to drive when escorting VIPs. Evasive driving comes naturally to them, but a chauffeur’s primary role is to drive smoothly, as if there’s a glass of water on the dashboard. The passengers should never feel any acceleration, cornering or braking forces. Unless they want to, in which case I’m more than happy to oblige.” David’s duties have given him a deep knowledge of the company, which he demonstrates as he gives us a tour around the cars in the museum.

    Whistle-stop tour

    Next on our whistle-stop tour (oh dear, that’s reminded us about the return train journey…) is the house traditionally provided to the company CEO while in power; Bentley’s 10 Downing Street, if you like. Dürheimer’s pad undoubtedly trumps that of the British Prime Minister in terms of character. It’s a former servant’s quarters building converted into a single household, with the interior outfitted by Bentley’s interior design team – the dining table is made of the same veneer used in the cars, and the company’s past Christmas cards have been adapted into wall-mounted art pieces. It’s a familiar destination for David: “Whenever Mr Dürheimer and other board members are in the country, Mike and I are responsible for taking them wherever they want to go,” he explains. “They keep us quite busy. But when we do early starts or late finishes, we take the cars home. It’s quite funny; when I’ve got the Mulsanne, the car parked in the driveway is worth more than my entire house.” 

    Step inside, Sir

    David’s most memorable journey? “Not long after I started, we had an elderly gentleman visit the factory – he was perhaps 90 years old, and had worked for W. O. Bentley as an apprentice at Cricklewood,” he recalls. “Coincidentally, he’d worked one of the cars in our museum when it was a new, experimental car; he also remembered waving the Bentley Boys off to Le Mans. When I dropped him off after his tour, his last words to me were ‘Thanks David, W. O. would be proud of what you’re all doing today’. I heard he passed away a year or two later, but I’ll never forget his stories, or his parting verse.” Seals of approval don’t come much more authentic than that, regardless of whether you prefer to drive, or be driven.
    Photos: © Tom Shaxson for Classic Driver
    You can find a wide range of modern and classic Bentleys for sale in the Classic Driver Market.

    Fulfilling the childhood dream of charming a Competition Cobra


    If you're looking for a tricky question to throw into your next automotive trivia quiz, try this: What was the first and only American car marque to win the FIA GT World Championship?
    The answer is Shelby, whose teams of Cobra roadsters and more aerodynamic Cobra Daytona Coupés knocked Ferrari off its European perch during the 1965 season, with a string of wins at Monza, Oulton Park and the Nürburgring, plus a second at Spa -  and, just for good measure, victory in Austria's Rossfeld hillclimb.
    Winning the Championship, said Carroll Shelby, was "the most satisfying thing I ever did."

    A boyhood dream come true

    And one of the most satisfying things I have ever done - automobile-wise, at any rate - was to finally get myself into the cockpit of a 427 competition Cobra, a car I have been longing to experience since boyhood but which has somehow eluded me.
    And the realisation of my dream couldn't have been much better because, not only was it organised by Las Vegas-based Shelby American at the fabulous Spring Mountain Raceway, it also happened in the company of drivers such as Bob Bondurant and Allen Grant, who helped the team to that auspicious World Championship win 50 years ago. Was I dreaming?
    Admittedly, I only got as far as the passenger seat of the mighty, race-prepared snake... but what an experience, to be hurled around the circuit by someone who battled it out in these cars in period, and knows just how far you can go with 700 horsepower in a 900 kilogramme car before the rear end swaps places with the front. I now know what all the fuss about competition Cobras is for. And it's justified.

    The second coming

    The only drawback to such a Cobra baptism, however, is that I've now been affected by the venom and want to own one. Original '60s cars with race history are  beyond the means of most, but Shelby American has marked this year's half century since the creation of the big-block, 427ci Cobra with a limited run of 50 CSX4000 anniversary specials with 23-gallon fuel tanks, leather trim, racing brakes and knock-off alloy wheels in the original, '60s design. And there's a choice of glassfibre bodywork in Guardsman Blue metallic with Wimbledon White racing stripes (from $119,995) or, if you really want to dazzle, highly polished aluminium (from $179,995).
    After that, it's down to the buyer to choose his or her own engine/transmission set-up which, in order to be as authentic as possible, should comprise an iron block, 427-cubic inch engine mated to a four-speed manual gearbox - although there are plenty of other (less terrifying) options available.
    If, however, you merely want to show your allegiance to the mightiest Cobra without actually having to buy one, luxury watch brand Baume & Mercier will sell you one of its more affordable, just-launched Capeland Cobra limited-edition chronographs, following the announcement of a long-term partnership with Shelby American.

    World Champion in watch form

    The entry-level model - which costs a reasonable £3,000 -  features a 44mm steel case and is limited to 1,965 pieces (based on the Championship-winning year). Cobra-inspired styling cues include a clever 'snake's head' counter-weight on the chronograph second hand; a dial in Shelby's signature 'Guardsman Blue' with very subtle racing stripes; chronograph counters based on the car's instrument panel and a sapphire crystal case-back engraved with both a facsimile of Carroll Shelby's signature and an edition number. 
    For £13,300, meanwhile, you can have a version of the watch with a red gold case and a flyback chronograph movement, which is limited to just 98 pieces in recognition of Carroll Shelby's famous racing number.
    And the good news is that they probably won't represent the last collaboration between Baume & Mercier and Shelby American because, according to the word on the street, we Europeans are soon going to be hearing a lot more about the legendary American hot-rod house that now focuses on tuning modern-day Fords - not least because the hugely popular Mustang (which Shelby Performance specialises in souping-up) is this year officially available in Europe.
    Mustang chronograph, anyone?
    You can find several Shelbys for sale in the Classic Driver Market

    NEW AND NOTED: MOTORCYCLE JACKETS


    The best new motorcycle jackets for men.























    if you’re looking for a motorcycle jacket with timeless styling, you’re spoilt for choice right now.

    Long-established brands are plundering their archives for classic designs to update. And upstart makers are taking traditional styles—like quilted shooting jackets—and adapting them for motorcycle use.
    Here’s our pick of the best new (or should that be old?) designs.

    Pagnol M2 California-based Pagnol is riding high on the success of its beautifully constructed, vintage-styled M1 motorcycle jackets. That single piece of clothing has become a favorite with high-profile bike builders such as Walt Siegl and Alex Earle—as well as design luminaries such as Robert Egger, creative director of Specialized Bicycles.

    This week, Pagnol launched its second jacket, the $625 M2, which adopts the ‘retro yet modern’ vibe seen on bikes such as the BMW R NineT, the Ducati Scrambler andHusqvarna’s 401 concepts. It’s built using tumble-aged cowhide that will look better as the years go by, and includes accordion panels for a comfortable fit and a mesh lining with inserts for the armor of your choice. The main color is black, but Pagnol is also producing a limited run of 50 M2s in a ‘dirty cream’ finish.
    Get yours direct from the Pagnol website.

    Alpinestars Oscar Brass Alpinestars has a long and rich heritage that goes back to its days as a motocross boot specialist in the early 1960s. The Italian company is now capitalizing on that heritage with its retro-themed Oscar range, headlined by this very classy café racer style jacket.

    The $580 Brass jacket is crafted from supple, full-grain leather finished with an ‘artisanal tanning treatment,’ and includes removable CE-certified shoulder and elbow armor. (There’s a pocket for a back protector too if you wish to add one.) The leather is perforated on the sleeves to improve ventilation, and the trims, snap buttons and rivets have that genuine vintage feel.
    It’s one of those jackets that look old even when new. Choose from Black or Brown styles. [Buy]

    Roland Sands Seeker This is the kind of motorcycle jacket that would look right at home on a vintage Triumph or BSA. The all-over quilting is reminiscent of English hunting attire: it’s a practical cotton/poly/nylon blend with a traditional waxed finish.

    It’s a true motorcycle cut though, with rotated, pre-curved sleeves and pockets for you to add shoulder, elbow and back protectors. You also get a soft cotton plaid lining, a suede-trimmed collar, and underarm venting to keep you cool. [Buy]

    Richa Memphis Unless you live in Europe, you probably haven’t heard of Richa. But the Belgian company has been operating for almost 60 years, and has a superb range of ‘vintage’ leather motorcycle jackets. Our pick is the Memphis finished in ‘Cognac,’ a rich mid-brown color.

    The chassis is buffalo leather, with a quilted effect on the upper body. You get CE-approved flexible armor for the shoulder and elbows, and a removable lining for temperature control. It’s exceptional value at just £250—around US$385—and available from Urban Rider. [Buy]

    Spidi Roadrunner The latest from Spidi is like a softer, modern update of a classic Schott Perfecto, complete with slanted chest pocket but minus the fussy detailing. The outer is fine Italian cowhide, 1.1mm thick, and you also get CE-certified Level 1 armor for the elbows and shoulders.

    There’s a removable thermal liner and the waist is adjustable for a precise fit. The $450 Roadrunner is an appealing mix of modern Italian materials and vintage Anglo-American styling—a perfect match for bikes like the Triumph Thruxton or Moto Guzzi V7. [Buy]
    via BIKEexif

    Snapshot, 1957: Please children, no fighting!


    Le Mans, June 1957. Packed like sardines, the works Porsche Spyders shimmer silver in the sun as they wait for the racing to start. But although, at first glance, all seems peaceful, the atmosphere in the pit lane is far from it...
    Between the Stuttgart race cars is a scene from a school playground. It seems that the object of general desire is a helmet and, while we're not sure of the identity of the young man on the left, his counterpart in this 'tug of war' appears to be the Belgian journalist and racing driver Paul Frère. The outcome of the duel is, sadly, unknown; but at least on the track Paul Frère was able to score some success: he took his Jaguar D-type to fourth place at the end of 24 hours.
    Photo: Klemantaski Collection/Getty Images

    Cuir......


    mardi 9 juin 2015

    TT ............................


    Tourist Trophy 2015 : ultra chaud entre Dunlop... par motojournalbuzz

    24H du Mans 1955 : La tragédie, le drame, l’horreur…/horror and tragedy

    Il y a 60 ans, le sport automobile a vécu sa plus grande tragédie lors de la 23e édition des 24 Heures du Mans où 84 personnes ont trouvé la mort dans l’accident effroyable de la Mercedes-Benz de Pierre Levegh. 
    La 23e édition des 24 Heures du Mans s’annonçait particulièrement excitante avec le retour de Mercedes-Benz au Mans, des Ferrari tenantes du titre et des Jaguar très ambitieuses. Les meilleures voitures de sport et les meilleurs pilotes du moment (Moss, Fangio, Hill, Hawthorn…) étaient réunis devant 250 000 spectateurs pour une course filmée pour la première fois en direct.
    A 18h27, après 147 minutes d’une course menée à un train d’enfer, la Jaguar N°6 de Mike Hawthorn et la Mercedes-Benz N°19 de Juan-Manuel Fangio sont en pleine bagarre pour la première place et rattrapent la Mercedes-Benz N°20 de Pierre Levegh, héros de l’édition 1952, à l’approche de la ligne droite des stands.
    Hawthorn double la Mercedes N°20 et l’Austin-Healey de Macklin, bien moins rapide. Sitôt après cette double manœuvre, Hawthorn freine pour rentrer dans la pit-lane. Macklin est surpris et donne un coup de volant à gauche. La Mercedes-Benz de Levegh, lancée à pleine vitesse ne peut éviter la petite Austin qui fait office de tremplin, et s’écrase contre le talus qui sépare la piste des tribunes.
    Sous le choc, le réservoir de la Mercedes-Benz N°20 explose. Son pilote est tué sur le coup. Le train avant, le moteur et des morceaux de carrosserie sont propulsés dans les tribunes et sèment la mort parmi les spectateurs, tuant plus de 80 personnes. Une horreur absolue. La pire catastrophe de l’histoire du sport automobile.
    Lors d’une soirée-hommage organisée récemment au Mans, Pierre Monin, rescapé de cette tragédie, a témoigné sur Ouest-France : « Le train avant est passé juste au-dessus de ma tête. Mon épouse a été sauvée par le corps d’un spectateur qui était monté sur un escabeau. » Jean-Paul Guittet, qui n’avait que dix ans, est médecin et a intégré le service médical des 24 Heures du Mans. Il se souvient de l’horreur, tout comme Jeannine Morice, alors secouriste à la Croix Rouge. Lors de la Journée Test, une plaque commémorative a été dévoilée lors d’une cérémonie solennelle en présence des familles des victimes, des membres de l’ACO et des commissaires.
    Ce drame a provoqué une prise de conscience générale. Si certains pays ont réagi en interdisant certaines épreuves (Mexique, Carrera Panamericana), voire le sport automobile sur leur territoire (la Suisse, jusqu’en 2007), les organisateurs des 24 Heures du Mans ont choisi d’entamer d’importants travaux de sécurisation du circuit.
    Et depuis 60 ans, la notion de sécurité est au cœur des préoccupations de l’Automobile Club de l’Ouest. Cette année encore, des travaux de sécurisation ont été effectués sur plus de deux kilomètres entre Mulsanne et les Virages Porsche.
                         O pior acidente de carro da história
    It was 60 years ago that motorsport suffered its most tragic accident. Eighty-four people died at the 23rd Le Mans 24 Hours after damage from Pierre Levegh’s Mercedes-Benz ploughed into a spectator enclosure.
                    
    The 1955 Le Mans had the makings of being a classic, with Mercedes-Benz making its comeback and Jaguar looking to challenge the previous year’s winner, Ferrari. The grid featured the best sportscars and most famous drivers of the day (Moss, Fangio, Hill, Hawthorn, etc.) and 250,000 spectators turned out to watch the race which was being broadcast live on TV for the first time.
    At 6:27pm Saturday evening, after 147 minutes of flat-out racing, the N°6 Jaguar of Mike Hawthorn and the N°19 Mercedes-Benz of Juan-Manuel Fangio were scrapping for the lead when they caught the N°20 Mercedes-Benz of Pierre Levegh (hero of the 1952 race) on the approach to the start/finish straight.
    Hawthorn found a way past both the N°20 car and also Macklin’s much slower Austin-Healey. Immediately afterwards, though, Hawthorn braked to dive down the pit-lane access road. The manoeuvre surprised Macklin who steered to the left. Travelling at speed, Levegh failed to avoid the small car which served as a launch pad.
    The Mercedes-Benz crashed into the bank that separated the track from the grandstands. Its fuel tank exploded on impact and Levegh was killed instantly. The front of the car, its engine and bits of bodywork flew into the crowd, killing more than 80 people. It was the most horrific accident motor racing has ever seen.
    At a recent tribute evening at Le Mans, Pierre Monin, a survivor of the tragedy, described his experience to the local daily newspaper, Ouest France: “The front of the car flew just over my head. My wife was saved by the body of a spectator who was watching on a step ladder…”
    Jean-Paul Guittet was only 10 at the time. Today he is a doctor and part of the Le Mans 24 Hours medical team. He, too, has vivid recollections of the horror, as does current Red Cross worker Jeannine Morice.
    The drama brought the dangers of motor racing suddenly into focus. In the aftermath, some famous events were banned, like Mexico’s Carrera Panamericana. Motorsport was outlawed altogether in Switzerland, a measure that remained in place until 2007.
    The response of the Le Mans organisers was to invest heavily in making its circuit safer. Ever since, the issue has been at the forefront of the Automobile Club de l’Ouest’s concerns. Recent ongoing work included making more than two kilometres of track safer between the Mulsanne turn and the Porsche Curves in time for this year’s race.
    At the pre-race Test Day, a plaque in memory of the victims was rededicated to mark the 60thanniversary of the accident. The solemn ceremony was attended by members of the victims’ families, senior ACO staff and marshals.

    Andorra 500; classement et résumé en vidéo !



    Andorra 500 - Day 1 from Cyril DESPRES on Vimeo.

    Andorra 500 - Day 2 from Cyril DESPRES on Vimeo.

    Andorra 500 - Day 3 from Cyril DESPRES on Vimeo.

    Andorra 500 - Day 4 from Cyril DESPRES on Vimeo.

                                                            Andorra 500

    CLASSEMENT GENERAL


    N° CONCURRENTS CATEGORIE ET1 ET2 ET 3 TOTAL
    1 22 Cyrus RAHMAT CLASSIC 180 119 59 358
    2 50 Josep M VIDAL BARRAQUER COT CLASSIC 151 196 73 420
    3 17 Alain FRAU NEO RETRO 211 191 38 440
    4 19 Antoine VANDROMME CLASSIC 278 156 31 465
    5 51 Eduard VIDAL BARRAQUER CASTELLS NEO RETRO 248 263 59 570
    6 20 Fred VIVIER CUSTOM 371 174 34 579
    7 16 Michel BALLOTI CLASSIC 567 104 30 701
    8 23 Patrick KEVORKIAN CUSTOM 713 155 34 902
    9 38 Steve BLUNT CLASSIC 193 662 49 904
    10 42 Dominique LITOUX NEO RETRO 387 415 140 942
    11 11 Andrea MAYER NEO RETRO 758 233 16 1007
    12 15 Jean-Michel RICHARD NEO RETRO 800 305 81 1186
    13 25 JC DUBOIS CLASSIC 512 575 148 1235
    14 10 Stéphane PETERHANSEL CLASSIC 704 713 20 1437
    15 37 David WARD CLASSIC 739 921 154 1814
    16 52 Fred CHASSON CLASSIC 884 434 522 1840
    17 12 Nicolas PETERHANSEL NEO RETRO 771 535 608 1914
    18 40 Carl NEVILLE CLASSIC 759 953 230 1942
    19 2 Adam FULLER CLASSIC 171 1731 225 2127
    20 26 Olivier CAMBIER NEO RETRO 768 477 989 2234
    21 18 Philippe VANDROMME CLASSIC 1784 390 74 2248
    22 27 Thierry CAMBIER CLASSIC 849 477 929 2255
    23 34 Dominique SCHMIDT CLASSIC 1718 1014 79 2811
    24 39 Jeremy ELLIOTT CLASSIC 1255 1245 375 2875


    25 29 Thierry LOPEZ CLASSIC 1728 1114 69 2911
    26 1 Michel  TEERLINCK CUSTOM 1306 1513 96 2915
    27 45 Pierre BRANCALEONE CUSTOM 1238 1609 108 2955
    28 28 Alain CHEVALIER NEO RETRO 1784 1061 180 3025
    29 46 Laurent SEHIER CLASSIC 1663 1300 104 3067
    30 21 Jean-Michel SANTOR CLASSIC 1686 1476 38 3200
    31 103 Julio RUIZ CLASSIC 1560 805 943 3308
    32 3 Martin STOREY CLASSIC 1274 1528 581 3383
    33 31 Olivier GUIRAUD CLASSIC 1834 1402 212 3448
    34 7 Nicholas DODD CLASSIC 1600 1630 275 3505
    35 44 Philippe RODRIGUES PEREIRA CUSTOM 1752 916 967 3635
    36 43 Raoul GRENADE NEO RETRO 1642 1383 925 3950
    37 30 Jean-Robert BELLANGER CUSTOM 1800 1907 245 3952
    38 8 Rémi THORIN CLASSIC 1754 2081 265 4100
    39 36 Philippe BIRGEL CLASSIC 1803 2286 438 4527
    40 41 Pierre-Marie PAUTROT CLASSIC 1637 1966 984 4587
    41 33 Bertrand PICARD NEO RETRO 1796 2544 622 4962
    42 32 Gilles PICARD CLASSIC 1786 2634 644 5064
    43 4 Patrick HUTCHISON CLASSIC 1787 2702 726 5215
    44 35 Bruno  SCHEURER CLASSIC 1806 2890 836 5532





    2015 Le Mans 24 Hours - Michelin