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    lundi 27 avril 2015

    A day with Monsieur C. and his Maserati A6GCS


    Mr C. is one of those connoisseur collectors who could have chosen a big-business career, but opted instead to dedicate his life to classic cars. Mr C. has some important cars, but prefers to remain discreet. Among his fabulous machines, we decided to focus on a very special one: his Maserati A6GCS.
    What’s your oldest automobile memory?
    My grandparents had a big company, made big money, and they always had nice cars. As often as she could, my grandmother would take me with her to the casino, in her Delage Coupé Chauffeur. There was a toy shop next to the casino and, almost every day, she bought me a Dinky Toy. I loved them, played with them all the time, and I still have a few – in excellent condition, still in their boxes. I also remember going to their factory with my brother. My grandfather had a Bentley and my brother always jumped in it, as if he was going to start it up and hit the road. And I always screamed, “No, no, stop it!”
    And what next?
    We had a big family country house. The gardener’s son was always working on his moped and one day I began to work with him. I loved going there, because I could work on the mechanical parts, and after that he bought his first car and we continued to work on it together. That’s how I learned how a car worked, and how it was put together.
    Why didn’t you work in the family business to make big money to buy all your dream cars?
    Well, for two reasons: the first is that I wasn’t so good at school, and I didn’t want to keep studying. The second reason is that I just wanted to work on classic cars, not in the family business which has nothing to do with cars. But still, while I didn't make ‘big’ money, I did make enough to buy the cars I’ve always wanted.
    And how did you start? With which cars?
    The first was a Citroën Traction 11 Légère. Then I had some JaguarsAustin-Healeys and, in 1994, my first pre-War car: a Rolls-Royce Phantom I. In a way, this changed my life as a collector...
    Why?
    …because pre-War cars have this ‘je ne sais quoi’ which make them very special. Once you’ve driven one, you can’t forget it, and you want to drive others. It’s an addiction.
    And so you bought more pre-War cars?
    Yes, a Bugatti 57 Ventoux and then a Delage D8-120 Aerosport that I completely restored to concours condition. It made a big impression at the 1997 Rétromobile, as I presented the car half-restored.
    What’s your philosophy regarding classic cars?
    Cars are made to live, to be driven. Almost every day I take one of my cars from home to work. That’s a huge pleasure. I’ve always favoured cars with authenticity and soul. When I sit in a car, I want to feel something. I want to feel its history, its soul. I want to see the traces of age, of the good times... I like it when the original patina expresses something, tells you the story of the car.
    Which matters more to you, design or mechanics?
    Definitely design. I love very special cars. I like to imagine how the designer pictured the body before building it. Even if I’m also a mechanics freak...
    Do you regret buying or selling any cars?
    No, I have no regrets. Although there’s one car I hope I’ll never have to sell: my Bugatti Type 51.
    What’s the most wonderful car in your opinion?
    Hispano-Suiza in cabriolet form. There are some awesome bodies on Hispano chassis: I’d love to own one.
    And the most interesting car, mechanically?
    A Hispano-Suiza again. The engine parts are wonderful.
    So we can say you dream of a Hispano-Suiza?
    Well, I’d love to have one. My grandfather had an H6B – but my dream would really be a Talbot-Lago Le Mans car.
    In your collection, which car do you like the most?
    Either my Bugatti Type 51, or my Maserati A6GCS.
    And what about your Maserati? As a pre-War specialist collector, is that a car you always wanted?
    Well, we’ve come back to my childhood. Among all my Dinky Toys, there’s one I loved above all others: a red Maserati A6GCS that I still have in its little box. I loved the shape and always thought, “One day, I’ll have one.”
    Can you tell us more about the car?
    Well, as I said, I like cars with a very clear and unusual history. This particular car is the 23rd built in the series but, most importantly, it’s one of the four Works cars that ran for Maserati in period.
    So it has a special racing history?
    Yes, indeed. In 1955, the car ran in the Mille Miglia, Le Mans 24 Hours, the Coppa d’Oro delle Dolomiti and the Targa Florio, where it finished second in class. In 1956, it ran again in the Mille Miglia and finished first in class and 13th overall. Then in 1956, 1957 and 1958, the car competed in such races as the Grand Prix des Frontières in Chimay, the 6 Hours Esso in Vallelunga, the Shell Trophy in Monza, the Spa Grand Prix...
    And what about its condition?
    The car is mostly original: in 1958, the front end was modified with a more aerodynamic nose by Fantuzzi, and the aluminium sheets are still the right ones. The car has its original engine and gearbox and the majority of small details are correct for the period and have clearly never been modified. I really love this car... the shape is incredible, the music of its engine is unique, and the feeling at the wheel can’t be described.
    So your childhood dream came true?
    Yes, the little Dinky Toy is now full-size in my garage... I think that’s a nice story. And as my son is also crazy about cars, I know this car (and the others) will continue to live for a long time. Just as they were made to do: being driven with passion.
    Photos: Rémi Dargegen for Classic Driver © 2015

    First his bikes – now Richard Hammond's 'Bigfoot' Defender is for sale


    This Bigfoot-style 1987 Land Rover Defender 110 has the claim to fame of being formerly owned by (ex?) Top Gear host Richard Hammond. However, that’s only the most recent of a series of interesting chapters in the car’s history…

    Hardcore Hamster

    In the wake of the Clarkson fracas-gate, it seems the two blameless Top Gear hosts are rapidly cashing in their assets. Just last week, it was announced that Richard Hammond and James May had consigned numerous motorbikes to Bonhams’ Staffordshire County Show sale. Now, Classic Driver dealer Mather Collectable Motorcars is offering ‘Buster’: a 1987 Defender previously owned by Richard Hammond, who heavily modified the vehicle. Among the upgrades are a 230bhp 4.5-litre V8, a chassis-mounted rollcage, Bigfoot-esque wheels and tyres, and quilted oxblood leather upholstery lifted from a Range Rover Autobiography.

    A new role

    Buster’s life was an interesting one long before Hamster first assumed ownership, however. The vehicle was built as an airport fire tender before being decommissioned in order to feature in a TV show. After taking ownership shortly afterwards, ‘Hamster’ supposedly spent almost £70,000 on the changes – making the offered price all the more tempting.
    Update: The car has now been sold
    Photos: Mather Collectable Motorcars
    Richard Hammond’s 1987 Land Rover Defender 110 V8 is currently for sale via Mather Collectable Motorcars. You can find many more Land Rover Defenders for sale in the Classic Driver Market.

    WEC ; Toyota Gazoo Racing : Briller à Spa avant d’affronter l’ogre Le Mans

    World Endurance Championship
    TOYOTA GAZOO Racing ne se déplacera pas très loin ce week-end pour disputer la deuxième manche du Championnat du Monde d’Endurance, les Six Heures de Spa-Francorchamps, en Belgique. (In English)
    L’équipe est basée à Cologne, en Allemagne, chez TOYOTA Motorsport GmbH, soit à environ 120 km de Spa, considérée comme la première des trois épreuves « à domicile » avec celles de Fuji et du Nürburgring.
    Un peu plus tôt ce mois-ci, Anthony Davidson, Sébastien Buemi et Kazuki Nakajima, sur la TS040 HYBRID #1, ont débuté la saison en montant sur la troisième marche du podium des Six Heures de Silverstone. Anthony et Sébastien se sont imposés à Spa voilà 12 mois.
    A Silverstone, la quatrième place de la voiture #2 d’Alex Wurz, Stéphane Sarrazin et Mike Conway a permis à l’équipe de marquer un nombre satisfaisant de points. TOYOTA rejoint la Belgique à la deuxième place du classement général des constructeurs, soit huit points derrière les leaders, Audi.
    L’épreuve de Spa sera la 10ème course de la TS040 HYBRID. Au moins une des deux voitures est montée sur le podium de chacune de ces courses et s’est imposée à cinq reprises.
    Comme sur la première course de la saison, l’équipe utilisera de nouveau sur la TS040 HYBRID le package à forts appuis. Bien que les exigences du tracé de Spa nécessitent un niveau d’appuis inférieur à Silverstone, l’utilisation de ce package permettra d’atteindre des vitesses plus élevées sur la longue ligne droite de Kemmel.
    Contrairement aux années précédentes, où tout le programme du meeting du Spa était concentré sur deux jours, cette année le programme s’étalera sur trois jours. Les essais libres débutent le jeudi (12h00-13h30 et 16h30-18h00) et se terminent le vendredi (14h00-15h00), juste avant les qualifications (de 18h35 à 19h00). La course débutera le samedi à 14h30.
    Toshio Sato, président de l’équipe : « Spa est une course importante pour nous, et pas seulement parce qu’elle compte parmi nos épreuves à domicile. C’est aussi la dernière course avant Le Mans, il sera donc très important de collecter de nombreuses données et d’affiner notre voiture afin d’optimiser notre préparation. Nous avons gagné cette course l’an dernier et ce sera encore une fois notre ambition, même si nous savons que nos adversaires sont redoutables. Tout le monde a travaillé très dur après Silverstone pour que nous soyons prêts et nous allons nous battre pour la victoire. »
    Anthony Davidson (TS040 HYBRID #1) : « Je suis impatient de revenir rouler à Spa car c’est une piste que j’aime et l’une de celles où nous avons gagné l’année dernière. J’espère que nous serons plus compétitifs là-bas que nous l’étions à Silverstone. La météo est toujours imprévisible à Spa. On ne sait jamais ce qui va arriver et cela peut certainement affecter les résultats. La piste elle-même est vraiment fascinante et passer l’Eau Rouge est beaucoup plus difficile avec une LMP1 qu’une F1. Dans un bon jour, c’est à peu près à fonds, ce qui signifie que l’on est toujours à la limite en passant là. »

    1-of-1 creates personalised prints of your pride and joy


    No matter how many examples of your treasured machine were produced, it will always be ‘one of one’, according to Australian graphic artist Steve Schenko. It seems many agree – so he’s now transformed his hobby of creating beautiful bespoke works of auto-art into a thriving business…
    “We work closely with the client to identify all the important features of the car that they want us to capture,” self-proclaimed ‘bald art director and car enthusiast’ Steve Schenko told Classic Driver. “The most common request we get is to capture the decals on the cars – the little things that make their car ‘theirs’. A good example is a customer from California, who asked us to capture a very subtle decal he had placed on the rear window of his 993 C2S. The decal is so subtle that most people would never notice it, but to us (and him) that’s what makes it cool – he’ll notice it.”
    We noticed your ‘ERR KULD’ numberplate too, Mr 993 – very ‘cool’ indeed…

    A hobby at heart

    Schenko began to work on custom commissions after using his graphic design expertise to illustrate his own car, the Chiffon White 1984 Porsche 911 3.2 Carrera shown in the lead image above. Requests soon began coming in from his own circle of friends and beyond, and the promise of spending his working week talking to like-minded enthusiasts led him to form his own company, appropriately named 1-of-1. “I’ve conceded that it’s never going to be a big money-maker which, to be honest, is okay.”

    Accurate, down to the finest details

    “To ensure we capture all the correct details, we often ask for many reference shots, from detailed shots of the wheels and tyres, through to any decals,” Schenko continues. “Once we have illustrated it, we then send proofs to the client to approve. It’s their artwork – we want them to be 100% happy, and we invite them to be part of the process, much like building a car. Each illustration takes around two days to produce, depending on how much detail the client wants. It’s a long process; however, it offers the customer the opportunity to change details should they wish, prior to finalising the print.”
    Photos: 1-OF-1
    For further information, visit the 1-OF-1 website.