ACE CAFE RADIO

    mardi 23 juin 2015

    TOTALLY RADICAL: ED TURNER’S SUZUKI GSX1100




    Some bikes are built to go far—others to look flash. We’ll let you decide which category Ed Turner’s latest creation falls into.

    It’s no coincidence that Ed Turner sounds like “head turner”: proprietor Karl Renoult’s design ethos is deliberately edgy. His client—a designer—shares the same philospohy.

    “The man has taste, and is a thrill seeker,” explains the French builder, “so naturally we would get along!”

    After just two phone calls, the brief was defined and the project booked in. The idea was simple: a big engine, crammed into a radical package. With four cylinders, sixteen valves and a hundred horses on tap, a 1980-model Suzuki GSX1100 was picked as the donor.

    Karl knew that the best way to highlight the the Zook’s monstrous power plant, was to minimize everything around it—so the build kicked off with an intensive tear down. In the end, all that remained was the engine block and a couple of steel tubes.


    The original plan was to modify just the rear loop, but Karl now found himself building a whole new frame. In it, he wedged a small, fiberglass fuel tank. It only holds six liters—but Karl reckons that’s more than enough for a few quarter mile runs.

    The tank’s lines were carried through to an equally petite, custom-made tail unit. The seat’s leather work was handled by a friend: Fabrice at ASD.





















    Up front, Karl installed a set of upside-down forks taken from a Buell. They’re mounted via custom triple clamps—complete with a US flag cut-out. Karl wanted a monoshock setup at the rear, so he made up a new swingarm and fitted a Hyperpro unit.
    The Buell also donated its 17″ wheels, now wrapped in Maxxis Goldspeed rubber. Thanks to some one-off parts, the rear wheel’s been converted from belt to chain drive.

    Matching the GSX’s new, drag-inspired attitude are a row of velocity stacks, and a low-and-loud four-into-two exhaust system. Karl also fitted rear set controls to the bike, and cut up a set of Renthal bars to make new clip-ons.

    The headlight’s from a Ford Mustang, mounted on hand-made, leather brackets. As for the tail light: “It was provided by prison administration,” says Karl. “These lights are located above each cell door, for inmates to call ‘room service’.”





















    For paint, Karl had his heart set on “Mooneyes yellow” for the engine block—but wasn’t sure how he’d match it elsewhere.
    Since he and his client share a love for old-school American skate culture, Karl threw the paint swatches out the window. Instead, he covered the tank with a collage of skate stickers—sealed in with multiple layers of clear coat. He then took it further: certain parts throughout the bike have been modified with additional logos.





















    It’s the ideal livery for this off-the-wall custom. All that’s missing is a skateboard rack.
    Ed Turner | Facebook | Instagram | Images by by Pierre Le Targat
    Ed Turner's radical Suzuki GSX1100
    via BIKEexif

    When art meets cars – artists take the wheel


    Artists have been fascinated by the automobile since its invention. As subjects of love, hate and even fetish, cars have found themselves in studios and galleries across the world. And more often than not, this is simply because artists themselves are self-confessed enthusiasts…
    It’s not known how the curator of the Louvre reacted when Italian Filippo Tommaso Marinetti exhibited the ‘Futurist Manifesto’ in 1909, featuring a ‘roaring’ racing car, said to be ‘more beautiful than the victory at Samothrace’. Regardless, six decades later, the Swiss artist Jean Tinguely presented a Lotus Climax V8 at his museum in Basel, as a poignant reminder of the legendary Scottish driver, Jim Clark. Cars and art share an enduring relationship. For the Futurist artists, the thrill of speed was tangible.
    No sooner had the car been invented than artists discovered its enormous potential. In 1898, Henri de Toulouse-Lautrec produced a lithograph in his characteristic linear style named ‘The Motorist’, depicting a man at the wheel of an early automobile. Throughout the 1920s and 1930s, Futurist Giacomo Balla put cars (which were still very much luxury objects) at the centre of many of his pieces. The versatile colour artist Sonja Delauney not only designed hats and capes for motorists, but also painted several early Citroëns; a precursor to the later Citroën ‘Art Cars’. Tamara de Lempicka’s renowned 1929 self-portrait depicts her at the wheel of a green Bugatti and, on the subject of Bugattis, Rembrandt – founder Ettore’s younger brother – created remarkable bronze animals, some of which were used as bonnet ornaments on Ettore’s famous cars. 
    Following World War II, there was a triumphal surge in car culture, leaving its mark on society and the environment. The artwork of old might have languished, but the new, groundbreaking art movement quickly took up the subject of mobility – Andy Warhol’s series of photos of a car accident, for example. Roy Lichtenstein was at it, too; his ‘In the Car’ pop art piece quickly became prominent in popular culture. 
    The car as sculpture grew increasingly popular, too. Artists such as César saw poetry in their proportions, interpreting cars in deformed ways. The early 1970s saw US artist Chip Lord create ‘Cadillac Ranch’, a series of tailfin saloons seemingly half buried in the ground, built as a symbol of the brand’s evolution. Frenchman Arman presented ‘Traction Avant, après traction’, essentially a rusted carcass of the car presented as though it had just been unearthed. Wolf Vostell’s Cadillac in concrete in Berlin symbolised modern worship of the automobile, Erwin Wurm’s ‘Fat Car’ was a Porsche on some serious steroids and Dutch artist Madeleine Berkhemer’s Maserati and Lamborghini installations document her penchant for nylon stockings. 
    Now iconic, BMW’s Art Cars only came to be thanks to former racing driver Hervé Poulain, and his realisation that the forms and surfaces of racing cars were the ideal platform for artists to document their work. 
    Marinetti recognised that racers and artists have much in common – they both understand the beauty in speed, and the idea of sudden death, for example. Take the positive relationship between Tinguely and Swiss driver Jo Siffert, the latter who tragically died doing what he loved. For his deceased friend, Tinguely dedicated a striking fountain in his and Siffert’s hometown of Fribourg. It still stands today, and is well worth a visit if you’re ever in the area…
    Photos: Getty Images / Rex Features / Museum Tinguely / BMW / Bugatti

    vigie pirate ...


    lundi 22 juin 2015

    The Greasy Hands Preachers - Trailer

    The Greasy Hands Preachers - Trailer con sottotitoli italiani from Rodaggio Film on Vimeo.

    Nissan completes Le Mans


    Few of you will need reminding that Porsche, after 17 years, has taken its 17th victory at the 24 Hours of Le Mans. Or that Force India’s Nico Hulkenberg, in only his second World Endurance Championship race start, has won the most famous endurance race on the planet.
    There was however another story at Le Mans. No no, not the Ford GT return – although that is awesome. It was in fact Nissan Motorsport’s World Endurance Championship debut with the GT-R LM Nismo and the company’s first official race start at Le Mans since 1999. Though it seemed unlikely the team would dominate – or even prove an enormous factor – in the race, fans around the world were still thrilled to see at least one of the three entries make the chequered flag after a long, tough enduro. “Hard lessons have been learnt,” says Nissan global motorsport director Darren Cox, “and we’re going to come out of this a lot stronger.”
    And given that the last team to have suffered a tough Le Mans return just took the victory gallands, Nissan rivals may want to take heed of that statement in 2016…

    Enduro : Santolino (Sherco – Michelin) crée la surprise en E1


    A deux épreuves de la fin, le haut des classements généraux s'est resserré dans les catégories E1, E2 et E3, ce qui promet une belle fin de championnat. En Juniors, Jamie McCanney (Husqvarna – Michelin) semble solidement accroché à la tête du provisoire.
    En catégorie E1, Christophe Nambotin (KTM), en difficulté dès le premier jour, a rallié l’arrivée en deuxième position laissant ainsi la victoire à Eero Remes (TM). Danny McCanney (Husqvarna - Michelin) s’est mêlé à ce duel de ténors pour terminer à une très bonne troisième place. Après avoir pris les commandes, Lorenzo Santolino (Sherco – Michelin) a été contraint à l’abandon à deux spéciales de l’arrivée.
    Le pilote Sherco – Michelin s’est imposé le lendemain après avoir mené la course de bout en bout. Il remporte sa première victoire de la saison. Remes s’est classé deuxième et s’est emparé de la tête du classement général pour un petit point sur Nambotin, troisième dimanche.
    Simone Albergoni (Kawasaki) a ravi les tifosi avec une belle quatrième place devant McCanney.
    Pierre-Alexandre Renet (Husqvarna – Michelin) a remporté son duel face à Antoine Meo (KTM) pour seulement sept secondes en E2. Alex Salvini (Honda), devant son public, a pris la troisième place.
    Le lendemain, Antoine Meo a pris sa revanche en s’imposant avec brio. Il a mené l’intégralité de la seconde journée en imprimant un rythme soutenu. Renet a dû se contenter de la deuxième place devant Alex Salvini, à nouveau troisième.
    Meo  (188 points) reprend les commandes du provisoire et compte 8 points d’avance sur Renet à deux épreuves de la fin. Salvini complète le podium provisoire avec 157 points.
    Matthews Phillips a signé le doublé en E3 et confirme ainsi sa volonté de conserver son titre. Toujours leader du championnat avec 16 points d’avance sur l’Australien, Mathias Bellino (Husqvarna – Michelin) a terminé deuxième lors des deux journées.
    En Juniors, Jamie McCanney (Husqvarna - Michelin) n’a pas fait durer le suspense très longtemps lors de la première journée où il a rapidement distancé ses adversaires. Jamais en mesure de revenir sur son compatriote, Steve Holcombe (Beta) est deuxième. Giacomo Redondi (Beta - Michelin) a dû se contenter de la troisième place sur ses terres.
    Holcombe a retrouvé la plus haute marche du podium le lendemain devant McCanney et Redondi.
    McCanney reste solide leader au général avec 28 et 42 points d’avance respectivement sur Redondi et Holcombe.
    Prochaine épreuve : Grand Prix de Belgique, 11 et 12 juillet

    TT Isle of Man ROAD WARRIORS


    10 white cabriolets for the summer from the Classic Driver Market


    It might not be the most practical colour for a car but, in summer, nothing quite beats a crisp white finish. We've selected 10 classics from the Classic Driver Market that we'd happily drive away on vacation today...

    BATTLE OF THE KINGS: REPORT FROM WHEELS & WAVES



    Europe’s top custom festival has attracted strong interest from the mainstream manufacturers this year, with Harley-Davidson choosing the Biarritz venue to showcase its Battle Of The Kings competition.

    Public voting had already selected the five finalists—Street 750s built by Harley dealers working against strict limits on expenditure and time.
    To help pick the ultimate winner, Bike EXIF joined judges Ray Drea (H-D Chief Stylist),Moto Heroes editor Fabrice Roux, Craftrad editor Hermann Köpf and Jérôme Allé of Southsiders MC.
    Here’s the lowdown on the bike—plus two of the other machines that also took our fancy.

    Winner: SHDB 04, Harley-Davidson Prague (top and above) The Czech Republic walked away with top honors, enhancing the Street 750 with classic café racer styling. The metalwork is beautifully hand-beaten and the proportions just perfect.

    Inspiration came from two unusually sleek bikes: the Lotus C-01, and the custom Softail‘Nascafe Racer’ built by Shaw Speed for Bell + Ross. Technical changes include a new rear frame and a Vance & Hines Fuelpak FP3 fuel management system—which optimizes and auto-tunes engine performance to suit the stubby custom exhaust.
    Other mods include rearsets, new lighting front and back, and a bobbed fender. Even the instruments have gone, replaced by a mobile phone interface.

    Runner-Up: Harley-Davidson Ostfold (above) Lead builder Svein Erik Simensen directed a team of young mechanics for the Norwegian entry, and this low ‘street racer’ looks exceptionally fresh in the metal.

    The bike has been dropped a little using a Sportster suspension kit—but the most radical change is the extremely elegant rear end, with a slimline seat and kicked-up fender completely transforming the look and visual stance of the bike. Subtle changes to the headlight and instrument positioning and stark black-and-orange paint give the Street a sharper edge, with compact blinkers reducing the visual clutter still further.

    Runner-Up: Harley-Davidson Centre Cyprus Lead builder Andreas went for an aggressive, racer-meets-streetfighter approach for ‘Revolution X’. His crew has given the Street 750 a more muscular look, with new triples and beefier forks up front, and a short cowl at the back. The rims are aluminum race items, and the front brake system has been upgraded too. Twin headlights and streetfighter bars complete the look.

    For custom Street 750 inspiration, check our previous coverage of entries from Belgiumand Austria.
    via BIKEexif